Having spent 2018 reminding everyone exactly why they're one of the UK's best loved bands via a series of jubilant, celebratory live shows and a duo of singles ('Love Like Waves' and 'Heaven Let Me In' plus an impeccably chosen cover of Charles B & Adonis’ ‘Lack Of Love’) that were a near perfect distillation of club-fuelled euphoria and instinctively modern pop sensibilities...(展开全部) Having spent 2018 reminding everyone exactly why they're one of the UK's best loved bands via a series of jubilant, celebratory live shows and a duo of singles ('Love Like Waves' and 'Heaven Let Me In' plus an impeccably chosen cover of Charles B & Adonis’ ‘Lack Of Love’) that were a near perfect distillation of club-fuelled euphoria and instinctively modern pop sensibilities, Friendly Fires return with their long-awaited third album. Arriving eight years after their last album, 'Inflorescent' is the sound of a band rejuvenated and reborn. The hiatus had left some to question whether we'd ever see another full length Friendly Fires record but once the three band members - Ed Macfarlane, Edd Gibson and Jack Savidge, friends since the age of eleven - reconvened in Macfarlane's parents' St Albans garage (the scene of much of their early recorded output) at the tail end of 2017, things were never really in doubt. Arriving with just three scrawled words ("Love. Like. Waves") as a starting point, they soon emerged with a finished song as fresh and vital as anything they'd done before, Alongside producers / co-producers Mark Ralph, James Ford and Disclosure, Friendly Fires have spent the last eighteen months making a record in a variety of London studios that stands tall among their previous albums; the Brit Awards and Mercury Prize-nominated 'Friendly Fires' and its acclaimed follow up, 'Pala'. In fact, it may well go down as their best yet. If their previous records summoned a feeling of yearning and hazy escapism, Inflorescent is much more direct, in part inspired – lyrically at least – by reconnecting with the hardcore records they’d bonded over as teenagers. Equally informed by experiencing the here and now, by hanging out and dancing in clubs together as a trio again, it’s a record very much about living in the present; about not being afraid, seizing the moment, casting aside doubts and pursuing the things you love. The lead track from the album is 'Silhouettes'. Debuted as Annie Mac's 'Hottest Record', the track was recorded in producer James Ford's attic studio and features co-production from Ford and Mark Ralph. With a nod towards the Brazilian disco records the band have always loved, it’s another anthem-in-the-making.
曲目
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1. Can’t Wait Forever 2. Heaven Let Me In 3. Silhouettes 4. Offline 5. Sleeptalking 6. Kiss and Rewind 7. Love Like Waves 8. Lack Of Love 9. Cry Wolf 10. Almost Midnight 11. Run The Wild Flowers
0 有用 两万英尺斯图卡 2019-09-28 04:43:21
天呐
0 有用 金色面包机 2019-08-21 13:28:46
后半段是个甚
0 有用 后窗 2023-02-22 01:14:54 上海
额,归类到摇滚,就感觉这味儿有点稀,可能兑水了,heaven let me in好像是EZFM听到的。
0 有用 poppyxong 2020-03-12 00:45:33
Offline 真的很好聽
0 有用 叫龚一凡 2019-08-20 23:25:51
封面就让人想听
2 有用 Tobey.C 2019-10-05 23:48:01
太好听了!Almost Midnight、Silhouettes、天堂请为我开门 and More
0 有用 Sash 2023-08-04 00:56:30 上海
@2019-08-23 13:36:58
0 有用 爱科学+ 2020-04-14 14:13:21
整张听完感觉有点“口水”,喜欢heaven let me in, offline, miss and rewind, look like waves
0 有用 Friogrifo 2021-12-16 11:09:38
秀场和快消品牌店喜欢放的音乐
1 有用 欢乐仔XRAY 2019-10-02 15:37:35
评分神低😂