キ、消えん？ (豆瓣)

又名: Que、Ki, Que, Kien?
表演者: Hisato Higuchi 樋口寿人
流派: 民谣
专辑类型: 专辑
介质: CD
发行时间: 2022-03-20
出版者: WV Sorcerer Productions 巫唱片
唱片数: 1

豆瓣评分

暂无评分

想听在听听过

评价:

简介 · · · · · ·

　　▼WV055: Hisato Higuchi 樋口寿人 - キ、Que、消えん？Ki, Que, Kien?
　　After over two decades of releases on P.S.F., Family Vineyard, Apollolaan and his own label Ghost Disc, WV Sorcerer is honored to present the latest physical release of Tokyo-based musician Hisato Higuchi (樋口寿人). An album of melancholy guitar melody and whispers, like a longshot of the overflowing light on the Tokyo... (展开全部) 　　▼WV055: Hisato Higuchi 樋口寿人 - キ、Que、消えん？Ki, Que, Kien?
　　After over two decades of releases on P.S.F., Family Vineyard, Apollolaan and his own label Ghost Disc, WV Sorcerer is honored to present the latest physical release of Tokyo-based musician Hisato Higuchi (樋口寿人). An album of melancholy guitar melody and whispers, like a longshot of the overflowing light on the Tokyo street, a monologue from far away.
　　▼
　　Since 2003, Tokyo-based guitarist Hisato Higuchi has quietly released a series of equally-quiet albums, many on his own Ghost Disc label, which is appropriately named. Higuchi’s work on this and the previous two albums of his “Disappearing Trilogy” is a sort of shimmering, melancholy guitar-and-vocal atmosphere — downer psych-folk in a drifting haze. His lyrics are more imagery than story, touching on overflowing light, winter cities, the quiet world, and the transience of memories. As the guitar floats slowly into the distance, Higuchi’s voice, imbued with reverb, is calmly narcotic, like someone quietly sympathizing with a friend’s troubles. These songs, while melancholy, convey a peacefulness that’s a welcome counterbalance... to the chaotic year in which we’ve been living. Like a cool wind on a warm summer evening, you can close your eyes and let Higuchi’s music improve your mood.
　　- Mason Jones
　　I’ve been a huge admirer of Higuchi’s work for years, but this album hit differently. There’s a fragility to these minimal guitar and vocal compositions that feels just like 2020 felt – hanging on by the thinnest threads, riding wave after endless wave until you think you will break, only to stave off the breakdown by the slimmest of margins… and then you do it all again. It’s a beautiful, impactful album.
　　- Brad Rose
　　Hisato is responsible for some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino. Those comparisons perhaps help to give an idea of where Hisato’s work floats, but it’s clear listening to him that his is a very personal musical expression. His is a Tokyo labourer’s blues. It evokes a ghost-like and ephemeral, auroral and sleep deprived trance, his super slow and dreamlike guitar, sometimes lurking in feedback, sometimes barely touched, sketches out briefly heard whispers, exhausted emotional trembles. His vocals, when he drags himself exhausted to the mic, seems both distant and close, and just plain shattered; emotionally, spiritually, physically. In it’s weightlessness, it often feels as if each song has been carried to you on the slightest of breezes, and that a change in the wind would carry it elsewhere.
　　- arika.org.uk
　　消える三部作 Kieru Sanbusaku (Disappearing Trilogy) Vol.3
　　Electric Guitar, Vocals, Hum Noise & Lyrics by Hisato Higuchi
　　Recorded, Mixed, Mastered & Photo by Hisato Higuchi
　　Design & Layout by 若潭 Ruò Tán
　　歌詞中文翻譯 Lyrics Translated to Chinese by Chzaza & 劉堅白