Brahms: Piano Sonatas Nos.1 & 2, Scherzo Op.4 (豆瓣)

表演者: Alexander Melnikov
流派: 古典
专辑类型: 专辑
介质: Audio CD
发行时间: 2011-02-08
出版者: Harmonia Mundi
唱片数: 1
条形码: 0794881984220

豆瓣评分

8.5

23人评价

5星

40.0%
4星

46.7%
3星

13.3%
2星

0.0%
1星

0.0%

评价:

曲目 · · · · · ·

I. Allegro ma non troppo, ma energico (Piano Sonata in F-sharp major, op. 2)

II. Andante con espressione

III. Scherzo. Allegro-Trio

IV. Finale. Introduzione-Allegro non troppo e rubato

Scherzo in E flat minor, op. 4

I. Allegro (Piano Sonata in C major, op. 1)

II. Andante (nach einem altdeutschen Minnelied)

III. Scherzo. Allegro molto e con fuoco

IV. Finale. Allegro con fuoco

我来说两句

热门 / 最新 / 好友

0 有用叫我妖而不孽 2021-03-26 14:27:01

这个领域勃爷写不过贝爷。
0 有用以明 2021-12-13 15:18:57

Op.1 C大调青春风暴从三而竭到再一鼓作气并注入巨大生命力逐次反复爬升的回旋曲
0 有用斜杠过多王静阁 2023-01-26 03:27:52 法国

触键糙了点儿但还是可以接受，还行
0 有用白色的蓝 2012-06-06 23:21:22

演奏四星，录音、乐器(Bösendorfers 1875)五星;钢琴家原话：“The Viennese action does not scale up well. In the case of the instrument presented on this recording, the well-known advantages of this type of piano (immediacy... 演奏四星，录音、乐器(Bösendorfers 1875)五星;钢琴家原话：“The Viennese action does not scale up well. In the case of the instrument presented on this recording, the well-known advantages of this type of piano (immediacy of attack, agility of articulation, and registral differentiation) are all very much in evidence; ; however, the instrument is notoriously difficult” (展开)
0 有用脸 2020-04-19 16:53:19

来听E minor Scherzo, Brahms以自己的名字发表并允许留存的第一首曲子

0 有用以明 2021-12-13 15:18:57

Op.1 C大调青春风暴从三而竭到再一鼓作气并注入巨大生命力逐次反复爬升的回旋曲
0 有用叫我妖而不孽 2021-03-26 14:27:01

这个领域勃爷写不过贝爷。
0 有用脸 2020-04-19 16:53:19

来听E minor Scherzo, Brahms以自己的名字发表并允许留存的第一首曲子
0 有用斜杠过多王静阁 2023-01-26 03:27:52 法国

触键糙了点儿但还是可以接受，还行
0 有用白色的蓝 2012-06-06 23:21:22

演奏四星，录音、乐器(Bösendorfers 1875)五星;钢琴家原话：“The Viennese action does not scale up well. In the case of the instrument presented on this recording, the well-known advantages of this type of piano (immediacy... 演奏四星，录音、乐器(Bösendorfers 1875)五星;钢琴家原话：“The Viennese action does not scale up well. In the case of the instrument presented on this recording, the well-known advantages of this type of piano (immediacy of attack, agility of articulation, and registral differentiation) are all very much in evidence; ; however, the instrument is notoriously difficult” (展开)