Massimo Toniutti is an Italian sound designer and experimental musician. He is the brother of Giancarlo Toniutti who is best known for his electroacoustic masterpiece La Mutazione which was originally released on the Broken Flag label in the UK and later re-issued by Klanggalerie. Massimo started working with sound when he was a teenager, collecting and playing recordings of ...(展开全部) Massimo Toniutti is an Italian sound designer and experimental musician. He is the brother of Giancarlo Toniutti who is best known for his electroacoustic masterpiece La Mutazione which was originally released on the Broken Flag label in the UK and later re-issued by Klanggalerie. Massimo started working with sound when he was a teenager, collecting and playing recordings of all kinds. In the 1980s he released four cassettes on his own label, all heavily influenced by the experimental music scene of that time. He soon developed a strong relation to electroacoustic structures, space/environment and silence. In the 1990s, he began investigating radio, creating his own sound archive and producing unusual broadcasts. He released an album entitled Il Museo Selvatico, which was re-issued in Australia in 2018 on Oren Ambarchi's label Black Truffle. A documentation of his radio work can be heard on the CD Le Gabbiette Di Faraday, collecting radio pieces from 1996 to 1998. On his new album, Toniutti deals once more with space and silence with an immersive, spacious long track. A loose-knit sound structure moves in a cyclic but unpredictable way embracing macro shapes, empty spaces and sound dust. While running crystal clear it invites you to observe it in depth and focus on distances. Details/events are spread along the piece like in a landscape, still and changing at the same time. A deep listening that can easily become “my personal musique d’ameublement”, to quote the composer himself. A model of this work has been part of a permanent installation in a museum since 2013. The Clear Observatory is a sort of never ending piece, the enlargement/development of a bunch of seeds. Sound sources (acoustic material and field recordings) are treated in a specific configuration of reverbs and delays to create this roomy “eyepiece musique”.
0 有用 雨摇 2024-08-30 22:30:09 江西
细腻,精致!虽然没有持续的嗡鸣背景,但是也会让你沉醉在那种空间氛围里。Toniuti都没有公布声源,但是聆听的时候似乎都可以忽略,混响和延迟的使用是显而易见的,开始的时候那个打击乐很像钢片琴,但又不是。55分钟的音乐,似乎是完成一个循环的逻辑,声响是向四周蔓延开的,呈现出一种抛物线,由底到高再回落,中间夹杂了几乎无声的静默,使听者处于“悬浮”状态,这种沉默似乎是音乐运动的驱动力。这种由声音编织的声... 细腻,精致!虽然没有持续的嗡鸣背景,但是也会让你沉醉在那种空间氛围里。Toniuti都没有公布声源,但是聆听的时候似乎都可以忽略,混响和延迟的使用是显而易见的,开始的时候那个打击乐很像钢片琴,但又不是。55分钟的音乐,似乎是完成一个循环的逻辑,声响是向四周蔓延开的,呈现出一种抛物线,由底到高再回落,中间夹杂了几乎无声的静默,使听者处于“悬浮”状态,这种沉默似乎是音乐运动的驱动力。这种由声音编织的声响画卷,很容易让你联想起那种现代的抽象画,它本身就是探讨空间性,当然音乐本身就是时间艺术,这又是绘画不具备的。它很纯粹,没有任何人文元素,直接扑向听觉与感官。很美的作品!绝对入选我的今年最佳作品之一了! (展开)
0 有用 雨摇 2024-08-30 22:30:09 江西
细腻,精致!虽然没有持续的嗡鸣背景,但是也会让你沉醉在那种空间氛围里。Toniuti都没有公布声源,但是聆听的时候似乎都可以忽略,混响和延迟的使用是显而易见的,开始的时候那个打击乐很像钢片琴,但又不是。55分钟的音乐,似乎是完成一个循环的逻辑,声响是向四周蔓延开的,呈现出一种抛物线,由底到高再回落,中间夹杂了几乎无声的静默,使听者处于“悬浮”状态,这种沉默似乎是音乐运动的驱动力。这种由声音编织的声... 细腻,精致!虽然没有持续的嗡鸣背景,但是也会让你沉醉在那种空间氛围里。Toniuti都没有公布声源,但是聆听的时候似乎都可以忽略,混响和延迟的使用是显而易见的,开始的时候那个打击乐很像钢片琴,但又不是。55分钟的音乐,似乎是完成一个循环的逻辑,声响是向四周蔓延开的,呈现出一种抛物线,由底到高再回落,中间夹杂了几乎无声的静默,使听者处于“悬浮”状态,这种沉默似乎是音乐运动的驱动力。这种由声音编织的声响画卷,很容易让你联想起那种现代的抽象画,它本身就是探讨空间性,当然音乐本身就是时间艺术,这又是绘画不具备的。它很纯粹,没有任何人文元素,直接扑向听觉与感官。很美的作品!绝对入选我的今年最佳作品之一了! (展开)