玉观音 (豆瓣)

又名: Jade
表演者: Pan Daijing
流派: 电子
专辑类型: 专辑
介质: 黑胶
发行时间: 2021-06-04
出版者: PAN
唱片数: 1
其他版本: Jade （全部）

豆瓣评分

7.9

579人评价

5星

21.8%
4星

55.9%
3星

20.7%
2星

1.3%
1星

0.4%

想听在听听过

评价:

简介 · · · · · ·

　　What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at insti... (展开全部) 　　What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.
　　Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis..., however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.
　　“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water. more

曲目 · · · · · ·

1. Clean 一月
2. The Goat 二月
3. Dictee 三月
4. Tilt 四月
5. Dust 五月
6. Ran 乱
7. Let 七月
8. Metal 八月
9. Moema, forever 九月

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: IRISIRI 8.5

: How Much Time Is It Between You ... 8.4

: ANTIDAWN 8.0

: Cavalcade 8.6

我来说两句

短评 · · · · · · ( 全部 151 条 )

玉观音的乐评 · · · · · · ( 全部 1 条 )

热门最新好友

raindog 2021-07-06 18:04:44

「鹈鹕 Hits」｜ Pan Daijing 潘岱静的音乐让人不安，但也可以成为你的初恋

Pan Daijing 的名字可能不是很多人知道，但口味前沿的乐迷一定不会对她感到陌生。2017 年，Pan Daijing发行了她的首张个人全长专辑《Lack 惊蛰》。这张专辑入选了英国前卫音乐杂志《Wire》的年度专辑，名列第八位，这是一个颇为了不起的成绩。 Pan Daijing的音乐作品里融合电子... (展开)