表演者:
Haino Keiji
/
Yoshida Tatsuya
流派: 摇滚
专辑类型: 专辑
介质: CD
发行时间: 2001
出版者: C+P Noise Asia
唱片数: 1
条形码: 0614475032413
流派: 摇滚
专辑类型: 专辑
介质: CD
发行时间: 2001
出版者: C+P Noise Asia
唱片数: 1
条形码: 0614475032413
简介 · · · · · ·
Keiji Haino and Tatsuya Yoshida, two pillars of the Japanese noise rock scene (the guitarist with Fushitsusha and countless other projects, the drummer mainly with the influential prog-core duo Ruins) recorded this session in April 2000. For the most part a jam with bits of pre-composed materials, Until Water Grasps Flame is entertaining but slightly off the mark for both art...
(展开全部)
曲目 · · · · · ·
01.That which is prepared is a psychiatrist's frenzy (02:12)
02.Decision after gentle use (06:42)
03.At the instant of saying "the fourth" (07:40)
04.Signs of gratitude for 5 Hz (04:47)
05.A droplet that enervates the point of connection (02:57)
06.Especially since the result reads that LHNZ should have been completed (05:16)
07.Making the excuse that "of course it is all for you" (06:15)
08.A voiceprint that longs to display evidence that it is over (02:03)
09.Those points of difference with forthrightness which oft come to mind when
recollecting (04:49)
10.That atmosphere when discrimination is accepted (04:28)
11.At the instant when one thinks to oneself "no way", what percent is nostalgia? (12:18)
12.This vanishing method of grieving (04:42)
--------------------------------------------
C+P Noise Asia Ltd 2001
recorded live at Penguin House April, 2000
recorded, mixed and mastered by Tatsuya Yoshida
Haino Keiji plays
electric guitar(1,3,5,8,9,11), sarode(2), gyumbari(4),
gothan(6), esraj(7), darbouka(10)
Yoshida Tatsuya plays
drums(1,3,4,5,6,8,11), Korg X5D(2,7,12), darbouka(10)
02.Decision after gentle use (06:42)
03.At the instant of saying "the fourth" (07:40)
04.Signs of gratitude for 5 Hz (04:47)
05.A droplet that enervates the point of connection (02:57)
06.Especially since the result reads that LHNZ should have been completed (05:16)
07.Making the excuse that "of course it is all for you" (06:15)
08.A voiceprint that longs to display evidence that it is over (02:03)
09.Those points of difference with forthrightness which oft come to mind when
recollecting (04:49)
10.That atmosphere when discrimination is accepted (04:28)
11.At the instant when one thinks to oneself "no way", what percent is nostalgia? (12:18)
12.This vanishing method of grieving (04:42)
--------------------------------------------
C+P Noise Asia Ltd 2001
recorded live at Penguin House April, 2000
recorded, mixed and mastered by Tatsuya Yoshida
Haino Keiji plays
electric guitar(1,3,5,8,9,11), sarode(2), gyumbari(4),
gothan(6), esraj(7), darbouka(10)
Yoshida Tatsuya plays
drums(1,3,4,5,6,8,11), Korg X5D(2,7,12), darbouka(10)
喜欢听"Until Water Grasps Flame"的人也喜欢的唱片 · · · · · ·
> 更多短评 8 条
Until Water Grasps Flame的乐评 · · · · · · (全部 1 条)
> 更多乐评1篇
"Until Water Grasps Flame"的论坛 · · · · · ·
以下豆列推荐 · · · · · · (全部)
- 实验&噪音 (兽兽·美术吗？)
- “两生花”的后续厂牌【Noise Asia Record / 亚洲传声】 (《实验先锋》)
- 黑封面 (托塔里)
谁听这张唱片?
订阅关于Until Water Grasps Flame的评论:
feed: rss 2.0
0 有用 ED 2009-12-23
long time ago.
0 有用 劳焚 2009-09-14
仅第一声是惊人的。。。
0 有用 金蛇郎君 2013-01-30
这张，，唉，感觉二位大师没有那么到位
0 有用 bái shǔ 2012-05-20
近期最喜欢的了
0 有用 11 2011-03-05
敢搅很痛苦……
0 有用 劳焚 2009-09-14
仅第一声是惊人的。。。
0 有用 bái shǔ 2012-05-20
近期最喜欢的了
0 有用 11 2011-03-05
敢搅很痛苦……
0 有用 metal candy 2016-07-18
吉田达也太牛逼了
0 有用 阿当 2012-07-26
这张其实一般吧，两个人的特点都没发挥出来，三星半顶天了。