Dmitri Dmitriyevich Shostakovich: 24 Preludes & Fugues, Op. 87 (豆瓣)

表演者: Roger Woodward
流派: 古典
专辑类型: 专辑
介质: Audio CD
发行时间: 2010-09-01
出版者: Celestial Harmonies
唱片数: 2
条形码: 0013711430226

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简介 · · · · · ·

　　《肖斯塔科维奇：前奏曲与赋格》In the early 1970s，the world knew little about Australian classical musicians。It was thus a very unusual incident when a young pianist by the name of Roger Woodward，having begun his studies as a church musician and organist in Sydney，made his way to Warsaw，in search of what he later called Chopin's “sacred cantilena”。He soon attracts the attention of the local ... (展开全部) 　　《肖斯塔科维奇：前奏曲与赋格》In the early 1970s，the world knew little about Australian classical musicians。It was thus a very unusual incident when a young pianist by the name of Roger Woodward，having begun his studies as a church musician and organist in Sydney，made his way to Warsaw，in search of what he later called Chopin's “sacred cantilena”。He soon attracts the attention of the local musicians'community，and before too long he is asked to travel to the United States，making his Carnegie Hall debut with Witold Rowicki and the Warsaw Philharmonic playing Bartok's 2nd PiaNo.Concerto。A whirlwind of activity ensues，and before too long，Woodward was asked to come to London to record the Preludes & Fugues op.87 by Shostakovich; he believes that he owed the invitation to Sviatoslav Richter who very much supported Woodward's early career。In 1975，there had never been a recording made of the complete cycle outside of what was then the Soviet Union。Woodward's version thus has the historic importance of being the first-ever complete recording outside the USSR，it is an unusually secure performance for a pianist of only 32 years of age at the time of the recording。There had of course been Shostakovich's own versions of some of the pieces of the cycle but the composer had pianistic limitations，and the recordings by his student Tatiana Nikolayeva were generally unavailable outside of the Eastern Bloc，this having been the time of the Cold War and the Iron Curtain。The version by Sviatoslav Richter，recorded in 1961，was also widely available in the Soviet Union but hardly found in the West。
　　
　　The analogue tapes，recorded in London on an exceptionally fine Bösendorfer Imperial had long been thought to have been lost。For those listeners who prefer the analogue sound of a fine instrument，the reissue on Celestial Harmonies is a rare find，having been carefully restored for CD release by all available state-of-the-art technical means。
　　
　　 DISC 1
　　01 24 Preludes & Fugues Op.87: No.1 in C 3:35
　　02 24 Preludes & Fugues Op.87: No.2 in A minor 2:00
　　03 24 Preludes & Fugues Op.87: No.3 in G 3:26
　　04 24 Preludes & Fugues Op.87: No.4 in E minor 5:30
　　05 24 Preludes & Fugues Op.87: No.5 in D 3:16
　　06 24 Preludes & Fugues Op.87: No.6 in B minor 4:47
　　07 24 Preludes & Fugues Op.87: No.7 in A 3:12
　　08 24 Preludes & Fugues Op.87: No.8 in F-Sharp minor 7:03
　　09 24 Preludes & Fugues Op.87: No.9 in E 3:56
　　10 24 Preludes & Fugues Op.87: No.10 in C-Sharp minor 6:23
　　11 24 Preludes & Fugues Op.87: No.11 in B 3:30
　　12 24 Preludes & Fugues Op.87: No.12 in G-Sharp minor 7:07
　　
　　 DISC 2
　　01 24 Preludes & Fugues Op.87: No.13 in F-Sharp 6:57
　　02 24 Preludes & Fugues Op.7: No.14 in E-Flat minor 5:48
　　03 24 Preludes & Fugues Op.87: No.15 in D-Flat 4:51
　　04 24 Preludes & Fugues Op.87: No.16 in B-Flat minor 8:30
　　05 24 Preludes & Fugues Op.87: No.17 in A-Flat 5:10
　　06 24 Preludes & Fugues Op.87: No.18 in F minor 5:16
　　07 24 Preludes & Fugues Op.87: No.19 in E-Flat 4:01
　　08 24 Preludes & Fugues Op.87: No.20 in C minor 7:54
　　09 24 Preludes & Fugues Op.87: No.21 in B-Flat 3:45
　　10 24 Preludes & Fugues Op.87: No.22 in G minor 5:38
　　11 24 Preludes & Fugues Op.87: No.23 in F 5:13
　　12 24 Preludes & Fugues Op.87: No.24 in D minor 8:40