Murmures / Rumeurs (豆瓣)

表演者: Tom Bourgeois / Veronika Harcsa / Loïs Le Van / Thibault Dille / Florent Jeunieaux
流派: 爵士
专辑类型: 专辑
发行时间: 2022-03-25
出版者: Neuklang
唱片数: 2

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简介 · · · · · ·

　　[ Murmures ]
　　Loïs Le Van, vocals
　　Tom Bourgeois, tenor saxophone, bass clarinet
　　Thibault Dille, accordion
　　Florent Jeunieaux, guitar
　　Guest:
　　Veronika Harcsa, vocals (Track 3)
　　[ Rumeurs ]
　　Veronika Harcsa, vocals
　　Tom Bourgeois, tenor saxophone, bass clarinet
　　Ruben Verbruggen, alto saxophone, baritone saxophone
　　Thoma... (展开全部) 　　[ Murmures ]
　　Loïs Le Van, vocals
　　Tom Bourgeois, tenor saxophone, bass clarinet
　　Thibault Dille, accordion
　　Florent Jeunieaux, guitar
　　Guest:
　　Veronika Harcsa, vocals (Track 3)
　　[ Rumeurs ]
　　Veronika Harcsa, vocals
　　Tom Bourgeois, tenor saxophone, bass clarinet
　　Ruben Verbruggen, alto saxophone, baritone saxophone
　　Thomas Mayade, trumpet
　　Quinten de Craecker, trombone
　　Esinam Dogbatse, flute, percussions
　　Thibault Dille, accordion
　　Florent Jeunieaux, guitar
　　Dorian Dumont, piano
　　Victor Foulon, double bass
　　Jelle van Giel, drums
　　Guest:
　　Loïs Le Van, vocals (Track 1)
　　Mystical, introspective, spiritual and then suddenly angry, exalted, heretical, the music of Tom Bourgeois has something solemn and pagan at the same time.
　　This double album is to be understood as a mirror: two line ups, two discs, "Murmures" and its (almost) anagram "Rumeurs", in which each title responds to its counterpart on the other disc.
　　On the first CD, "Murmures", four musicians accompany the saxophonist: Lois Le Van (voc), Thibault Dille (acc), Florent Jeunieaux (l) and Veronika Harcsa (voc) as a guest, who makes a few forays, as to prepare us for Rumeurs, the second CD, where we find the same musicians to which are added Thomas Mayade (tp), Quinten De Craecker (tb), Ruben Verbruggen (as, bs), Esinam Dogbatse (fl , perc), Dorian Dumont (p), Victor Foulon (cb) and Jelle Van Giel (dm).
　　Behind some titles, we can recognize Ravel ("Sonatine II"), influences from Tom Yorke ("La tête dans la radio" and "La radio dans la tête"), John Dowland ("Tell Me, True Love" and Love, Tell Me The Truth), and references to The Wire series, the points of view of two lovers. We walk from renaissance and baroque to jazz, from improvisation to chamber music, with sometimes some points of blues and dislocated swing. It could be fun finding the commonalities or the differences between the two sides of this double disc, but it is better to let oneself be carried away by the murmurs - or the rumors - of these enigmatic musical stories.

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