“The main theme of the record is desperation; you don’t hear an unreliable narrator but someone who is kidding themselves that they have everything under control, but they don’t.” Geordie Greep Geordie Greep (guitarist and vocalist in black midi) today announces his debut solo album ‘The New Sound’ and shares its first single ‘Holy, Holy’. Following three astonish...(展开全部) “The main theme of the record is desperation; you don’t hear an unreliable narrator but someone who is kidding themselves that they have everything under control, but they don’t.” Geordie Greep Geordie Greep (guitarist and vocalist in black midi) today announces his debut solo album ‘The New Sound’ and shares its first single ‘Holy, Holy’. Following three astonishing albums with black midi, most recently 2023’s ‘Hellfire’, and almost non-stop worldwide tours for near-on five years, Geordie Greep has somehow found time to record his first solo album ‘The New Sound’, an album that has allowed him scope to explore creative ideas like never before. It boasts a brand of high quality, all-embracing alternative pop fun not heard in a very long time. Geordie Greep; “With recording ‘The New Sound’, it was the first time I have had no one to answer to. And with every impulse I had, I was able to completely follow it through to its conclusion. Being in a band (black midi), we often have this ‘we can do everything’ feeling, but you are also kind of limited in that approach, and sometimes it's good to do something else, to let go of things.” Over thirty session musicians were involved in the making of the album, on two continents, in São Paulo and London. Geordie Greep; “Some of the tracks we had recorded already, elsewhere, but it just wasn’t right, so we re-recorded them with new people. Half of the tracks were done in Brazil, with local musicians pulled together at the last minute. They’d never heard anything I’d done before, they were just interested in the demos I’d made. The tracking was all done in one, maybe two days. Then we did the overdubs later, in London.” Geordie Greep has had plenty of practice with black midi over the years in performing musical and lyrical Cruyff turns, full of stop-starts, blasts and bangs and whispered soliloquies. Here the method is employed to ask: what part of the narrative should we listeners believe, or take as our emotional crutch? The mercurial, insouciant tone set in ‘Terra’, or the gruesome imagery it is juxtaposed with? After all, Greep tells us, this is the story of “the museum of human suffering.” Consider, too, the strange emotional undulations created in ‘Through a War’, where the music makes a very polished stab at aping a soul revue; or a salsa class. It’s there to give colour to a set of imaginings which include cannibalism, being boiled alive, and a woman giving birth to a goat. You’re never quite sure when, or whether, you are supposed to be shocked; or laugh. Even if, as with the latter, Geordie Greep gives us the punchline; “And that’s how I spent my adolescence.” Street life is all around: the listener is thrown into a world of cafes, bars and clubs, visit theatres, cabarets and strange museums, or rented rooms. Here we see our heroes carry out a series of naughty assignations, military cosplay or socio-economic triumphs. Greep; “I was often thinking of walking through a city, and thinking about a million dollars, showing that kind of feeling, you know?” Taking on The New Sound in its entirety can feel like you are trying to cross Piccadilly Circus after a skinful. Single ‘Holy Holy’ is possibly the best example: has urbane romantic fantasy ever sounded this way? Probably not since Noël Coward. This story of an imaginary liaison in a nightclub is soundtracked by ’noughties indie pop chords and bravura Latin big band arrangements - including a three-piano attack (Steinway, Bechstein, electric). ‘Motorbike’ sees a change in vocal duties: as bassist and album producer Seth ‘Shank’ Evans starts up a doleful soliloquy about not getting what he wants. It’s certainly an album that fully engages the listener, throughout the eleven tracks. Greep; “I was worried about the length in terms of not overblowing it. But I’m also really bloody bored of listening to music and, for better or worse, knowing in advance what it means or what it’s trying to do. All my favourite music is about the listener coming to terms with what is going on. My favourite singers, like Peter Hammill or Nat King Cole, are literally one of a kind. I love that. Especially with lyrics, where you’re not sure what they’re going on about, but you know it’s not just abstract thoughts.” What next? Could we see The New Sound as a live concept or is the album going to stay forever in our collective imagination? Greep; “My plan is to ‘do a Keith Jarrett thing’, have a different group of session musicians in a different place and lean into the fact that we’re not going to get it the same.” How can anything ever be ‘the same’ with Greep at the helm?
从未听过这样的音乐,声势浩大的chamber乐团配合艺术家无耻高歌男人淫秽臆想,在11首歌光怪陆离的性经历、性渴望叙事中嚣张宣誓男性由军事、历史构成的知识特权、由资本构筑的身份特权。让这一切无比艺术的是geordie对人物的悲剧化处理、声景与叙事的协同增益(南美风味器乐2/3/4/7、多轨吉他此消彼长华丽riff中磅礴的浪漫悲情8/9,which makes me sick…)。最残酷的taw中军...从未听过这样的音乐,声势浩大的chamber乐团配合艺术家无耻高歌男人淫秽臆想,在11首歌光怪陆离的性经历、性渴望叙事中嚣张宣誓男性由军事、历史构成的知识特权、由资本构筑的身份特权。让这一切无比艺术的是geordie对人物的悲剧化处理、声景与叙事的协同增益(南美风味器乐2/3/4/7、多轨吉他此消彼长华丽riff中磅礴的浪漫悲情8/9,which makes me sick…)。最残酷的taw中军官虐俘的血腥往事可以作为注定失败的求爱谈资,wu中董事会老男带病约炮流连于指尖残存的风骚气息,aiw中高尚嫖客对性从业者动情又陷入自我感动。为道德感、性能力挽尊的伪君子,为身份特权自豪的高质量男性…形形色色受几把控制的男人都为血腥父权金字塔添砖加瓦这一切太壮丽太讽刺了geordie无法自拔地唱嗨了(展开)
Black Midi主唱的首张专辑杂揉了多种令人眼花缭乱的音乐流派,是由一群他精心刻画的不细致、不值得同情的人物组成的大游行,令人兴奋的同时也会让人觉得审美疲劳。 Greep知道他不该说“Pussy”这个词的。所以他用“Holy Holy”的男主角花了两分钟向一个女人炫耀他“远近闻名”...
(展开)
4 有用 ER 2024-10-05 10:10:52 美国
妙趣橫生
9 有用 Kurt 2024-10-08 12:34:08 上海
基本上听一首歌停下来看一次极光,太奇妙了这个聆听过程
0 有用 Airmumm 2024-10-07 10:01:47 福建
真叫人捏把汗
0 有用 null 2024-10-25 14:42:05 广东
bro just ruined Brazilian music
3 有用 Eyes2theWind 2024-10-18 02:10:39 广东
3.0 贯穿首尾的性笑话的讽刺天性和他随时待命的紧绷感的碰撞挺晕人的(生理上)
0 有用 德莱弗麦卡 2024-11-17 08:20:53 浙江
被封面骗进去听……
1 有用 乌鸦基尼 2024-11-16 12:22:07 广东
从未听过这样的音乐,声势浩大的chamber乐团配合艺术家无耻高歌男人淫秽臆想,在11首歌光怪陆离的性经历、性渴望叙事中嚣张宣誓男性由军事、历史构成的知识特权、由资本构筑的身份特权。让这一切无比艺术的是geordie对人物的悲剧化处理、声景与叙事的协同增益(南美风味器乐2/3/4/7、多轨吉他此消彼长华丽riff中磅礴的浪漫悲情8/9,which makes me sick…)。最残酷的taw中军... 从未听过这样的音乐,声势浩大的chamber乐团配合艺术家无耻高歌男人淫秽臆想,在11首歌光怪陆离的性经历、性渴望叙事中嚣张宣誓男性由军事、历史构成的知识特权、由资本构筑的身份特权。让这一切无比艺术的是geordie对人物的悲剧化处理、声景与叙事的协同增益(南美风味器乐2/3/4/7、多轨吉他此消彼长华丽riff中磅礴的浪漫悲情8/9,which makes me sick…)。最残酷的taw中军官虐俘的血腥往事可以作为注定失败的求爱谈资,wu中董事会老男带病约炮流连于指尖残存的风骚气息,aiw中高尚嫖客对性从业者动情又陷入自我感动。为道德感、性能力挽尊的伪君子,为身份特权自豪的高质量男性…形形色色受几把控制的男人都为血腥父权金字塔添砖加瓦这一切太壮丽太讽刺了geordie无法自拔地唱嗨了 (展开)
0 有用 _椰耶 2024-11-14 18:47:44 广东
just not my type
0 有用 拔丝地瓜 2024-11-20 20:22:15 上海
seriously wtf
0 有用 itsrainingnow 2024-11-17 22:28:46 英国
对他的表达欲还是没有跟共鸣 但是本身的旋律器乐写得也足够有趣悦耳了