表演者:
Roger Woodward
专辑类型: Box set
介质: Audio CD
发行时间: 2009-09-17
出版者: Celestial Harmonies
唱片数: 5
条形码: 0013711992229
专辑类型: Box set
介质: Audio CD
发行时间: 2009-09-17
出版者: Celestial Harmonies
唱片数: 5
条形码: 0013711992229
简介 · · · · · ·
BACH AND WOODWARD: AN HOUR OF TRUTH When a musician of the rank and status of Roger Woodward decides to record Bach's complete Well-Tempered Clavier at the age of 65, one could see a symbolic connection here, keeping in mind that Bach passed away at 65; the pianist senses responsibility for the continuation of tradition. Moreover, Woodward sees an additional obligation to add...
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BACH AND WOODWARD: AN HOUR OF TRUTH When a musician of the rank and status of Roger Woodward decides to record Bach's complete Well-Tempered Clavier at the age of 65, one could see a symbolic connection here, keeping in mind that Bach passed away at 65; the pianist senses responsibility for the continuation of tradition. Moreover, Woodward sees an additional obligation to add new life to the music through his unique style of interpretation. With this, he is in the best of company indeed: It had been pointed out repeatedly--since his release of BWV 903, the Chromatic Fantasy and Fugue--that Woodward's Bach is the most exciting since Glenn Gould. However, one ought not to misunderstand Woodward as iconoclast; his understanding of Bach is minted by tradition and above all respectful, especially showing such respect to those who set standards during the first century of recording technology. Although Woodward named it 'a defining moment' when he received the first finished copies of his Well-Tempered Clavier, he hastens to point out that one has to see him as the eternal student whose search for truth in music cannot end. If one compares Woodward's reference recording of both books of Debussy's Préludes (Celestial Harmonies 13279-2) with his complete recording of both books of the Well-Tempered Clavier on 5 CDs, one winds up with the identical understanding of the works albeit having traveled in opposite directions. Was it Woodward's intention to find the structure (Woodward says 'the geometry') in Debussy, taking passion as a given, so is his way to Bach the reverse: He accepts the structure as a given and embarks on the search for passion. In both instances, one receives as the result a balanced however passionate interpretation where structure and expression exist with equal rights, as should be the case in all great music. It is something like the heart of great Flamenco: The ideal and complete merging of total discipline and precision with the passion which only can give true life to music. When Woodward was searching for the 'sacred cantilena' in Chopin's Nocturnes (Celestial Harmonies 14260-2), he rests his search for a fleeting moment with the 'legato cantabile' which can only be played as such on a modern grand piano (here a Hamburg Steinway D, dating from the early 1980s). Surely what Woodward said about Hans Otte and his 48-part magnum opus 'Book of Hours' (Celestial Harmonies 13259-2) is equally true in the case of Bach: That some music doesn't open up through practice alone but ultimately only through reflection as it is philosophy in the end. The complete edition of both books of the Well-Tempered Clavier on 5 CDs contains an 80-page essay by Roger Woodward, 'In Search of a Performance Practice', in German and English as well as the autographs of both books as high-quality facsimiles; for the first time, the lost pages have been replaced by contemporary music-set versions, based on the best available printed editions. It is thus the most complete publication of the Well-Tempered Clavier ever. Woodward had--whenever performance issues surfaced--throughout the recording process always consulted the autographs as the first and last instance. Finally, it is the first-ever recording of an Australian musician of the complete work for international release.
曲目 · · · · · ·
Präludium Nr. 1 C-Dur BWV 846
Fuge Nr. 1 C-Dur BWV 846
Präludium Nr. 2 c-Moll BWV 847
Fuge Nr. 2 c-Moll BWV 847
Präludium Nr. 3 Cis-Dur BWV 848
Fuge Nr. 3 Cis-Dur BWV 848
Präludium Nr. 4 cis-Moll BWV 849
Fuge Nr. 4 cis-Moll BWV 849
Präludium Nr. 5 D-Dur BWV 850
Fuge Nr. 5 D-Dur BWV 850
Präludium Nr. 6 d-Moll BWV 851
Fuge Nr. 6 d-Moll BWV 851
Präludium Nr. 7 Es-Dur BWV 852
Fuge Nr. 7 Es-Dur BWV 852
Präludium Nr. 8 es-Moll BWV 853
Fuge Nr. 8 dis-Moll BWV 853
Präludium Nr. 9 E-Dur BWV 854
Fuge Nr. 9 E-Dur BWV 854
Präludium Nr. 10 e-Moll BWV 855
Fuge Nr. 10 e-Moll BWV 855
Präludium Nr.11 F-Dur BWV 856
Fuge Nr. 11 F-Dur BWV 856
Präludium Nr. 12 f-Moll BWV 857
Fuge Nr. 12 f-Moll BWV 857
Präludium Nr. 13 Fis-Dur BWV 858
Fuge Nr. 13 Fis-Dur BWV 858
Präludium Nr. 14 fis-Moll BWV 859
Fuge Nr. 14 fis-Moll BWV 859
Präludium Nr. 15 G-Dur BWV 860
Fuge Nr. 15 G-Dur BWV 860
Präludium Nr. 16 g-Moll BWV 861
Fuge Nr. 16 g-Moll BWV 861
Präludium Nr. 17 As-Dur BWV 862
Fuge Nr. 17 As-Dur BWV 862
Präludium Nr. 18 gis-Moll BWV 863
Fuge Nr. 18 gis-Moll BWV 863
Präludium Nr. 19 A-Dur BWV 864
Fuge Nr. 19 A-Dur BWV 864
Präludium Nr. 20 a-Moll BWV 865
Fuge Nr. 20 a-Moll BWV 865
Präludium Nr. 21 B-Dur BWV 866
Fuge Nr. 21 B-Dur BWV 866
Präludium Nr. 22b-Moll BWV 867
Fuge Nr. 22 b-Moll BWV 867
Präludium Nr 23, H-Dur BWV 868
Fuge Nr. 23 H-Dur BWV 868
Präludium Nr. 24 h-Moll BWV 869
Fuge Nr. 24 h-Moll BWV 869
Präludium Nr. 1 C-Dur BWV 870
Fuge Nr. 1 C-Dur BWV 870
Präludium Nr. 2 c-Moll BWV 871
Fuge Nr. 2 c-Moll BWV 871
Präludium Nr. 3 Cis-Dur BWV 872
Fuge Nr. 3 Cis-Dur BWV 872
Präludium Nr. 4 cis-Moll BWV 873
Fuge Nr. 4 cis-Moll BWV 873
Präludium Nr. 5 D-Dur BWV 874
Fuge Nr. 5 D-Dur BWV 874
Präludium Nr. 6 d-Moll BWV 875
Fuge Nr. 6 d-Moll BWV 875
Präludium Nr. 7 Es-Dur BWV 876
Fuge Nr. 7 Es-Dur BWV 876
Präludium Nr. 8 es-Moll BWV 877
Fuge Nr. 8 dis-Moll BWV 877
Präludium Nr. 9 E-Dur BWV 878
Fuge Nr. 9 E-Dur BWV 878
Präludium Nr. 10 e-Moll BWV 879
Fuge Nr. 10 e-Moll BWV 879
Präludium Nr. 11 F-Dur BWV 880
Fuge Nr. 11 F-Dur BWV 880
Präludium Nr. 12 f-Moll BWV 881
Fuge Nr. 12 f-Moll BWV 881
Präludium Nr. 13 Fis-Dur BWV 882
Fuge Nr. 13 Fis-Dur BWV 882
Präludium Nr. 14 fis-Moll BWV 883
Fuge Nr. 14 fis-Moll BWV 883
Präludium Nr. 15 G-Dur BWV 884
Fuge Nr. 15 G-Dur BWV 884
Präludium Nr. 16 g-Moll BWV 885
Fuge Nr. 16 g-Moll BWV 885
Präludium Nr. 17 As-Dur BWV 886
Fuge Nr. 17 As-Dur BWV 886
Präludium Nr. 18 gis-Moll BWV 887
Fuge Nr. 18 gis-Moll BWV 887
Präludium Nr. 19 A-Dur BWV 888
Fuge Nr. 19 A-Dur BWV 888
Präludium Nr. 20 a-Moll BWV 889
Fuge Nr. 20 a-Moll BWV 889
Präludium Nr. 21 B-Dur BWV 890
Fuge Nr. 21 B-Dur BWV 890
Präludium Nr. 22 b-Moll BWV 891
Fuge Nr. 22 b-Moll BWV 891
Präludium Nr. 23 H-Dur BWV 892
Fuge Nr. 23 H-Dur BWV 892
Präludium Nr. 24 h-Moll BWV 893
Fuge Nr. 24 h-Moll BWV 893
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订阅关于Johann Sebastian Bach: The Well-Tempered Clavier, Books I & II, BWV 846-893 (5 CDs, Complete Edition)的评论:
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0 有用 风为帷 2015-11-30 10:49:54
作为一个外行,听到这个版本的平均律钢琴曲集,只能说:好。
0 有用 白色的蓝 2020-02-27 16:46:04
不知道说什么,一口气听完平均律感觉好累。
0 有用 丝管 2010-02-20 19:51:02
不蕴不躁 从容淡定
2 有用 小河马 2020-02-07 14:31:21
不愧是里赫特邀请过的人,这个平均律相当的惊喜,每一首都弹的绵延平和,荡气回肠,给巴赫演绎带来了更多的可能性。想起来当时发资源的时候没几个人搭理,遗憾咯~
0 有用 潜伏 2022-05-29 15:40:55
相当牛逼
0 有用 白色的蓝 2020-02-27 16:46:04
不知道说什么,一口气听完平均律感觉好累。
0 有用 风为帷 2015-11-30 10:49:54
作为一个外行,听到这个版本的平均律钢琴曲集,只能说:好。
1 有用 izzardseer 2013-07-04 13:46:01
没有在对位上投注过多的精力,但他孤高而充满知性的处理很有说服力。美中不足是音色不够漂亮,而录音又有点浑浊。
0 有用 潜伏 2022-05-29 15:40:55
相当牛逼
0 有用 丝管 2010-02-20 19:51:02
不蕴不躁 从容淡定