The Bach album comprises four preludes and one fugue from the Well-Tempered Clavier, as well as the Allemande from the fourth Partita, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of Bach—including Mehldau’s Variations on Bach’s Goldberg Theme. Brad Mehldau, speaking of the “universality” of Bach’s music, says in ...(展开全部) The Bach album comprises four preludes and one fugue from the Well-Tempered Clavier, as well as the Allemande from the fourth Partita, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of Bach—including Mehldau’s Variations on Bach’s Goldberg Theme. Brad Mehldau, speaking of the “universality” of Bach’s music, says in his liner note: “The more you try to engage with him, the more your own personality becomes visible, unavoidably. You are not playing Bach—Bach is playing you, in the sense that he lays you bare ... The greatest choice you make at all times is not out of an absence, but from what is there, in its totality. Specifically, it is the constant choice you make in how to negotiate between harmony and melody.”
曲目
· · · · · ·
Prelude to Prelude
Prelude No. 9 in E Major from The Well-Tempered Clavier, Book I, BWV 854
Prelude No. 6 in D Minor from The Well-Tempered Clavier Book I, BWV 851
After Bach: Toccata
Partita for Keyboard No. 4 in D Major, BWV 828: II. Allemande
After Bach: Cavatina
Prelude No. 20 in A Minor from The Well-Tempered Clavier Book I, BWV 865
Between Bach
Fugue No. 20 in A Minor from The Well-Tempered Clavier Book I, BWV 865
Intermezzo
Variations on Bach’s Goldberg Theme:
Aria-like
Variation I, Minor 5/8 a
Variation II, Minor 5/8 b
Variation III, Major 7/4
Variation IV, Breakbeat
Variation V, Jazz
Variation VI, Finale
Prelude No. 7 in E-Flat Major from The Well-Tempered Clavier Book I, BWV 852
0 有用 AilurusFulgens 2024-07-06 00:06:14 北京
中规中矩
0 有用 AilurusFulgens 2024-07-06 00:06:14 北京
中规中矩