ironomi’s delicate field recordings capture the tangible atmosphere of a specfic time and place. “sketch” was recorded in the summer of 2007 in a very old wooden house atop a hill in Mashiko, a town in Japan’s Tochigi prefecture known for its close association with some of the country’s leading ceramic artists and pioneers of the mingei (folk ar t and craft) movement, such as...(展开全部) ironomi’s delicate field recordings capture the tangible atmosphere of a specfic time and place. “sketch” was recorded in the summer of 2007 in a very old wooden house atop a hill in Mashiko, a town in Japan’s Tochigi prefecture known for its close association with some of the country’s leading ceramic artists and pioneers of the mingei (folk ar t and craft) movement, such as Shoji Hamada. By straddling both ambient classical music and documentary recording, ironomi created a “folk craft” album of their own – a pastoral reverie inspired by Mashiko’s shaded bowers and fitting dragonflies. “sketch” attempts to conjure something of the glaring light and torpid air of a Japanese summer using sound alone. The titles of these compositions invoke a literal kind of emotional color – specic nuances associated with the unique hue of summer insects, or the underside of leaves in the shade. The names of these colors belong to a romantic, anachronistic vocabulary found in literary works that date from the Heian period (794-1185), like Sei Shonagon’s The Pillow Book. Junya Yanagidaira’s sparkling piano arpeggios – looping insistently on top of themselves, reverberating gently against the ambient whirr and hiss of the frolicking cicadas – evoke the drowsy languor of a midsummer afternoon, of being held captive to a riot of insects nesting in the thick clumps of foliage on the trees outside. Indoors, you languish in a sort of blissful daze, enjoying the occasional moment of cool relief brought inside by an errant breeze. Using real-time sampling and processing through self-made patches on his laptop, Yu Isobe transforms Yanagidaira’s uttering phrases into something altogether darker on “uraha-iro” – a sinister pastoral drone that simmers ominously against the inescapable clamor of the chattering insects. In their own words, “sketch” is a sonic portrait of “a summer’s whispers” – a poetic, meditative soundtrack that records microscopic nuances of the atmospheric elements particular to this season.
0 有用 紺し狩り車 2020-06-24 19:02:54
标错了 是这一张 啊 好想下雪
0 有用 白石春子 2020-05-18 11:00:51
純白
0 有用 无奈的工口糖 2011-09-15 18:06:36
一直忘了标记这张。
0 有用 隔离病房┃七号 2011-09-01 20:25:54
ironomi,夏日静心必备。
0 有用 明治エーテル 2012-05-27 23:59:37
BK!!BK!!BK!!求BK!!!!!!
0 有用 于鳳至 2020-03-05 14:46:59
夏の終わり
0 有用 潟湖 2020-01-16 05:44:22
颜色。
0 有用 YVE 2012-01-12 12:53:02
每一首都是美妙的标题
0 有用 Akiko 2020-01-26 21:58:18
真不至于 要不是背景音的蝉声我大概三星都不会打
0 有用 Luffyjun 2021-01-16 23:36:49
夏有蝉鸣,冬有雪。虽然怕冷,但还是喜欢冬天多一些……“我曾经想下辈子是片云,开心了下雪,悲伤了下雨,想谁就去看谁,不想存在了就消失了”……“不可能,你不可能转世成无机物”……“如果有来生,你做什么我就做什么,最好你比我大一点,那样我就可以赖着你啦”