“Things fade into obscurity when a populace has no interest” - Meitei / 冥丁 Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His m...(展开全部) “Things fade into obscurity when a populace has no interest” - Meitei / 冥丁 Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective Japanese consciousness with each passing generation, what he calls "the lost Japanese mood". He chose to dedicate Komachi to his late Grandmother. “I want to revive the soul of Japan that still sleeps in the darkness” - Meitei / 冥丁 Haunting and delicate, distant and timeless, Komachi is awash with white noise, complex field recordings and the hypnotic sounds of flowing water. Though confidently contemporary, like a bucolic J-Dilla, Komachi’s lineage can be traced back to the floating worlds of Ukiyo-e and Gagaku via the prism of 80s Japanese ambient pioneers, and 90s pastoral sample-based artists such as Susumu Yokota and Nobukazu Takemura. Composed as individual sonic dioramas, each of the twelve tracks have been crafted to not only evoke feelings of nostalgia but to also explore the dichotomy of ancient and new in modern Japanese society. This pervasive narrative runs throughout, calling to mind the work of authors Yasunari Kawabata and Natsume Soseki, as well as the films of Yasujirō Ozu and Hayao Miyazaki, artists similarly fascinated by the reflective tranquillity that permeated traditional Japanese domestic life. The limited vinyl release, produced in collaboration with label and distributor Séance Centre, includes a super limited special edition complete with beautiful twelve-page booklet featuring a number of prints in the Ukiyo-e style, a traditional style of woodblock print that dates back to 17th century Japan. The images were chosen by Meitei to showcase the old style Japanese sentiments that form a core inspiration to his musical output
2 有用 Hey LIoyd 2021-03-27 23:55:35
缺少契机是听不进去的
0 有用 1968小金 2021-12-10 12:11:12
锦湖中心,spotify,雨后初晴。
0 有用 Lies of Lies 2022-04-18 16:58:46
俳句电子?
0 有用 狗蛋星 2022-07-20 10:39:39
3.5,最近听氛围多一些,整体感觉这类音乐有点假大空,但蛮美的。热闹街道的荒凉一角听起来就是这样,自怨自艾的美人鱼的房间里也适合以这张当背景音。赞同短评中有位所说的“缺少契机是听不进去的“。
0 有用 比特斯威特 2023-06-16 01:03:17 广东
清雅
0 有用 _littlemariah 2025-04-25 22:45:31 上海
东瀛巧克力ambient
0 有用 Tekie 2025-01-01 12:41:03 北京
[Nami]
0 有用 八月鹅卵石 2025-04-20 21:15:40 新加坡
每一次听都觉得很美 通感很强的创作力
0 有用 茉莉的茉。 2024-01-01 18:14:57 北京
2022.04.18 // 2024.01.01
0 有用 cardonlelrl 2024-12-30 03:17:24 天津
很喜欢的一位 应该会陆陆续续听完所有作品~