“When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce.Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a musician and I fel...(展开全部) “When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce.Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a musician and I felt that he could have fruitfully inhabited that unique space. Dealing with architectures, technologies, but above all with the unpredictability of an ever-changing interaction between the visitors, the pavilion and the sound. The way Nicola Di Croce’s music moves through the space and the way the visitors themselves move through Nicola’s sounds is rendered by the four tracks of this record in its uncanny nature of a practice where the possibilities of a recording studio are reinforced and subverted by the ghostly presence of a multiplicity of visions/listenings. Where is the surface and what is really emerging?Is the music lapping the feet of the visitors or are their steps crumbling upon the sonic attention that the artist is activating just as one of the many possibilities of affection?The various sound moments that the musician wraps around the idea of being together in a vibrating space, reveal their nature of geometry activators, as well as a... reactivation of the primogenial possibility that all the sounds in a space can generate new kinships. Listening toAffective Room Tonestakes me back to the days of Studio Venezia, to the uniqueness of that experience, out of space and time, but - magically - immersed in the awareness that a space and a specific moment in time are made of the same stuff dreams (and we) are made of.” Enrico Bettinello more
0 有用 雨摇 2024-11-18 00:05:45 江西
这个是真的强，也非常好听。Studio Venezia本是一件由法国艺术家 Xavier Veilhan 创作的艺术装置，首次亮相于 2017年威尼斯双年展的法国馆，是一座结合音乐、建筑和视觉艺术的多功能艺术空间，因为其独特的内部构造，创造了理想的声学条件，适合音乐录制和声音实验。 Nicola应该是创作了其中的音乐部分吧，具体不详，这四首曲目有些部分是有明显音调的，有的时候只是嗡鸣，有时又有嘈杂... 这个是真的强，也非常好听。Studio Venezia本是一件由法国艺术家 Xavier Veilhan 创作的艺术装置，首次亮相于 2017年威尼斯双年展的法国馆，是一座结合音乐、建筑和视觉艺术的多功能艺术空间，因为其独特的内部构造，创造了理想的声学条件，适合音乐录制和声音实验。 Nicola应该是创作了其中的音乐部分吧，具体不详，这四首曲目有些部分是有明显音调的，有的时候只是嗡鸣，有时又有嘈杂的外部声音，但是很明显他们共同纳入了一个空间内，空间感非常好，声音纹理处理的极其精致。Nicola是意大利的一名建筑师和声音艺术家，现在大学任研究员，研究方向好像是以声音为导向的城市文化？反正跟音乐和声音艺术密切相关，高端艺术家了…… (展开)
0 有用 雨摇 2024-11-18 00:05:45 江西
这个是真的强，也非常好听。Studio Venezia本是一件由法国艺术家 Xavier Veilhan 创作的艺术装置，首次亮相于 2017年威尼斯双年展的法国馆，是一座结合音乐、建筑和视觉艺术的多功能艺术空间，因为其独特的内部构造，创造了理想的声学条件，适合音乐录制和声音实验。 Nicola应该是创作了其中的音乐部分吧，具体不详，这四首曲目有些部分是有明显音调的，有的时候只是嗡鸣，有时又有嘈杂... 这个是真的强，也非常好听。Studio Venezia本是一件由法国艺术家 Xavier Veilhan 创作的艺术装置，首次亮相于 2017年威尼斯双年展的法国馆，是一座结合音乐、建筑和视觉艺术的多功能艺术空间，因为其独特的内部构造，创造了理想的声学条件，适合音乐录制和声音实验。 Nicola应该是创作了其中的音乐部分吧，具体不详，这四首曲目有些部分是有明显音调的，有的时候只是嗡鸣，有时又有嘈杂的外部声音，但是很明显他们共同纳入了一个空间内，空间感非常好，声音纹理处理的极其精致。Nicola是意大利的一名建筑师和声音艺术家，现在大学任研究员，研究方向好像是以声音为导向的城市文化？反正跟音乐和声音艺术密切相关，高端艺术家了…… (展开)