Four Letter Monday Afternoon (豆瓣)

表演者: Out of Focus
流派: 流行
专辑类型: 专辑
介质: Audio CD
发行时间: 2005-08-30
出版者: Kuckuck Schallplatten
唱片数: 2
条形码: 0013711203226

豆瓣评分

8.1

22人评价

5星

13.3%
4星

80.0%
3星

6.7%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　Line-up/Musicians
　　- Remigius Drechsler / guitars, Tenor saxophone, flutes, stylophone, voice
　　- Hennse Hering / organ, piano
　　- Moran Neumüller / Soprano saxophone, vocals
　　- Klaus Spöri / drums
　　- Stephen Wishen / bass
　　+ Hermann Breuer / trombone
　　- Peter Dechant / acoustic guitar, vocals
　　- Grand Roman Langhaus / bongos
　　- Jimm... (展开全部) 　　Line-up/Musicians
　　- Remigius Drechsler / guitars, Tenor saxophone, flutes, stylophone, voice
　　- Hennse Hering / organ, piano
　　- Moran Neumüller / Soprano saxophone, vocals
　　- Klaus Spöri / drums
　　- Stephen Wishen / bass
　　+ Hermann Breuer / trombone
　　- Peter Dechant / acoustic guitar, vocals
　　- Grand Roman Langhaus / bongos
　　- Jimmy Polivka / trumpet
　　- Ingo Schmid-Neuhaus / Alto & Bariton saxes
　　- Michael Thatcher / organ
　　Out Of Focus were a German rock/psych/jazz/fusion outfit that made three albums (four counting a posthumous release) back in the early '70s. A band with radical political issues and avantgarde tendencies, their style was at times heavy, with full-on organ/guitar jams, at times mellow and folky...and always with lots of flute.
　　On this, their third album, the band expanded to include a large brass section. Appropriately, disc one starts off dramatically with a massive, bombastic horn-riff onslaught that stretches into a hypnotic seventeen minute jam that sounds something like an imaginary Terry Riley take on the music from Hawaii 5-0. Indeed, much of this album has a "late-night TV band on drugs playing repetitive minimalism" vibe, if you can imagine that. There's definitely a nod to prime Soft Machine in Out of Focus' rock/jazz fusion as well. But, there's more: calmer, creepier ballads, searing psychedelic guitar attacks, baroque flute noodling! The vocals, when present, range from eastern-influenced meditative chants to wild nonsensical scatting.
　　Disc two indulges even further in psychedelic jazz jam excess, being a spacy 48-minute, three-part composition/improvisation called "Huchen 55" that originally spanned two whole album sides. Again, flutes to the fore! A real must-hear, if you do not know the band, start with the previous and work either way, moving on to the excellent two posthumous albums after the official releases of the times. Aside from sometimes being a little self-indulgent, they had a flawless albeit short career, not making a single weak number. You can only say the same for so many groups of the time.