Breaking from the strange monotony and abnormal norms that took hold during two years of pandemic life, Hammock returns with "Love in the Void", an album that looks to the future, seizes the present, and unabashedly relishes the experiences and bonds that bring meaning to our days. Known for crafting orchestral works of stirring cinematic ambience, on "Love in the Void" the N...(展开全部) Breaking from the strange monotony and abnormal norms that took hold during two years of pandemic life, Hammock returns with "Love in the Void", an album that looks to the future, seizes the present, and unabashedly relishes the experiences and bonds that bring meaning to our days. Known for crafting orchestral works of stirring cinematic ambience, on "Love in the Void" the Nashville-based duo of Marc Byrd and Andrew Thompson bring guitar-forward, heart-pounding urgency to songs that shout through and shatter the static of complacency. Since forming as Hammock in 2003, Byrd and Thompson have released 11 critically-acclaimed albums, and are renowned for their unique talent for bringing inexpressible emotion to life. The Covid-19 pandemic followed closely after one of Hammock’s career-defining works, the Mysterium, Universalis, and Silencia trilogy that chronicled the incomprehensible loss of Byrd’s 20-year-old nephew. At their homes and apart, Byrd and Thompson then recorded Elsewhere, an album of shimmering ambience that channeled alienated longing and displacement into avenues that gave way to worlds and possibilities yet realized. Shaken awake and needing to break free of frustrations and longings, "Love in the Void" pulses with an unbridled spirit for action and experience and a burning desire for connection. Across songs that hammer home the keenly felt emotions of life’s highs and lows, Byrd and Thompson crest soaring crescendos awash in reverb and delve to keenly felt moments of quiet introspection, with unflinching lyrics on tracks like “Undoing” and “Denial of Endings'' that weigh choices made and circumstances that can’t be changed. Lush and dramatic string orchestration from Matt Kidd (Slow Meadow) and emphatic drumming from Jake Finch heighten the stakes in play, and Christine Byrd’s (Lumenette) ethereal vocals leave mysteries lingering in the haze. "Love in the Void" is Hammock’s loudest album to date, embracing daring and vulnerability with palpable vitality at its core. Wide-eyed and looking forward, "Love in the Void" moves into an unknown future without fear. -Wyatt Marshall
终于,在一堆氛围曲狂轰滥炸之后,hammock回归了他们在Everything and Nothing中展现出的经典后摇crescendo美学。我还是喜欢这样的hammock:言之有物的极简主义,慢速鼓点平静而舒适,不需要爆发,像老友在耳边诉说。有时我甚至会想Marc Byrd是不是踩下chorus踏板就变成了Robin Guthrie。
0 有用 fake 2023-02-08 11:49:23 中国台湾
就好这口,hammock都不怎么需要变的,需要情感抚慰的时候听听真舒服。It's OK to Be Afraid of the Universe / Absorbed in Light
0 有用 knutteldrige 2023-02-02 16:56:53 广东
你们缺美工了可以来找我给你们整专辑封面… 感觉略微有点同质化了
0 有用 k.k 2023-01-29 19:31:46 安徽
3.5
0 有用 ER 2023-01-31 21:38:01 美国
听不动了有点
0 有用 Khaos 2023-02-04 03:30:01 四川
这个怀旧时代最好的醇酿,喝大了的那种轻盈!尾曲《The End Is the Beginning》真的好俗好喜欢,不愧虚空之恋呀。
0 有用 月光 2023-03-13 15:21:30 美国
熟稔的Hammock的风格与韵律。听着令人心安。但是又好像少了点什么。最喜欢的是release开篇的迷幻。
0 有用 Krisleen 2023-02-24 10:29:18 中国台湾
当墙纸音乐听了,喜欢开阔沉静的空间感。
0 有用 X_Drunker 2024-09-12 14:55:17 安徽
终于,在一堆氛围曲狂轰滥炸之后,hammock回归了他们在Everything and Nothing中展现出的经典后摇crescendo美学。我还是喜欢这样的hammock:言之有物的极简主义,慢速鼓点平静而舒适,不需要爆发,像老友在耳边诉说。有时我甚至会想Marc Byrd是不是踩下chorus踏板就变成了Robin Guthrie。
0 有用 妖怪 2023-02-03 08:49:17 江苏
很多人老想要新意,我觉得玩过的东西玩了又玩就挺好
0 有用 楊牧俑 2023-02-08 09:06:37 湖北
6.5