Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks theproject's return after a five-year hiatus. This album signifies a departure from the original rules andstructures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retainsthe project's experimental roots in power electronics and noise while incorporating industri...(展开全部) Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks theproject's return after a five-year hiatus. This album signifies a departure from the original rules andstructures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retainsthe project's experimental roots in power electronics and noise while incorporating industrial andpunk influences.The album stems from a profound disgust with humanity's dysfunctional relationship with theenvironment and other life forms. It explores the loneliness resulting from this broken bond andchallenges us to acknowledge our personal and systemic responsibility.What peace can we make with privilege when the true cost of our comfort is not measured indollars but in death? How can we reconcile with death when we impose the same hierarchicalstructures on it that we do in life? Is life worth living in the isolation of this self-imposed speciesloneliness?Humans often measure worth by accumulation-money, assets, objects-mistaking this for powerand influence. Western heritage dictates a hierarchy, placing humans at the top, separate from thenatural world. This delusion turns bodies into objects, land into property, and people into expendable tools.If our value were instead determined by our contribution to the ecosystem, who could claim thata human is more valuable than a maggot? Maggots recycle death into life, breaking down matterand nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth'sflora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many.In grappling with grief and loss on both personal and global scales, Margaret sought solace in theidea of rebirth through death, celebrating the beauty of regeneration through decay. However, shehad to confront the stark reality of the disconnection from the earth under oppressive systems.Pharmakon is here imagining a path where the final act is to give back what was received fromcreation, offering our lives and deaths to sustain existence.
2/4*/5,厌世环保主义与蔑视人类尸腐大地的噪音论文,和爱伦坡的征服者爬虫、普罗米修斯花园里不断繁衍与分解的能量交替莫名契合。第二首有一点朋克乐队的味道,最后两首Chardiet的声音非常美...like distorted and purified,和蜿蜒翻滚的工业虫潮末日音景一起把虚浮的社会瓦解掉了
2/4*/5,厌世环保主义与蔑视人类尸腐大地的噪音论文,和爱伦坡的征服者爬虫、普罗米修斯花园里不断繁衍与分解的能量交替莫名契合。第二首有一点朋克乐队的味道,最后两首Chardiet的声音非常美...like distorted and purified,和蜿蜒翻滚的工业虫潮末日音景一起把虚浮的社会瓦解掉了
0 有用 𖤐 2024-10-04 10:24:40 北京
有点听不下去了
0 有用 乔治洗衣机 2024-10-04 23:02:31 德国
痛苦既然存在 一定有其存在的意义 也罢
0 有用 孽虫 2024-10-07 08:56:45 广东
听
0 有用 7 2024-10-19 20:56:03 广西
2/4*/5,厌世环保主义与蔑视人类尸腐大地的噪音论文,和爱伦坡的征服者爬虫、普罗米修斯花园里不断繁衍与分解的能量交替莫名契合。第二首有一点朋克乐队的味道,最后两首Chardiet的声音非常美...like distorted and purified,和蜿蜒翻滚的工业虫潮末日音景一起把虚浮的社会瓦解掉了
0 有用 610 2024-10-04 11:32:36 浙江
老姐一张不如一张了
0 有用 7 2024-10-19 20:56:03 广西
2/4*/5,厌世环保主义与蔑视人类尸腐大地的噪音论文,和爱伦坡的征服者爬虫、普罗米修斯花园里不断繁衍与分解的能量交替莫名契合。第二首有一点朋克乐队的味道,最后两首Chardiet的声音非常美...like distorted and purified,和蜿蜒翻滚的工业虫潮末日音景一起把虚浮的社会瓦解掉了
0 有用 孽虫 2024-10-07 08:56:45 广东
听
0 有用 𖤐 2024-10-04 10:24:40 北京
有点听不下去了
0 有用 乔治洗衣机 2024-10-04 23:02:31 德国
痛苦既然存在 一定有其存在的意义 也罢
0 有用 岭啊 2024-10-04 00:35:06 上海
我感觉到,一切都回来了