“Things fade into obscurity when a populace has no interest” - Meitei / 冥丁 Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His m...(展开全部) “Things fade into obscurity when a populace has no interest” - Meitei / 冥丁 Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective Japanese consciousness with each passing generation, what he calls "the lost Japanese mood". He chose to dedicate Komachi to his late Grandmother. “I want to revive the soul of Japan that still sleeps in the darkness” - Meitei / 冥丁 Haunting and delicate, distant and timeless, Komachi is awash with white noise, complex field recordings and the hypnotic sounds of flowing water. Though confidently contemporary, like a bucolic J-Dilla, Komachi’s lineage can be traced back to the floating worlds of Ukiyo-e and Gagaku via the prism of 80s Japanese ambient pioneers, and 90s pastoral sample-based artists such as Susumu Yokota and Nobukazu Takemura. Composed as individual sonic dioramas, each of the twelve tracks have been crafted to not only evoke feelings of nostalgia but to also explore the dichotomy of ancient and new in modern Japanese society. This pervasive narrative runs throughout, calling to mind the work of authors Yasunari Kawabata and Natsume Soseki, as well as the films of Yasujirō Ozu and Hayao Miyazaki, artists similarly fascinated by the reflective tranquillity that permeated traditional Japanese domestic life. The limited vinyl release, produced in collaboration with label and distributor Séance Centre, includes a super limited special edition complete with beautiful twelve-page booklet featuring a number of prints in the Ukiyo-e style, a traditional style of woodblock print that dates back to 17th century Japan. The images were chosen by Meitei to showcase the old style Japanese sentiments that form a core inspiration to his musical output
1 有用 忠实的小昆虫 2022-12-01 17:34:25 新西兰
以浮世绘作为专辑的美学灵感,从喧嚣生活中提取一抹荒凉进行美化加工。比起制造音乐本身,Komachi更着重于带领你走进这个潺潺流水的世外桃源。 你可以听到流水清澈的回响贯穿这张专辑的始终,取材于日本民乐的旋律保证了这张专辑的可听性。密密麻麻的合成器卡顿效果更让你难以分别幻梦与现实之间那条若隐若现的分界线。风的意向其实在音乐创作中并不是容易体现的存在,这里运用震荡的流水泛起的环形波纹,从另一个角度为... 以浮世绘作为专辑的美学灵感,从喧嚣生活中提取一抹荒凉进行美化加工。比起制造音乐本身,Komachi更着重于带领你走进这个潺潺流水的世外桃源。 你可以听到流水清澈的回响贯穿这张专辑的始终,取材于日本民乐的旋律保证了这张专辑的可听性。密密麻麻的合成器卡顿效果更让你难以分别幻梦与现实之间那条若隐若现的分界线。风的意向其实在音乐创作中并不是容易体现的存在,这里运用震荡的流水泛起的环形波纹,从另一个角度为我们展现了"春风拂水"的画面。 (展开)
0 有用 比特斯威特 2023-06-16 01:03:17 广东
清雅
4 有用 Petrichor 2020-08-12 12:25:58
专辑名取自诗人 小野小町 Ono no Komachi的名字,分成两部分的长曲曲名也是浮世绘画师河锅晓斋 Kawanabe Kyōsai的名字,每一首不尽相同,我都很可以。
0 有用 绿茶君 2020-02-03 00:03:19
带点禅意的日系电子氛围 好赞啊
0 有用 三踉 2023-07-07 23:53:35 天津
好美滴封面
0 有用 kenper shy 2023-09-20 13:17:46 河北
–– “听的想尿尿” –– “听的想射射”
0 有用 Chinos 2024-06-13 10:43:36 北京
浮世绘
0 有用 明月胜 2023-04-22 10:15:05 美国
适合乍暖还寒时节
0 有用 千重子 2023-02-21 13:03:10 上海
Nami
0 有用 u_seikei 2023-06-06 05:28:31 浙江
入睡