表演者:
Billie Eilish
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
简介 · · · · · ·
Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents he...
(展开全部)
Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
曲目 · · · · · ·
- !!!!!!!
- bad guy
- xanny
- you should see me in a crown
- all the good girls go to hell
- wish you were gay
- when the party's over
- 8
- my strange addiction
- bury a friend
- ilomilo
- listen before i go
- i love you
- goodbye
喜欢听"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的人也喜欢的唱片 · · · · · ·
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的乐评 · · · · · · ( 全部 22 条 )


Billie Eilish: When We All Fall Asleep, Where Do We Go?
四星半。 就在两个多星期前她释出Bad Guy与Justin Bieber合作的新版本后,友邻连称这张曾经风靡因特网的专辑也不幸沾染上了臭味,可是就结果而言,她的做法并无意外--不仅因为他们都是信息时代的青少年偶像,还因为他们共同暗示了一种过度敏感的同时也过度空虚的生活方式。那么...
(展开)
> 更多乐评 22篇
"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的论坛 · · · · · ·
When the party’s over 前奏独白 | 来自Ssssimon | 2022-02-05 13:36:38 | |
关于bad guy的最后一段 | 来自长滩麦克 | 2021-10-15 23:30:10 | |
为什么那么恐怖那么黑暗 | 来自ƪ(˘⌣˘)ʃ | 2021-10-11 00:58:43 | |
全专歌词 | 来自䏍㐬 | 2020-06-12 05:00:52 | |
Billie Eilish is a goldfish. 自娱自乐 | 来自NathanaëlG | 2020-06-01 21:25:56 |
> 浏览更多话题
以下豆列推荐 · · · · · · (全部)
- ■格莱美年度最佳专辑提名全记录 (小熊猫)
- 历届格莱美年度最佳专辑 (安短)
- 滚石五百大专辑2020版 (Exodus_)
- 滾石雜誌五百大專輯 (2020 edition) (半澤直叔)
- 2010年代All Genre Best Album 100 (耳田)
谁听这张唱片?
订阅关于WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的评论:
feed: rss 2.0
235 有用 雨子 2019-03-30 08:05:38
装神弄鬼 毫无营养
437 有用 斌 2019-03-12 08:23:59
美国窦靖童
61 有用 大大大大大白猫 2019-03-30 18:20:31
5.0/10.0 真的有那么好听吗?要我说连Sky Ferreira的回归单都比不上吧......在经历了灾难一样的2018年后,媒体似乎集体陷入了PTSD状态,看到一个成色稍微好一点(有些时候也许连成色稍微好都算不上)的东西就一拥而上地打高分企图拔苗助长造神。Billie Eilish一专交出这样的作品和她受到的好评相比显然是“德不配位”的。从某种意义上,她在这张专辑里试图用制作来掩盖自己词曲相... 5.0/10.0 真的有那么好听吗?要我说连Sky Ferreira的回归单都比不上吧......在经历了灾难一样的2018年后,媒体似乎集体陷入了PTSD状态,看到一个成色稍微好一点(有些时候也许连成色稍微好都算不上)的东西就一拥而上地打高分企图拔苗助长造神。Billie Eilish一专交出这样的作品和她受到的好评相比显然是“德不配位”的。从某种意义上,她在这张专辑里试图用制作来掩盖自己词曲相对疲软的毛病,但是无病呻吟的歌词却把她自以为是的精巧制作衬托得更像奇技淫巧。对于Glitch音效等声效元素的应用也太过于浅显,她对于睡梦的解构也显得力不从心。更重要的是,另类音乐并不和难听音乐划等号,这一点很多独立音乐人都没有意识到。 (展开)
154 有用 YULEN 2019-03-31 00:52:00
别吹了
83 有用 耳田 2019-03-30 08:15:27
时代在推进、在反复,给出差评也遵循同一逻辑。当下最理所当然会出现的与时代浑然一体的声响。另,为什么要拿Lorde来比?前朝的剑能斩本朝的官?
0 有用 Yinan 2025-02-11 13:37:23 四川
8.5/10
0 有用 天书译者 2025-02-13 01:03:38 陕西
软硬之后突然成功接入了梨的电波,所以开始重听前几专,之前听不惯的歌现在都好入耳,喜欢
0 有用 浪费咕咕咕咕滚 2025-02-16 16:45:14 浙江
真心希望我梨再做一张像梦游这样概念完整,视觉也有特色的专辑
0 有用 冬日重現 2025-03-03 02:55:21 山东
17 岁有这样的作品,难道还要多苛刻吗
0 有用 Cinnamoon 2025-02-25 18:15:55 北京
神专