One of the year’s most daring and true pop records, private LIFE comes as the result of Virginia Wing living through, and with, huge personal emotional and mental traumas. It is a document of how the very process of music creation in a group can be of huge therapeutic benefit to people. The three members of Virginia Wing have explored the depths of their creative and artistic...(展开全部) One of the year’s most daring and true pop records, private LIFE comes as the result of Virginia Wing living through, and with, huge personal emotional and mental traumas. It is a document of how the very process of music creation in a group can be of huge therapeutic benefit to people. The three members of Virginia Wing have explored the depths of their creative and artistic inspirations within performance, production and composition, and have made a candid and brash pop record that speaks clearly about hope, desperation, impulse, addiction, urge and shame. More tumultuous than its predecessor, private LIFE knocks hard. The evolution of Virginia Wing’s sound continues to build on the broad creative flow of the last album whilst being another audacious contribution to contemporary pop. The drums are huge and playfully unquantized. Edits are both assured and heavy handed, the instrumentation lightly mediates the two and finds itself on the edge of collapse alongside them. The icy facade of Merida Richards’ words are still front and centre, but are contrasted by dense, multilayered improvisations, vying for attention throughout the record. Over ‘I’m Holding Out For Something’s relentless juggernaut of 00’s Rn’B beats, Richards examines the relentless hope and desperation glued to modern consciousness, and speaks of how we often find the answer, or the route through, right at the breaking point. Subsequently, ‘St Francis Fountain’ compounds the issue, observing that often our own coping mechanisms can grow into full blown traumas of their own. Virginia Wing’s last record opened its arms into euphoric light, private LIFE invites you through a door and closes it. It examines what we’re doing at night, on our own, after work. What we do to enjoy ourselves, to cope, to be together, to be alone. It shines a dim blue light on what might be happening, causing us anxiety, stress and desire. “Visionary, totally idiosyncratic” The Guardian
曲目
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I’m Holding Out For Something Moon Turn Tides Soft Fruit Michael Returns To The Garden 99 North Return To View St. Francis Fountain Private Life Half Mourning Lucky Coin OBW Saints I Know About These Things
0 有用 才睡醒 2021-02-19 23:42:02
8.0
0 有用 Nido 2021-08-28 23:53:39
隔离在家听还是挺好玩的
0 有用 Chlorophyll04 2021-02-13 17:05:50
Virginia Wing 将山水情怀寄托于笛声、合成器、萨克斯的奇妙拼贴,流水、鸟鸣的采样和细碎的声响提供宛如时空穿梭的体验。
0 有用 MichaelCera 2021-02-15 17:11:13
OBW Saints>>>>
0 有用 高原公主尜尜 2021-02-14 16:51:26
track2,7
0 有用 zhongming 2021-03-20 16:18:23
1VQ8WMTMD8q4laoOGvDL_ew 提取码: 6jco 解压码 needpop.com
0 有用 Ethelbert_ss 2021-03-11 14:59:57
6.7
0 有用 才睡醒 2021-02-19 23:42:02
8.0
0 有用 Raymon是威猛 2021-03-14 17:16:27
3.5 <St. Francis Fountain>听着很“洗茶”带来的好感,抵不过器乐纵横交错的杂乱效果。噢还有主唱(×)reader(√)一开口直接变冥想打坐bgm…… Cut: Return To View/OBW Saints
1 有用 Eyes2theWind 2021-02-19 03:23:59
6.0 成规模的旋律得靠“找”,即使是有的地方也常常有个念白的和声垫在下面,许多时候单一乐器在一个声道响起,感受并不好 cut: 1