ZULI's widest-reaching and most ambitious album to date, 'Lambda' is a conspicuous left turn for the Berlin-based Egyptian producer. Draped in gauzy, granulated textures and woven with enigmatic vocal flourishes from collaborators MICHAELBRAILEY, Coby Sey and Abdullah Miniawy, it's a vivid, soul-searching set of polychromatic reflections that sets fire to the boundaries betwe...(展开全部) ZULI's widest-reaching and most ambitious album to date, 'Lambda' is a conspicuous left turn for the Berlin-based Egyptian producer. Draped in gauzy, granulated textures and woven with enigmatic vocal flourishes from collaborators MICHAELBRAILEY, Coby Sey and Abdullah Miniawy, it's a vivid, soul-searching set of polychromatic reflections that sets fire to the boundaries between ambient, trip-hop, industrial music, chamber pop and symphonic noise. In some aspects, 'Lambda' reveals ZULI's softer side; gone are the earth-shaking chopped rhythms and stop-start outbursts of corroded static that characterized his last full length, 'Digla Dive - Live'. But peer beneath the brain burrowing vocal melodies, mangled instrumental loops, anxious poems and subtle, harmonic synth washes and a new kind of intensity lurks in the shadows. Since his early releases on Lee Gamble's UIQ label and his 2018 breakout 'Trigger Finger', ZULI has notched up major global acclaim for his futuristic, kinetic musical diversions. He cut his teeth supplying beats to local rappers back home in Cairo, soon shifting his attention to the city's burgeoning dance underground, promoting events, DJing prolifically and tirelessly supporting the scene's most experimental fringe. In 2019, ZULI teamed up with Rama to curate the irsh... series of video transmissions, evolving the project into a label shortly afterwards. And now situated in Berlin, the duo have extended the concept to encompass an ongoing sequence of genre-averse club nights. All this experience and constant creative motion is etched into the foundations of 'Lambda'. It's an album that plays liberally with euphoria, but feels constantly precarious, intrepidly peering out from its tense internal world. Lead single '10000 (Papercut pt. 1)' is one of the album's most unexpected cuts, featuring a soaring falsetto vocal from Hamburg-based British composer and performer MICHAELBRAILEY. "What do I have to show for it?" he asks suggestively, while ZULI replies with seismic bass rumbles and celestial, harp-like chimes. Building towards a crippling, dense crescendo, the track is among the weightiest ZULI's ever produced, replacing his signature beats with industrial metal drones and razor-sharp electronics. Brailey also shows up on the symphonic 'Syzygy', singing sweetly until he stretches his voice into mutant echoes, augmenting the chorals with powdery, granulated hisses and surreal piano phrases. On 'Plateau' meanwhile, ZULI works alongside virtuosic multi-instrumentalist and singer Abdullah Miniawy, who calls to the heavens as digitally pulverized strings quiver in the background. And cult British artist Coby Sey adds his unmistakable tones to 'Ast', mouthing tense, thoughtful words over mangled music box jingles and ecstatic pads. When he's not straddled by his collaborators through, ZULI is free to make some of his most personal gestures. He fashions a phantasmic, pitch-fluxed robotic croon on 'Trachea', curving it around half-speed hip-hop clacks and cinematic drones, then driving it into walls of impermeable noise on 'The Horn'. And the album's most revealing moment comes with the short 'Fahsil Qusseer', when ZULI recites a poem written by his father. Stretching his voice and a tape-saturated break like elastic, ZULI mimics the emotional push-and-pull of the protagonist, who overcomes their anxiety to escape into the outside world, only to retreat immediately back to the safety of solitude. The track puts the whole of 'Lambda' into sharp focus - through the walls of noise and exuberant, intoxicating waves of ambience, ZULI finds solace in limbo between the manic extremes.
0 有用 椰茨吞忒兔 2024-08-18 12:20:43 山东
4/10
0 有用 Pablo 2024-07-10 18:46:20 上海
8.4
0 有用 7 2024-07-25 13:59:52 福建
weird and original,瑞思拜
0 有用 MeetMeinaMaze 2024-07-11 09:27:31 四川
“柔化”但不无聊的ZULI,glitch元素把“原本”的ambient音乐景象刮擦成破碎镜面,变成没那么环境化的进攻形态。人声在扭曲叠加中形成故障但努力沟通的诡异电波,也有埃及风情植入。什么都解构一下、拿来一点但拼贴痕迹却被自然抹平了
0 有用 2f4f4f 2024-09-28 18:38:20 浙江
咦哟
0 有用 Jaychen 2024-07-29 18:37:30 山东
8.1 Arabic Ambient slay! 完全不无聊,很多细节都很惊喜,很喜欢,但是还是更想听他做跳舞音乐
0 有用 2f4f4f 2024-09-28 18:38:20 浙江
咦哟
0 有用 椰茨吞忒兔 2024-08-18 12:20:43 山东
4/10
0 有用 孽虫 2024-07-12 16:47:49 广东
听
0 有用 波普蜥蜴 2024-08-31 08:52:38 美国
對zuli對聽眾而言都是種新穎的聽感,喜歡!