https://innerprospekt.bandcamp.com/album/canvas-two/ BONUS MATERIAL: Digital 12 pages Booklet With songs for THE SAMURAI OF PROG and THE GUILDMASTER: King of Spades (Samurai of Prog - Beyond the Wardrobe - 2020) The Knight and the Ghost (The Guildmaster - The Knight and the Ghost - 2020)released February 19, 2021
Inner Prospekt is a ...(展开全部)https://innerprospekt.bandcamp.com/album/canvas-two/ BONUS MATERIAL: Digital 12 pages Booklet With songs for THE SAMURAI OF PROG and THE GUILDMASTER: King of Spades (Samurai of Prog - Beyond the Wardrobe - 2020) The Knight and the Ghost (The Guildmaster - The Knight and the Ghost - 2020)released February 19, 2021
Inner Prospekt is a musical project by Alessandro Di Benedetti (keyboards, vocals, drums) This time with: Rafael Pacha: 12 strings guitar, electric guitar Federico Tetti and Carmine Capasso: electric guitars Giovanni Maucieri: drums on Abby’s Escape Giuseppe Militello: Sax Cover art: Alex Troma “Destrudo” Oil on wood, 2000 alextromadrawings.blogspot.com Booklet design and photos: Alessandro Di Benedetti Abby's Escape drawing by Francesco Di Benedetti Original paintings by Giuseppe Militello A very special thanks goes to Alex Troma for his beautiful cover art "Destrudo", Francesco Di Benedetti for the Abby's Escape drawing and the straordinary musicians Rafael Pacha, Federico Tetti and Carmine Capasso for their precious help. And to my friend and musician Giuseppe Militello for his sax and the images for the booklet. Recorded at the Inner House, Rome 2020 Canvas Two is dedicated to my dad Giuliano (1943-2020) Inner Prospekt Discography THE MUSING (2014) DREAMING TONY BANKS (2014) BLUE DAYS (2014) THE GENE MACHINE (2015) DEEP GHOSTS (2016) OCEAN SUITE (2016) MAN IN BLAKE (2016) SEVEN WAYS TO LOSE YOURSELF (2018) CANVAS ONE (2020) CANVAS TWO (2021) "Zero" Samurai of Prog "Toki no Kaze" "The Never ending Line" Samurai of Prog "Toki no Kaze" "The Land of the Fools" Bernard and Pörsti "Gulliver" "El Error" Bernard and Pörsti "La Tierra" "The Knight and the Ghost" The Guildmaster "The Knight and the Ghost" "King of Spades" Samurai of Prog "Beyond the Wardrobe" ******************************************************************* Lush Landscapes, Plentiful Passions Bookended by two shorter instrumental tracks (actually track 8 is a bonus track, but I think it fits and flows nicely here), "Canvas Two" reveals six lovely, soulful, emotional tracks, with the for me high point of the nearly seventeen- and-a-half minute epic titled "Soul of Hundred Lives". If there's a theme or concept here, it was hard for me to trace. That's not to say the tunes don't fit well together or frame a coherent whole. Glimpse Opening the album with delicate piano and soon adding lush strings, violin over acoustic guitar and organ, the piece builds into near orchestral fullness before subsiding back to the gentle piano and ending with just that bare touch of dissonance. Soul of Hundred Lives Reincarnation fascinates, since it suggests the possibility one can live many lives, practicing a la 'Groundhog Day' the kindness and selflessness that might finally allow the person to 'arrive'. This epic track and the lyrics cover a lot of ground, from delicate piano, to grinding bass synths, to finely constructed ambient sounds and quirky percussion, gravelly male voice that throughout this album reminded me at times of Peter Gabriel or Dave Cousins. King of Spades I thought of Genesis with the 12-string guitar opening soon joined by jazzy, melodic sax. The hushed male voice pulls us in on this heartbroken-in-love song, wistfully singing over piano with the full band soon joining. Di Benedetti knows how to create lush soundscapes, using strings and woodwind sounds for fullness and texture. He also shows some vocal savvy with double tracking voices and doing call-and-response kinds of voicings. Why Me Gentle 12-string guitar opens after some brief windchime sounds, piano and strings soon added. There's a cinematic sweep segueing into guitar/bass tension with percussive piano. This subsides into male harmony vocals and builds into a sweeping passage. Again the wistful gentle melody, and a synth takes an upper register lead over punchy bass guitar and complex drumming. More of the call-and -response vocals and the violin leads a broad, sweeping passage that reeks of romanticism and emotions. Abby's Escape The lyrics here were disturbing, making me think of spousal abuse of a pregnant woman, the unborn child hearing, and then later splintering into selves trying to cope. There's a sense of quiet desperation, and perhaps even menacing hint of violence or self-harm. All this over some sweeping lovely passages, gentle piano chords, and string sounds closing the track. White Skies Grand piano chords open unadorned tapping out a wistful melody, then joined by bass and violin sounds. Emotional, hushed vocals tell about a dark passion between (two parts of one person?) (two people?), and ineffable loss, indicated by the lush synth-led passage over dreamy keyboards. Octave vocals and harmonies keep telling the tragic tale over mellotron sounds and deliberate rhythm section. It's a melancholy atmosphere, and mid-range synth takes the lead over the increasingly jagged guitar landscape. It builds to a majestic passage, and ends. The Knight and the Ghost Perhaps there IS a theme (!)- tragic loss, heartbreak, making supreme effort but failure. The closing track of Canvas Two proper, opens with that sweet acoustic guitar, the trademark wistful, gravelly vocals, growing into strings over thrumming bass and drums, a clean guitar lead, building as the singer says "When I fight I lose"- that world-weary sense of frustration and loss. Queen of Clubs The bonus track has that airy, jazzy, soulful sax at first alone, the joined by twinkling guitar and electric piano, a haunting progression that is light yet melancholy. Sax continues singing and weeping, and ends in reverie...then revitalizes with a swell of string sounds and orchestration, building as the electric guitar wails and sings, then fades. In Conclusion Alessandro Di Benedetti as INNER PROSPEKT has delivered another gem of crossover progressive music, tugging at the heart as well as the mind. My rating: 4 sparkling stars. Steve Conrad - Progressive Rock Fanatics ******************************************************* [...] I have always believed that there is a musical harmony, not to say a union, in the esoteric world of progressive rock bands, the ones that bring together, in this case, the musicians participating in these many projects. In the albums of all these groups there are elements unique to each member, the accumulation of these parts can be incredibly catchy and grandiose. Conversely, and very often, the work of each musician in solo can give disappointing results and sometimes even a little shifted. In this case, there is no need to fear, Alessandro offers eight solid tracks, including two already proven, 'King of Spades' with The Samurai of Prog (album' Beyond the Wardrobe ') and' The Knight and the Ghost 'for The Guildmaster (album' The Knight and the Ghost '). The overture "Glimpse", an instrumental, stays in familiar territory with Alessandro. It's dark and graceful at the same time with an engaging melody that borders a bit on the edge of limpid smooth jazz, to hook the listener. The epic track from the album, "Soul of Hundred Lives" which appears at over 17 minutes, builds unhurriedly around the keyboards, The deceptively understated intro becomes superbly oppressive as the tension mounts with it. the assaults of the strident layers of the synth. Alessandro's vocals settle low and fragile, until the explosive flight of guitars interrupt the mood. The benevolent shadow of Genesis hangs over this dantesque piece, which is difficult to sum up in just a few lines…. To discover ! Giuseppe Militello's sax inaugurates "King of Spades" whose padded atmosphere and vocals remind me in some ways of Robert Wyatt. The light and hovering tone continues only interrupted by a short solo on the electric guitar which completes the whole thing. Sounds a bit like the soundtrack of a bucolic movie, the melody of "Why Me?" ", Maintains a cinematic feel throughout, with an encounter between the flavor of a sweet country melody and definitively progressive rock. In short, this is definitely one of my favorite tracks. "Abby's Escape" offers a sweetness led by acoustic guitars, piano and vocals that sound like in the days when Peter Gabriel worked for Genesis. Appropriately, shimmering synths come and go, and the melody of infectious inflections is embellished by sumptuous arrangements. In a more orchestral and symphonic register, Alessandro amazes us with "White Skies", he exhibits different nuances which collide and contrast, revealing himself even more possessive with each successive listening. Meticulously structured with vocals and instruments thoughtfully layered for maximum effect in an Inner Prospekt style. A nice final point, "The Knight and the Ghost" is a wonderfully uplifting track with amazing exchanges of synthetic violins, and an acoustic guitar. A superb duo invaded by a wave of percussion and the moving voice of Benedetti. On the album received; "Queen of Clubs" is the bonus track, participating in it: Rafael Pasha and Giuseppe Militello. A short, slightly jazzy beach, dominated by Giuseppe's sax. In conclusion, there is no doubt that Alessandro di Benedetti, master builder of Inner Prospekt, is a talented composer / multi-instrumentalist. "Canvas Two", is a top quality, melodic, progressive, and superbly well executed album! FIVE STARS - Progcritique.com ************************************************* Dragonjazz Magazine Nous ne sommes décidément pas au bout de nos surprises avec nos amis transalpins. Poète, compositeur multi-instrumentiste et chanteur, Alessandro Di Benedetti nous vient de Rome, et le monde du rock progressif le connaît très bien : claviériste de Mad Crayon, il a, entre autre, collaboré également avec Marco Bernard (The Samuraï Of Prog et The Guildmaster). Il décrit lui-même sa création musicale « sans restriction, ni limite d'aucune sorte » et signe aujourd'hui son dixième opus en solo, toujours sous le nom d'Inner Prospekt, qui fait suite au concept album Canvas One sorti il y a un an. Au travers de 8 titres, il présente de nouvelles compositions et revisite trois anciens morceaux. Alessandro ouvre cet album, comme il le clôture d'ailleurs, par une pièce instrumentale, Glimpse, qui, dès les premières notes de piano, installe un climat de mélancolie et de doux mystère. Soul of Hundred Lives, qui raconte l'histoire d'une âme errante, est une pièce majeure, symphonique à souhait, d'une durée de 18 minutes. Elle est emmenée par des claviers inspirés, tout à tour planants et carillonnants et dignes des grandes heures de Genesis ou de Yes, un chant à la voix suave et poignante du compositeur qui rappelle celle de Dave Cousins ou de Robert Wyatt, et par l'envol des guitares électriques de Frédérico Tetti. Dans King Of Spades, saxophone, guitare acoustique et arpèges de piano accompagnent une étrange et vaine idylle entre le roi de Pique et la reine, dans un jeu de cartes truqué (reprise du morceau composé pour l'album Beyond The Wardrobe par The Samuraï Of Prog). L'introspectif Why Me ? est introduit par la guitare 12 cordes de Rafael Pacha, bientôt relayée par un piano et des cordes synthétiques. Abby's Escape, qui évoque les chimères d'un enfant victime de violence paternelle, est magnifié par une mélodie obsédante et par de splendides développements instrumentaux d'une très grande puissance émotionnelle. White Skies est la reprise d'un titre de l'album de 2014, Dreaming Tony Banks au titre évocateur quant aux influences de Benedetti. Le morceau originel souffrait à l'époque de faibles moyens techniques (son et section rythmique) mais aujourd'hui, le niveau de production ainsi qu'une réelle qualité d'orchestration donnent une vraie dimension symphonique à ce titre. Ce récit pourrait faire écho à Soul Of Hundred Lives mais le compositeur concède une libre interprétation à chacun. The Knight And The Ghost, qui conte l'amour impossible d'un chevalier en une époque incertaine, thème récurrent chez l'auteur, est une pièce folk progressive au léger accent médiéval qui tient à la combinaison du violon synthétique et de la guitare acoustique (reprise de l'album du même nom de The Guildmaster). Enfin, The Queen Of Clubs referme ce recueil de contes par une ballade de jazz smooth emmenée par le saxophone de Giuseppe Militello, qui rappelle Jan Garbarek par le son aérien, légèrement nappé de guitare acoustique et de quelques notes de claviers. Alessandro Di Benedetti nous convie ici à un beau voyage musical éclectique mais toujours très mélodique, somptueusement arrangé et très bien produit. [4½/5] [ Chronique de Michel Linker ]
0 有用 阿米多特. 2021-05-06 22:28:01
在20個小時的飛機上聽‘King of Spades’就真的感覺好玄幻⋯⋯
0 有用 阿米多特. 2021-05-06 22:28:01
在20個小時的飛機上聽‘King of Spades’就真的感覺好玄幻⋯⋯