Following his recordings dedicated to Beethoven's piano concertos (BIS-2281) and Franz Liszt's Transcendental etudes (BIS-2681), the gold medal winner at the 13th Van Cliburn International Piano Competition in 2009, Haochen Zhang, now brings these two composers together on this new recording with two summits of 19th-century piano literature: Beethoven's 'Hammerklavier' Sonata...(展开全部) Following his recordings dedicated to Beethoven's piano concertos (BIS-2281) and Franz Liszt's Transcendental etudes (BIS-2681), the gold medal winner at the 13th Van Cliburn International Piano Competition in 2009, Haochen Zhang, now brings these two composers together on this new recording with two summits of 19th-century piano literature: Beethoven's 'Hammerklavier' Sonata and Liszt's Sonata in B minor. The Piano Sonata No. 29, the 'Hammerklavier', is the longest, richest and perhaps the most masterful of Beethoven's 32 sonatas. In it, he pushes the instrument and the performer to their limits, and even beyond. It's immense complexity, the utter diversity of it's movements and it's daring structural conception give the sonata an unrivalled place in Beethoven's œuvre. It was very rarely played during Beethoven's lifetime, and Franz Liszt contributed to it's discovery with a concert performance in Paris that has since gone down in history. No stranger to the description 'unperformable', Liszt also wanted to write 'the' piano sonata that would reconcile his own approach to pianism with Beethoven's legacy. His Sonata in B minor, a monumental work that transforms the piano into a virtual orchestra, is a landmark work that sums up Liszt's genius.
曲目
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Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto (Appassionato e con molto sentimento)
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo — Allegro — Allegro risoluto (Fuga a tre voci, con alcune licenze)
Piano Sonata in B Minor, S. 178: Lento assai — Allegretto energico — Grandioso — Recitativo
Piano Sonata in B Minor, S. 178: Andante sostenuto — Quasi adagio
Piano Sonata in B Minor, S. 178: Allegro energico — Più mosso — Stretta quasi presto — Presto — Prestissimo — Andante sostenuto — Allegro moderato — Lento assai
0 有用 Bebooop 2025-03-11 16:54:20 江苏
hc哥哥喂的槌子键，好吃
0 有用 virgo_bottle 2025-04-07 19:42:53 广东
唉。
0 有用 七面紗之舞 2025-03-15 19:33:27 上海
不知道怎么形容…先评个分
1 有用 RogerWang2333 2025-03-11 00:12:00 北京
对张昊辰很欣赏 但这个贝奏29。。实在不在我审美点上
0 有用 拉赫玛尼诺妇 2025-03-16 19:07:10 北京
略失望吧特别是李斯特~而且这个封面，是认真的吗？好像什么抖音网红自出版了专辑似的。。。
1 有用 雲隱 2025-03-14 13:34:54 北京
封面照太丑，感觉马上要拿奥数金奖了。
0 有用 Bebooop 2025-03-11 16:54:20 江苏
hc哥哥喂的槌子键，好吃
0 有用 豆友1ZpBvcrr-o 2025-03-10 17:28:22 北京
先听了b奏，总的来说还行；只是昊辰哥哥怎么每次都搞那种变速，审美疲劳了
0 有用 拉赫玛尼诺妇 2025-03-16 19:07:10 北京
略失望吧特别是李斯特~而且这个封面，是认真的吗？好像什么抖音网红自出版了专辑似的。。。
0 有用 mulder 2025-03-30 15:14:45 四川
精雕细琢，支离破碎的小单句。内心空虚到了一定的程度才会受迫式地要为自己做的一切东西赋予“意义”。这是最不适合弹贝多芬的一类人了。