In Praise of Dreams (豆瓣)

表演者: Jan Garbarek
流派: 爵士
专辑类型: 专辑
介质: CD
发行时间: 2004-09-21
出版者: Ecm Records
唱片数: 1
条形码: 0602498110683

豆瓣评分

8.0

163人评价

5星

28.4%
4星

47.1%
3星

23.5%
2星

0.0%
1星

1.0%

想听在听听过

评价:

简介 · · · · · ·

　　It has been six years since saxophonist/composer Jan Garbarek issued a new recording under his own name. For In Praise of Dreams Garbarek enlisted violist Kim Kashkashianand frequent collaborator Manu Katchéon drums. Garbarek, who composed the album's 11 selections, plays saxophones as well as a host of keyboards and percussion, while Katchéplays acoustic and electronic drums... (展开全部) 　　It has been six years since saxophonist/composer Jan Garbarek issued a new recording under his own name. For In Praise of Dreams Garbarek enlisted violist Kim Kashkashianand frequent collaborator Manu Katchéon drums. Garbarek, who composed the album's 11 selections, plays saxophones as well as a host of keyboards and percussion, while Katchéplays acoustic and electronic drums along with Kashkashian's viola. In many ways this is the most radical recording that Garbarek has ever issued, but not because it's outside -- quite the opposite. This is easily the warmest, most accessible outing Garbarek has ever issued because though there are no vocals, Garbarek has clearly written "songs" on this set, with identifiable structures that are followed almost throughout. Though he is no stranger to the form, having employed it almost continually for the last 20 years, he has never engaged it so thoroughly and completely. Previously, he has engaged improvisation to get song to the breaking point and move it somewhere else. Here it is always present; surprise happens inside the formal frameworks of these compositions. Beautiful, soulful lines underscore and recontextualize the saxophonist's trademark Nordic iciness of tone on the opener, "As Seen from Above," with its spiraling soprano, lush keyboards, and hypnotic loops. In its warmth, it comes very close to a distinctly European kind of groove/soul-jazz. The interplay between Kashkashianand Garbarek on the title track offers rounded, multidimensional sonorities winding through the intro before spilling into a call-and-response melody. The repetitive keyboard line and Katché's mantra-like drumming under the loops draw the listener inside the song's heart and extend the edge for the front line. The restrained romanticism shown by Kashkashianon her nocturnal solo intro to "One Goes There Alone" is nearly breathtaking. As it gives way to the tune itself, it's slow, reflective, and rooted deeply in the tension created between percussion and Garbarek's minimal backing response lines. When he solos later in the tune, he's clearly blowing blues into her elegiac line. The blues notion continues in his phrasing on "Knot of Place and Time," slipping through the landscape of Kashkashian's elegant, near heartbreakingly poetic soundscape. And so it goes. Things get more speculative on "Scene from Afar" and "Cloud of Unknowing," but it hardly matters since these song forms are nonetheless immediately recognizable, presenting the nether side of the equation. It emerges again with "Conversation With a Stone" and whispers to a close with "A Tale Begun," a mantra-like duet that closes this strong set that will undoubtedly, if it gets the opportunity to be heard, garner Jan Garbarek some new fans. Poetic, moving, and marvelous, In Praise of Dreams is a welcome

曲目 · · · · · ·

As Seen From Above
In Praise Of Dreams
One Goes There Alone
Knot Of Place And Time
If You Go Far Enough
Scene From Afar
Cloud Of Unknowing
Without A Visible Sign
Iceburn
Conversation With A Stone
A Tale Begun

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: Visible World 8.2

我来说两句

短评 · · · · · · ( 全部 25 条 )

In Praise of Dreams的乐评 · · · · · · ( 全部 1 条 )

评论In Praise of Dreams

专辑简介：这张"In praise of dreams "——《梦想礼赞》是Jan Garbarek 2004年在ECM做的作品，获得了第47届格来美最佳爵士乐专辑的提名。出来我们熟悉的北欧峡谷之风的美妙的萨克斯之外，还有一位女士Kim Kashkashian拉着小提琴和着，青年鼓手Manu Katche负责鼓声... (展开)