One of the year’s most daring and true pop records, private LIFE comes as the result of Virginia Wing living through, and with, huge personal emotional and mental traumas. It is a document of how the very process of music creation in a group can be of huge therapeutic benefit to people. The three members of Virginia Wing have explored the depths of their creative and artistic...(展开全部) One of the year’s most daring and true pop records, private LIFE comes as the result of Virginia Wing living through, and with, huge personal emotional and mental traumas. It is a document of how the very process of music creation in a group can be of huge therapeutic benefit to people. The three members of Virginia Wing have explored the depths of their creative and artistic inspirations within performance, production and composition, and have made a candid and brash pop record that speaks clearly about hope, desperation, impulse, addiction, urge and shame. More tumultuous than its predecessor, private LIFE knocks hard. The evolution of Virginia Wing’s sound continues to build on the broad creative flow of the last album whilst being another audacious contribution to contemporary pop. The drums are huge and playfully unquantized. Edits are both assured and heavy handed, the instrumentation lightly mediates the two and finds itself on the edge of collapse alongside them. The icy facade of Merida Richards’ words are still front and centre, but are contrasted by dense, multilayered improvisations, vying for attention throughout the record. Over ‘I’m Holding Out For Something’s relentless juggernaut of 00’s Rn’B beats, Richards examines the relentless hope and desperation glued to modern consciousness, and speaks of how we often find the answer, or the route through, right at the breaking point. Subsequently, ‘St Francis Fountain’ compounds the issue, observing that often our own coping mechanisms can grow into full blown traumas of their own. Virginia Wing’s last record opened its arms into euphoric light, private LIFE invites you through a door and closes it. It examines what we’re doing at night, on our own, after work. What we do to enjoy ourselves, to cope, to be together, to be alone. It shines a dim blue light on what might be happening, causing us anxiety, stress and desire. “Visionary, totally idiosyncratic” The Guardian
0 有用 HeresdatOoLbOx 2021-02-20 00:21:42
哪段不太和谐的旋律会成长为我的hook?好像没有,又好像很多。只是我能猜到这个组合很享受制作这张pseudo-jazz专辑的过程。
0 有用 Pablo 2021-02-16 00:57:47
7.8 制作还算有趣
0 有用 Raymon是威猛 2021-03-14 17:16:27
3.5 <St. Francis Fountain>听着很“洗茶”带来的好感,抵不过器乐纵横交错的杂乱效果。噢还有主唱(×)reader(√)一开口直接变冥想打坐bgm…… Cut: Return To View/OBW Saints
1 有用 Eyes2theWind 2021-02-19 03:23:59
6.0 成规模的旋律得靠“找”,即使是有的地方也常常有个念白的和声垫在下面,许多时候单一乐器在一个声道响起,感受并不好 cut: 1
0 有用 zhongming 2021-03-20 16:18:23
1VQ8WMTMD8q4laoOGvDL_ew 提取码: 6jco 解压码 needpop.com
0 有用 zhongming 2021-03-20 16:18:23
1VQ8WMTMD8q4laoOGvDL_ew 提取码: 6jco 解压码 needpop.com
1 有用 Eyes2theWind 2021-02-19 03:23:59
6.0 成规模的旋律得靠“找”,即使是有的地方也常常有个念白的和声垫在下面,许多时候单一乐器在一个声道响起,感受并不好 cut: 1
0 有用 高原公主尜尜 2021-02-14 16:51:26
track2,7
0 有用 MichaelCera 2021-02-15 17:11:13
OBW Saints>>>>
0 有用 Raymon是威猛 2021-03-14 17:16:27
3.5 <St. Francis Fountain>听着很“洗茶”带来的好感,抵不过器乐纵横交错的杂乱效果。噢还有主唱(×)reader(√)一开口直接变冥想打坐bgm…… Cut: Return To View/OBW Saints