Following his recordings dedicated to Beethoven's piano concertos (BIS-2281) and Franz Liszt's Transcendental etudes (BIS-2681), the gold medal winner at the 13th Van Cliburn International Piano Competition in 2009, Haochen Zhang, now brings these two composers together on this new recording with two summits of 19th-century piano literature: Beethoven's 'Hammerklavier' Sonata...(展开全部) Following his recordings dedicated to Beethoven's piano concertos (BIS-2281) and Franz Liszt's Transcendental etudes (BIS-2681), the gold medal winner at the 13th Van Cliburn International Piano Competition in 2009, Haochen Zhang, now brings these two composers together on this new recording with two summits of 19th-century piano literature: Beethoven's 'Hammerklavier' Sonata and Liszt's Sonata in B minor. The Piano Sonata No. 29, the 'Hammerklavier', is the longest, richest and perhaps the most masterful of Beethoven's 32 sonatas. In it, he pushes the instrument and the performer to their limits, and even beyond. It's immense complexity, the utter diversity of it's movements and it's daring structural conception give the sonata an unrivalled place in Beethoven's œuvre. It was very rarely played during Beethoven's lifetime, and Franz Liszt contributed to it's discovery with a concert performance in Paris that has since gone down in history. No stranger to the description 'unperformable', Liszt also wanted to write 'the' piano sonata that would reconcile his own approach to pianism with Beethoven's legacy. His Sonata in B minor, a monumental work that transforms the piano into a virtual orchestra, is a landmark work that sums up Liszt's genius.
曲目
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Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto (Appassionato e con molto sentimento)
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo — Allegro — Allegro risoluto (Fuga a tre voci, con alcune licenze)
Piano Sonata in B Minor, S. 178: Lento assai — Allegretto energico — Grandioso — Recitativo
Piano Sonata in B Minor, S. 178: Andante sostenuto — Quasi adagio
Piano Sonata in B Minor, S. 178: Allegro energico — Più mosso — Stretta quasi presto — Presto — Prestissimo — Andante sostenuto — Allegro moderato — Lento assai
0 有用 豆友1ZpBvcrr-o 2025-03-10 17:28:22 北京
先听了b奏，总的来说还行；只是昊辰哥哥怎么每次都搞那种变速，审美疲劳了
2 有用 榆杉子 2025-03-15 07:13:16 英国
满溢出的生命力与激情。说太快太飘的肯定只听了第一乐章吧？
0 有用 virgo_bottle 2025-04-07 19:42:53 广东
唉。
1 有用 spaceman 2025-03-19 11:05:55 上海
年纪大了，李斯特听不下去；贝多芬的后期钢奏都是神一般的存在，29三乐章，道尽情感的幽微
0 有用 白色的蓝 2025-03-12 17:09:50 北京
太快了，他 hold 不住。
0 有用 海吨 2025-04-16 22:22:33 江苏
弱奏时真有点老大师的节奏感了，虽然不完美，但部分段落的确有五星的表现。张昊辰进步神速！
1 有用 張同興 2025-03-13 20:43:38 江苏
好的演奏特征之一，紧张感、戏剧性、逻辑严谨。紧张感不能混同于速度快，戏剧性也不等于一惊一乍，张的演绎非常好地诠释了用贯穿始终的逻辑推演的紧张度，超重音并不盲目追求炸裂，而呈现情感逻辑推进至此的必然性，op.29虽然快，但触键清晰果断，层次递进非常合理。整张专辑风格挺拔耐听。
0 有用 拉赫玛尼诺妇 2025-03-16 19:07:10 北京
略失望吧特别是李斯特~而且这个封面，是认真的吗？好像什么抖音网红自出版了专辑似的。。。
0 有用 virgo_bottle 2025-04-07 19:42:53 广东
唉。
0 有用 七面紗之舞 2025-03-15 19:33:27 上海
不知道怎么形容…先评个分