表演者:
Billie Eilish
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
简介 · · · · · ·
Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents he...
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Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
曲目 · · · · · ·
!!!!!!!
bad guy
xanny
you should see me in a crown
all the good girls go to hell
wish you were gay
when the party's over
8
my strange addiction
bury a friend
ilomilo
listen before i go
i love you
goodbye
bad guy
xanny
you should see me in a crown
all the good girls go to hell
wish you were gay
when the party's over
8
my strange addiction
bury a friend
ilomilo
listen before i go
i love you
goodbye
喜欢听"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的人也喜欢的唱片 · · · · · ·
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的乐评 · · · · · · ( 全部 21 条 )
Billie Eilish: When We All Fall Asleep, Where Do We Go?
四星半。 就在两个多星期前她释出Bad Guy与Justin Bieber合作的新版本后,友邻连称这张曾经风靡因特网的专辑也不幸沾染上了臭味,可是就结果而言,她的做法并无意外--不仅因为他们都是信息时代的青少年偶像,还因为他们共同暗示了一种过度敏感的同时也过度空虚的生活方式。那么...
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> 更多乐评 21篇
"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的论坛 · · · · · ·
When the party’s over 前奏独白 | 来自Ssssimon | 2022-02-05 13:36:38 | |
关于bad guy的最后一段 | 来自长滩麦克 | 2021-10-15 23:30:10 | |
为什么那么恐怖那么黑暗 | 来自ƪ(˘⌣˘)ʃ | 2021-10-11 00:58:43 | |
全专歌词 | 来自䏍㐬 | 2020-06-12 05:00:52 | |
Billie Eilish is a goldfish. 自娱自乐 | 来自NathanaëlG | 2020-06-01 21:25:56 |
> 浏览更多话题
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谁听这张唱片?
订阅关于WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的评论:
feed: rss 2.0
377 有用 L+ 2019-03-29 15:53:39
节奏的高手,旋律的天才,视角鬼灵深邃,唱腔饱满敏感——只用一张专辑就成功构建让人过目难忘艺术人格的典型案例。
33 有用 CapyPOWER! 2019-04-17 00:37:53
说实话真的叫作大写的“无病呻吟。”Grow up please。
14 有用 三千世界 2020-01-22 09:48:01
非常一般,也不知道为啥会爆红起来的
154 有用 tlmgt 2019-03-29 16:43:11
一方面为她的大红高兴,一方面为这样的首专感到略可惜(反复听了几遍 还是回去听17年的EP好了)但话说回来,即使是Lorde自己 也说她直到2015年才第一次听到Kate Bush. 所以未来的事情 谁知道
223 有用 海马区的突触 2019-03-29 06:35:41
制作撑起来大部分歌曲…旋律整张同质化。而且整张的自杀悲观黑暗文化略过火,仅仅几首叫特色,一整张就略显逗比。没想到从迪士尼的泡泡糖歌手进化了二十年现在青少年的酷变成了这样。有点无病呻吟…
0 有用 。 2024-03-08 01:35:56 广东
神专
0 有用 我把名号和签名 2024-03-08 16:40:04 河南
又一张欧美青少年发疯文学无病呻吟专辑,我为什么要说又
0 有用 Tum 2024-03-05 00:54:21 泰国
这张专辑还真是常听常新,为另类音乐喷发的10年代画上了完美的句号,happier than ever反而没有这张独特,感觉时间会证明这张专辑的价值。
0 有用 mr.fun 2024-03-17 22:44:09 四川
刚发行首专时初听下来觉得一般,最近反复听二专的同时又回来复习整专发现很耐听,碧梨的音乐风格真的乐坛少有。
0 有用 恣翎 2024-02-29 20:43:53 吉林
编曲太加分