Vanity Fair (豆瓣)

又名: 名利场 / 浮华新世界
表演者: Mychael Danna
专辑类型: Soundtrack
介质: Audio CD
发行时间: 2004-08-31
出版者: Decca
唱片数: 1
条形码: 0602498631256

豆瓣评分

9.0

58人评价

5星

58.6%
4星

34.5%
3星

5.2%
2星

1.7%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　Vanity Fair: (Mychael Danna) Modern moviegoers may not realize the lengthy history of the Vanity Fair story in film; the classic novel by William Makepeace Thackeray has been translated to the big screen six times, but four of those films were produced in the silent era and the two others were viewed in the 1930's. Three different TV mini-series have been inspired by the tale... (展开全部) 　　Vanity Fair: (Mychael Danna) Modern moviegoers may not realize the lengthy history of the Vanity Fair story in film; the classic novel by William Makepeace Thackeray has been translated to the big screen six times, but four of those films were produced in the silent era and the two others were viewed in the 1930's. Three different TV mini-series have been inspired by the tale, the most recent of which being a 6-part series on BBC and A&E in 1998. After a long silence from the major studios, everyone spoke out about Vanity Fair at once in 2002, with two concurrent and separate recreations of the tale announced for major production. Through delays and maneuverings, however, only one of the two films was ever made, and despite significant talk about the film being a Cannes-type of limited release, Vanity Fair was finally chosen to receive a wide release for September of 2004. Director Mira Nair of India is recognized for her narratives and documentaries about world cultures, and for Vanity Fair, she teams up with composer Mychael Danna, whose more distinct career efforts include Mira Nair's Monsoon Wedding. Danna is no stranger to writing music for varied cultures and historical settings, and his diverse talents would be well suited for Vanity Fair. In case you are unfamiliar about the story, Vanity Fair follows the ambitions of Rebecca (Becky) Sharp, a clever girl born into the lower classes of London circa 1820. She uses her intelligence as well as her body to climb the social ladder and creates ripples in a society not quite ready to handle her soap opera methodology. Mychael Danna's approach to the film, of course, would revolve around the idea of classical structure, but rather than allowing an inherent stuffiness to prevail in his music, Danna manages to emulate the personality of the primary character and thus move at his own playful pace.
　　Danna does not deviate much from the confines of the orchestra that embodies the historical mores of the period, although he does avoid the pitfalls of over-consistency. If classical structure doesn't interest you, then Danna's prancing adaptation of that traditional music to mimic Sharp's attitudes may be equally irritating to you. But Danna always seems to be walking the fine line in Vanity Fair between your piano and string traditionalism and the more contemporary rhythms and vocals that likely represent the forwarding-looking Sharp in her journey. Both sides of the coin are featured in the highlights of the score. The film opens with a short and elegant (but mysterious in ways that remind of James Newton Howard's styles) vocal performance by Sissel of one of Danna's primary themes. This, along with two subsequent cues with wordless female vocals and a touch of Danna mysticism heard in short snippets throughout the score, are perhaps the most appealing moments. The lack of further exploration into the vocals is an odd action by Danna, for a considerable effort towards that artistic line of thinking must have been explicitly discussed in order to secure the services of Sissel for the recording. Despite any advertising you may read about Sissel's involvement with the score --and make no mistake about it, her voice is outstanding as always-- her contribution to Vanity Fair is unfortunately minimal. The first full score cue on the album release ("Exchange") expands upon this theme and introduces it to the pompous and highly structured classical side of the score. The first half of the album lets rip with some substantial and awesome thematic recitals, whether in a quartet format or (more typically) with the full ensemble. The pronounced timpani in "Steyne the Pasha," leading to a massive thematic outburst, is not to be missed.
　　If you prefer the string-dominated classical side of the score, then you could very well be enticed by Danna's lengthy light-hearted rhythms and overall playful nature (a highlight is the "Sir Pitt's Marriage Proposal" cue which dances between sections of the orchestra with great comedy). There is rarely a serious moment in the orchestral performances for Vanity Fair, outside of the stereotypical trumpet that marks the start of battle in the 14th cue. More somber moments are marked by piano solos (some by Danna himself) and period vocal performances. The score does have its awkward moments. While the story does call for a switch to third-world music during Sharp's travels, the two semi-original Indian songs cannot be more of a contrast from Danna's score. Despite Danna's involvement in their production, it is odd that he did not preface them to any degree in his score. Therein may lie the weakness of Danna's work for Vanity Fair; the score's very consistent loyalty to the Western orchestra, while it may perfectly match Sharp's prevailing attitudes about her position in life, doesn't mature or change location throughout the film. That may be Danna's point, but on album, the final handful of cues alternate in jarring fashion between Danna's material and that of Hakim and Shankar Ehsaan Loy. Overall, the score has bright and optimist moments that make for a fantastic, classically-inclined listening experience. Sissel's frightfully short performance is another reason to enjoy this album. In addition to an identity crisis in the latter half, the sound quality of the album does have some slight aural distortion in the fuller moments of "No Lights After Eleven" and "Ride to London," perhaps indicating over-inflated gain levels in the mixing. Vanity Fair is a strong score, and despite unexplored artistic avenues, Danna should be commended for this effort.

曲目 · · · · · ·

She Walks In Beauty

Exchange

Becky And Amelia Leave School

The Great Adventurer

Becky Arrives At The Queen's Crawley

Andante

No Lights After Eleven

Adagio

I've Made Up My Mind

Ride To London

Becky And Rawdon Kiss

Sir Pitt's Marriage Proposal

I Owe You Nothing

Piano For Amelia/Announcement Of Battle

Time To Quit Brussels

Waterloo Battlefield

Amelia Refuses Dobbin/The Move To Mayfair

Now Sleeps the Crimson Petal

Steyne The Pasha

El Salaam

The Virtue Betrayed

Rawdon's End

Dobbin Leaves Amelia

Vanity's Conquerer

Gori Re

喜欢听"Vanity Fair"的人也喜欢的唱片 · · · · · ·

: Tuck Everlasting (Score)

: Iris (2001 film)

: Oscar And Lucinda: Original Motion...

: Duchess

: A Little Romance: Original Motion P...

: Gods And Monsters: Music From T...

: The Lion In Winter (1968 Film)

: What Dreams May Come (1999 Fil...

: Angels In America

: E.T. The Extra-Terrestrial: Original ...

我来说两句

短评 · · · · · · ( 全部 11 条 )

Vanity Fair的话题 · · · · · · ( 全部条 )

什么是话题

无论是一部作品、一个人，还是一件事，都往往可以衍生出许多不同的话题。将这些话题细分出来，分别进行讨论，会有更多收获。

我要写乐评

Vanity Fair的乐评 · · · · · · ( 全部 1 条 )

She Walks in Beauty -- 无可言喻的美，大诗人拜伦眼中的Wilmot夫人

1814年，拜伦在朋友的引见下，拜见了Wilmot夫人，写下了这首传世的作品。观看了电影Vanity Fair后，有感于片头曲旋律的美妙，我几近狂热地寻找出处和最佳译文。以下与诸位分享的是我最喜欢的译文，译者不详。描写美女的五官和身材及衣饰，永远不及描述她的风姿和感觉...... S... (展开)

0回应

> 更多乐评1篇

"Vanity Fair"的论坛 · · · · · ·


She walks in beauty	来自一座夏天垮下来	4 回应	2012-05-30
试听地址	来自想做那个人		2009-06-05

豆瓣成员常用的标签(共26个) · · · · · ·

OST 电影原声 Soundtrack MychaelDanna 美国古典 Vanity 原声

以下豆列推荐 · · · · · · (全部)

life-杂 (子成)
Movies (zoe)
我是在用生命买碟啊魂淡！！！ (犯怵中的嫌疑喵)
我的收藏 (长征一号)
英文歌2~~ (浅唱灬寂寞)

谁听这张唱片?

阿華田VEE

2017年11月5日听过

douban

2017年8月24日想听

swan

2017年4月1日听过

她以绝美之姿行来，如满天繁星的无云夜空。所有最好的夜晚和星星，都因遇见她的外表和眼睛，变得黯然。

拖着翅膀也飞

2017年1月29日想听

tags:电影原声电影音乐名利场 ...

> 8人在听

> 78人听过

> 47人想听

2张二手唱片欲转让 (3.00 至 8.00元)
> 点这儿转让有47人想听,手里有一张闲着?

订阅关于Vanity Fair的评论:
feed: rss 2.0

豆瓣FM客户端让好音乐继续

Vanity Fair

简介 · · · · · ·

曲目 · · · · · ·

喜欢听"Vanity Fair"的人也喜欢的唱片 · · · · · ·

短评 · · · · · · ( 全部 11 条 )

0 有用 Johnbobyray 2007-12-05

0 有用九月五的酒 2011-08-16

0 有用 ozierpark 2010-10-25

0 有用哈尔滨今局 2016-03-06

0 有用竹飞羽 2016-12-29

0 有用 seren 2006-04-28

0 有用 swan 2017-04-01

0 有用竹飞羽 2016-12-29

0 有用蒹葭 2013-08-01

0 有用枫杨榕 2013-11-02

Vanity Fair的话题 · · · · · · ( 全部条 )

Vanity Fair的乐评 · · · · · · ( 全部 1 条 )

She Walks in Beauty -- 无可言喻的美，大诗人拜伦眼中的Wilmot夫人

"Vanity Fair"的论坛 · · · · · ·

豆瓣成员常用的标签(共26个) · · · · · ·

以下豆列推荐 · · · · · · (全部)

谁听这张唱片?

Vanity Fair

简介 · · · · · ·

曲目 · · · · · ·

喜欢听"Vanity Fair"的人也喜欢的唱片 · · · · · ·

短评 · · · · · · ( 全部 11 条 )

0 有用 Johnbobyray 2007-12-05

0 有用 九月五的酒 2011-08-16

0 有用 ozierpark 2010-10-25

0 有用 哈尔滨今局 2016-03-06

0 有用 竹飞羽 2016-12-29

0 有用 seren 2006-04-28

0 有用 swan 2017-04-01

0 有用 竹飞羽 2016-12-29

0 有用 蒹葭 2013-08-01

0 有用 枫杨榕 2013-11-02

She Walks in Beauty -- 无可言喻的美，大诗人拜伦眼中的Wilmot夫人

"Vanity Fair"的论坛 · · · · · ·

豆瓣成员常用的标签(共26个) · · · · · ·

以下豆列推荐 · · · · · · (全部)

谁听这张唱片?

0 有用九月五的酒 2011-08-16

0 有用哈尔滨今局 2016-03-06

0 有用竹飞羽 2016-12-29

0 有用竹飞羽 2016-12-29

0 有用蒹葭 2013-08-01

0 有用枫杨榕 2013-11-02