Holly’s third full-length album PROTO isn’t about A.I., but much of it was created in collaboration with her own A.I. ‘baby’, an entity called 'Spawn'. For the album, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk si...(展开全部) Holly’s third full-length album PROTO isn’t about A.I., but much of it was created in collaboration with her own A.I. ‘baby’, an entity called 'Spawn'. For the album, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion. 'PROTO' makes reference to what Holly refers to as the protocol era, where rapidly surfacing ideological battles over the future of A.I. protocols, centralised and decentralised internet protocols, and personal and political protocols compel us to ask ourselves who are we, what are we, what do we stand for, and what are we heading towards? ‘Eternal follows the 2018 release of Holly and Jlin’s collaborative song ‘Godmother (feat. Spawn)’. The skittering track, which was created by Spawn reimagining the artworks of her ‘godmother’ Jlin in a trained model of her mother’s voice with no editing or sample trickery, was praised everywhere from NPR to The Guardian to New York Times, and elsewhere. You can hear traces of Spawn throughout the album, developed in partnership with long time collaborator Mathew Dryhurst and ensemble developer Jules LaPlace, and even eavesdrop on the live training ceremonies conducted in Berlin, in which hundreds of people were gathered to teach Spawn how to identify and reinterpret unfamiliar sounds in group call-and-response singing sessions; a contemporary update on the religious gathering Holly was raised amongst in her upbringing in East Tennessee. “There’s a pervasive narrative of technology as dehumanizing,” says Holly. “We stand in contrast to that. It’s not like we want to run away; we’re very much running towards it, but on our terms. Choosing to work with an ensemble of humans is part of our protocol. I don’t want to live in a world in which humans are automated off stage. I want an A.I. to be raised to appreciate and interact with that beauty ” Since her arrival in 2012, Holly has successfully mined the edges of electronic and Avant Garde pop and emerged with a dynamic and disruptive canon of her own, all while studying for her soon-to-be-completed PhD at Stanford University, researching machine learning and music. Her LP Platform closed out 2015 by gracing year-end lists from Pitchfork, The Guardian, NME, and The Wire. In the aftermath, Radiohead hand-picked her to open up their European tour. Just as Platform forewarned of the manipulative personal and political impacts of prying social media platforms long before popular acceptance, PROTO is a euphoric and principled statement setting the shape of things to come.
曲目
· · · · · ·
Birth [1:14]
Alienation [3:43]
Canaan (Live Training) [1:42]
Eternal [4:45]
Crawler [5:57]
Extreme Love (with Lily Anna Haynes and Jenna Sutela) [2:34]
对进化史最好的阅读理解。罕见展现出除追逐以外的包容和接纳。“从猿到人,从人到机器,性别、种族、形质的边界消失,人类对原始到底有没有真实的认知?”也许原始的意义仍不能确定,它不断变化,一直使人困惑、怀疑和探索。
“We are completely outside ourselves, and the world is completely inside us.”霍莉的解构让AI不再冰冷,变得人声鼎...对进化史最好的阅读理解。罕见展现出除追逐以外的包容和接纳。“从猿到人,从人到机器,性别、种族、形质的边界消失,人类对原始到底有没有真实的认知?”也许原始的意义仍不能确定,它不断变化,一直使人困惑、怀疑和探索。
“We are completely outside ourselves, and the world is completely inside us.”霍莉的解构让AI不再冰冷,变得人声鼎沸,仿佛多了一层神秘浪漫的气息。(展开)
Since her early releases on RVNG Intl and Infinite Greyscale, Holly Herndon has been exploring the outer limits of electronic music and Avant-Garde pop, creating an otherworldly universe that is distinctly her own. Her fascination with the human voice, has ...
(展开)
4 有用 W.L.N 2020-10-11 22:09:00
0/100 当last gasp那些温柔的glitch一点点地跳入我的耳朵的时候 我的恐惧就达到了顶峰 我不知道怎样去评价这样一张专辑 它的概念性和音乐性是非常完整的——人类 文化 科技 历史 与AI的灵肉交融(甚至在封面上都能体现出来) 但是在那些时而宏大时而细腻的感情中 Holly的态度却天真得恐怖 我本身就非常反对AI创作这项技术 而这部作品里我更是看不到任何强有力的后设 其实从moveme... 0/100 当last gasp那些温柔的glitch一点点地跳入我的耳朵的时候 我的恐惧就达到了顶峰 我不知道怎样去评价这样一张专辑 它的概念性和音乐性是非常完整的——人类 文化 科技 历史 与AI的灵肉交融(甚至在封面上都能体现出来) 但是在那些时而宏大时而细腻的感情中 Holly的态度却天真得恐怖 我本身就非常反对AI创作这项技术 而这部作品里我更是看不到任何强有力的后设 其实从movement的切割 到platform的展开 这张是水到渠成的 但更令我恐慌的是这张可能带来的不可估量的负面影响 这张专辑宁愿去回望或是展望人类文明或是直接讨论情感却无视AI技术的危险性的内容令我非常愤怒 我甚至觉得这种美丽新世界式的艺术走向就要吞噬整个文化 而这张专辑却无动于衷 (展开)
0 有用 乔治洗衣机 2019-08-16 17:15:45
AI终究还是无破框时刻 但这张仍然难得 和Jlin的合作非常非常好 专辑立马深了一层
9 有用 MeetMeinaMaze 2019-05-11 13:51:22
Holly Herndon本来就热衷以声音技术度量情感表达,通过AI程序反馈的成品效果也营造了理想的科幻乌托邦环境,是她最无播放阻力的一张,club倾向的作品很迷人,机器之音经过培育长出血肉、产生行为的过程更迷人,关于性别、身份的存疑也在原始和科技氛围的对峙下浮出水面
0 有用 𝙎𝙥𝙖𝙧𝙠𝙮 | ✟ 2019-05-10 19:25:50
飘了
0 有用 血源2出了吗? 2021-10-14 18:00:43
咋忘标了
0 有用 彭婶高龄六十六 2023-10-01 16:42:19 天津
对进化史最好的阅读理解。罕见展现出除追逐以外的包容和接纳。“从猿到人,从人到机器,性别、种族、形质的边界消失,人类对原始到底有没有真实的认知?”也许原始的意义仍不能确定,它不断变化,一直使人困惑、怀疑和探索。 “We are completely outside ourselves, and the world is completely inside us.”霍莉的解构让AI不再冰冷,变得人声鼎... 对进化史最好的阅读理解。罕见展现出除追逐以外的包容和接纳。“从猿到人,从人到机器,性别、种族、形质的边界消失,人类对原始到底有没有真实的认知?”也许原始的意义仍不能确定,它不断变化,一直使人困惑、怀疑和探索。 “We are completely outside ourselves, and the world is completely inside us.”霍莉的解构让AI不再冰冷,变得人声鼎沸,仿佛多了一层神秘浪漫的气息。 (展开)
0 有用 Blues folklore 2023-10-02 14:46:57 河南
实验先锋的。
0 有用 Lam生說給力 2024-01-26 16:30:19 广东
3.5+
0 有用 hitlike 2024-09-17 14:38:32 黑龙江
人机和谐的动机但攻壳感的效果,标准的AI味儿——粗颗粒合成、低质采样的质感,民乐混入后整体又很像Carl Stone的某些采样处理,一些新奇的生成还是带来不同的听觉感受,比如她说《Godmother》里AI自己创造出的类似打嗝般的声响……
0 有用 Anthropocene 2024-07-12 10:58:48 重庆
Alienation