In And Out Of Control (豆瓣)

表演者: The Raveonettes
流派: 摇滚
专辑类型: 专辑
介质: Audio CD
发行时间: 2009-10-05
出版者: Fierce Panda
唱片数: 1
条形码: 5020422096424
其他版本: In And Out of Control （全部）

豆瓣评分

8.7

190人评价

5星

44.5%
4星

46.9%
3星

8.6%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　The Raveonettes fourth album, In and Out of Control, marks another change in direction for the band, though it's much less noticeable than the shift between the glossy, overproduced Pretty in Black and the raw, noisy, and self-produced Lust Lust Lust. This time out, the duo of Sharin Foo and Sune Rose Wagner decided to record in a studio again, and enlisted the production and... (展开全部) 　　The Raveonettes fourth album, In and Out of Control, marks another change in direction for the band, though it's much less noticeable than the shift between the glossy, overproduced Pretty in Black and the raw, noisy, and self-produced Lust Lust Lust. This time out, the duo of Sharin Foo and Sune Rose Wagner decided to record in a studio again, and enlisted the production and songwriting skills of Thomas Troelsen, who's worked with a diverse roster of artists that ranges from Junior Senior to Aqua, to his own excellent groups Private and Superheroes. Anyone fearing a return to the slick sounds that almost ruined the band will be glad to know that while there is more variety and a definite pop feel to the album, there is also plenty of noise and raw power to go around. The subject matter of the lyrics is totally Raveonettes too, touching on "suicide," rape, sadistic girls, heartbreak -- all providing the requisite levels of general malevolence one would expect. What the band and Troelsen do on the album is take the basic noise-plus-melody template that forms the band's core and give it a tweak here and there. Some sunny glockenspiel on "Last Dance," some electronic sound manipulation on "Boys Who Rape (Should All Be Destroyed"), and clunky new wave drums on "Breaking into Cars" are some of the touches that brighten things up without diluting the band's intrinsic strengths. In general, the tightly arranged songs and use of different sounds from song to song make it perhaps the most listenable album of their career. It has some of their hookiest songs ("Last Dance," "Suicide," "Bang!"), some of their most ferocious sounding songs ("Break Up Girls!") and their toughest ("Boys Who Rape"), a couple of very pretty ballads ("Oh, I Buried You Today" and "Wine"), and no missteps. Thanks to the production, the performances, and the songs, the Raveonettes have delivered on the renewed promise of Lust Lust Lust and made a very good, almost great, noise-pop album.
　　以上摘自Allmusic网站对本专辑的介绍，这是丹麦双人组The Raveonettes第四张专辑。整张专辑贯穿着柔顺的吉他声，配合着恰到好处的鼓点，有力而不喧闹，非常入耳！