Present Tense (豆瓣)

表演者: FACS
流派: 摇滚
专辑类型: 专辑
介质: CD
发行时间: 2021-05-28
出版者: Trouble In Mind
条形码: 0793420071520

豆瓣评分

7.7

22人评价

5星

10.5%
4星

63.2%
3星

26.3%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　Opener 'XOUT' barrels forward like a tank, with Case’s guitar chiming like warning bells, until the climax comes crashing down, glitching out near the close. 'Strawberry Cough' comes next, its fusion of corporeal playing and stately, electronic heartbeats punctured by random bursts of noise or backwards masked sounds. “Alone Without”, a track originally recorded for Adult Swi... (展开全部) 　　Opener 'XOUT' barrels forward like a tank, with Case’s guitar chiming like warning bells, until the climax comes crashing down, glitching out near the close. 'Strawberry Cough' comes next, its fusion of corporeal playing and stately, electronic heartbeats punctured by random bursts of noise or backwards masked sounds. “Alone Without”, a track originally recorded for Adult Swim’s 2020 singles series appears next in different form; more menacing and serpentine. Side two opens with 'General Public', taking the loud/quiet dynamic as a jumping off point for the song’s unsettling seasick vibe. 'How To See In the Dark' offers a brief respite, with its persistent, dark quietude that lingers until the song’s end. 'Present Tense', the album’s title track, offers up its first truly weird moment mid-song when the song changes mood distinctly, and the music drops out save for Case’s guitar and vocals. The album’s final track, the densely packed 'Mirrored', begins with a restrained, post-rock shuffle. The mind-scrambling cacophony that comes next takes its time to roll in, but once it does, it comes in waves, flipping back onto itself multiple times until it’s folded into oblivion.
　　FACS once again shuttered themselves into Electrical Audio with lauded engineer Sanford Parker to lay down the basic tracks and overdubs for Present Tense. This time, the band approached their songwriting from a different angle "Alone Without was the first song we recorded and we really built it in the studio” Case says, “Alianna and I played different instruments, and I think that freedom informed how the other songs developed. All the lyrics were random phrases on a big sheet and were put together as the songs took shape, so I feel like I was collecting these thoughts and trying to figure out how to process them as a big picture vs making complete ideas in individual songs.” Case adds ”...letting the songs go where they wanted, without steering them into what we all think a FACS album should be.” The change is palpable from last year’s claustrophobic and fried Void Moments, but Present Tense is still ALL FACS, albeit draped in a layer of haze. Paranoia in soft focus, perhaps?