Banshee / Basse Brevis (豆瓣)

表演者: François J. Bonnet / Sarah Davachi
流派: 电子
专辑类型: 专辑
介质: 黑胶
发行时间: 2025-03-21
出版者: Portraits GRM
唱片数: 1

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简介 · · · · · ·

　　François J. Bonnet – Banshee
　　Banshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the... (展开全部) 　　François J. Bonnet – Banshee
　　Banshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the human presence, its tools and its culture. Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.
　　Sarah Davachi – Basse Brevis
　　Co-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking, and particularly evident in Basse Brevis, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.
　　François J. BONNET « Banshee » (2024)
　　Music composed from materials collected on the Isles of Mull, Staffa and Skye, Inner Hebrides, August 2022
　　Mastered by Giuseppe Ielasi / Cut by Andreas Kauffelt at Schnittstelle
　　Photo by Didier Allard © INA / Sleeve design by Stephen O’Malley
　　—
　　Sarah DAVACHI « Basse Brevis » (2023)
　　Performed (electric organ, synthesizer, Mellotron) and recorded by Sarah Davachi at home in Los Angeles, CA, USA
　　Mastered by Giuseppe Ielasi / Cut by Andreas Kauffelt at Schnittstelle
　　Photo by Sean McCann / Sleeve design by Stephen O’Malley
　　—
　　℗ 2023, 2024 INA grm
　　© 2025 Portraits GRM

曲目 · · · · · ·

François J. Bonnet - Banshee
Sarah Davachi - Brasse Brevis

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0 有用雨摇 2025-04-12 17:55:40 江西

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0 有用 DedaTheNichole 2025-03-30 02:39:39 浙江

0 有用 Jaychen 2025-03-21 23:43:08 安徽

0 有用雨摇 2025-04-12 17:55:40 江西

0 有用伤心日记本 2025-04-01 23:38:46 四川

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Banshee / Basse Brevis

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0 有用 雨摇 2025-04-12 17:55:40 江西

0 有用 DedaTheNichole 2025-03-30 02:39:39 浙江

0 有用 leeleeonthispl 2025-04-23 22:01:34 湖南

0 有用 伤心日记本 2025-04-01 23:38:46 四川

0 有用 Jaychen 2025-03-21 23:43:08 安徽

0 有用 leeleeonthispl 2025-04-23 22:01:34 湖南

0 有用 DedaTheNichole 2025-03-30 02:39:39 浙江

0 有用 Jaychen 2025-03-21 23:43:08 安徽

0 有用 雨摇 2025-04-12 17:55:40 江西

0 有用 伤心日记本 2025-04-01 23:38:46 四川

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0 有用雨摇 2025-04-12 17:55:40 江西

0 有用伤心日记本 2025-04-01 23:38:46 四川

0 有用雨摇 2025-04-12 17:55:40 江西

0 有用伤心日记本 2025-04-01 23:38:46 四川