Step inside the world of Ginger Root. Cameron Lew makes it easy to do so; every considered detail is his own manifestation, written, designed, and executed as an all-encompassing diorama of sound and sight. A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing ...(展开全部) Step inside the world of Ginger Root. Cameron Lew makes it easy to do so; every considered detail is his own manifestation, written, designed, and executed as an all-encompassing diorama of sound and sight. A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound — handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — takes shape through Lew's lens as an Asian-American growing up enamored by 1970s and 80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. He spins his retro-minded influences and proliferates savvily in the present, synthesizing a songwriter's wit, an editor's eye, and a producer’s resource into something singular and modern. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking "exactly what Ginger Root should sound and feel like," he says. "In terms of instrumentation and musicality, it's the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I'm coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self." In parallel with the songs and his real-life artist story, unfolding across the sequential music video series, Lew resumes the conceptual narrative from his 2022 EP Nisemono, which follows Ginger Root as a newly-fired music supervisor in 1987 starting his own media conglomerate, Ginger Root Productions. "If you watch music videos one through eight, you'll be presented with a story that’s comparable to a traditional movie; something I've always wanted to do.” Splitting sessions between locations in Japan and back in Orange County, Lew paid extra attention to SHINBANGUMI’s track arrangement, tapping his close circle for input, including members of his live band and his longtime video collaborator, David Gutel. He sees the album’s arc in multiple acts, mapping the chronological listen with "just the right amount of like front-end punch and then letting you breathe, then sending you even faster in the middle section, and so on...I wanted to grab you by the collar in a good way and then not let you go until the last song."
0 有用 ▲une 2024-09-17 10:52:06 上海
(听后即忘
0 有用 Mr.OG 2024-08-08 16:53:35 北京
融合得不错,但是别人的影子还是很明星,无论是早期的还是当代的,还不够自我和纯粹!
0 有用 椰茨吞忒兔 2024-09-21 12:03:32 山东
6/10 all night💝
0 有用 Nanccccccy 2024-11-08 12:12:56 广东
全能姜根incoming
1 有用 银翼抄手 2024-09-13 22:33:26 广东
同质化蛮严重的~
0 有用 打败了格格巫 2024-09-19 11:55:45 北京
视觉优于听觉
0 有用 XD 2024-10-06 21:38:37 北京
就是能把easy listening这个大筐里的音乐都做了而且做得这么腻歪......再瑞一句,所谓的city pop就缝合的程度而言也和涩谷系同质)
0 有用 DeeJaygoz 2024-09-24 11:29:35 北京
放空时听听还可以,还停留在别人做过的东西就没意思了。
0 有用 张偓佺 2024-10-07 16:37:39 江苏
到底哪里同质化,不用说后半张,光是track2一开始的编曲音色就把我惊喜到了。如果氛围和概念一致也算同质化的话,那好吧
0 有用 NASIET 2024-10-09 20:25:33 北京
即使同质化也很爱诶