Dogs Are Everywhere (豆瓣)

表演者: Pulp
流派: 流行
专辑类型: EP
介质: CD
发行时间: 1986-06-30
出版者: Fire Records
唱片数: 1

豆瓣评分

8.3

120人评价

5星

28.6%
4星

60.4%
3星

9.9%
2星

0.0%
1星

1.1%

想听在听听过

评价:

简介 · · · · · ·

　　Dogs Are Everywhere is a non-album single released in 1986. The title song is a soft ballad reminiscent of the band's first album It, but the B-sides have a much darker sound closer to the band's next album Freaks. All of the songs are included on the compilation album Masters of the Universe.
　　Jarvis' comments
　　From Record Collector, December 1994:
　　Three days... (展开全部) 　　Dogs Are Everywhere is a non-album single released in 1986. The title song is a soft ballad reminiscent of the band's first album It, but the B-sides have a much darker sound closer to the band's next album Freaks. All of the songs are included on the compilation album Masters of the Universe.
　　Jarvis' comments
　　From Record Collector, December 1994:
　　Three days before "Little Girl" came out, I fell out of the window and was in hospital for two months. I'd done me hip and me ankle and me wrist. I had to use a wheelchair on stage because we'd had concerts booked. Anyway, I got my mum to bring in a keyboard and I wrote "Dogs Are Everywhere", inspired by one night after playing in Chesterfield. Magnus and Pete were always pissing about and getting stoned. Myself and Russell were puritanical and thought that was terrible. They'd have these mates hanging around, which got on my nerves. That night, they nicked bottles of beer from behind the bar, and we got into loads of trouble. That's what "Dogs Are Everywhere" is about - people who display a doggish attitude.
　　It's got five tracks - good value, that E.P. "Mark Of The Devil" is not a good recording but I thought that was our best song. I'd decided disco was the thing to go for, because I was sick of the over-the-top emotional business. Giorgio Moroder didn't have any emotion: it was robot music. I was intrigued with the idea of that beat and style but with something emotional over the top. The chord structure of "97 Lovers" got recycled for "O.U." years later. That was the first time I got some good lyrics out. One bit was about my auntie - in her bedroom, she had a picture of Roger Moore above the bed, with this short towel and dressing gown. I always thought, God, I bet it's weird when they're in bed having it off underneath that picture. My uncle must know she's probably thinking it's Roger whilst he's doing it to her.
　　"Aborigine" was so called because it sounded like aboriginal music. It's not a digereedoo, it's Russell playing low notes with a violin bow on a bass, and it's got a very primitive beat. That's about a bloke who's always kidding himself his life's about to start, and become exciting, but ends up wasting his time and becoming very fat. "Goodnight" was a concept piece that sounded like falling asleep. Then I had to spoil it by having some nightmare part at the end - that's the impetuousness of youth for you. "Dogs Are Everywhere" got 'single of the week' in 'Melody Maker'.