https://lafawndah.bandcamp.com/album/the-fifth-season After a banner year that witnessed Lafawndah release her first album Ancestor Boy, the debut of her soundsystem Fara Fara, and further incursions into film, contemporary art and fashion, the ceaseless artist returns with another plot twist: The Fifth Season. Inspired by her encounter with author NK Jemisin’s Br...(展开全部)https://lafawndah.bandcamp.com/album/the-fifth-season After a banner year that witnessed Lafawndah release her first album Ancestor Boy, the debut of her soundsystem Fara Fara, and further incursions into film, contemporary art and fashion, the ceaseless artist returns with another plot twist: The Fifth Season. Inspired by her encounter with author NK Jemisin’s Broken Earth trilogy, Lafawndah both pays homage to and extends further the elemental, emotionally charged myths of Jemisin’s books. These are stories where a broken heart can tear apart a continent. In contrast to the precision- tuned industrial productions of Ancestor Boy, The Fifth Season breathes a different kind of volatility. Inviting a new degree of spontaneity and freedom into her process, Lafawndah’s collaborators - Theon Cross (tuba), Nathaniel Cross (trombone), Valentina Magaletti (percussion), and Nick Weiss (keyboards) - encircle her confrontational character studies with iridescent, cinematic chamber-bass moves. These are torch songs for when it rains ash, creation ballads for when the earth turns inside out. Ghosts of Art Ensemble of Chicago and Rahsaan Roland Kirk color the air, yet Lafawndah’s mastery of pop songcraft, vocal production and razor-honed clarity of purpose cut through. In addition to the Lafawndah originals, The Fifth Season features interpretations of hybrid-folk godfather Beverly Glenn Copeland’s “Don’t Despair” and acid-impressionist prodigy Lili Boulanger’s “Old Buddhist Prayer.” Album highlight “You, at the End” deploys a poem by poet-performer Kate Tempest to aching, rift-tearing ends, and french dream-trap wraith Lala &ce features on “Le Malentendu”. The Fifth Season anchors Lafawndah as a descendent of forebearers Brigitte Fontaine and Scott Walker - a born theatric whose acid humor warps the sub-continental undertow of her emotive storytelling. Lafawndah’s elementalism on The Fifth Season finds her imagination more agile than ever, and recent live shows have evinced a drive to push these compositions further out, deeper, and more aflame. credits releases September 8, 2020 RELEASE DATE: September 8, 2020 CAT. NO: LTNC019 FORMAT: LP/Digital/Streaming MUSIC by: Lafawndah, Nick Weiss (keyboards), Theon Cross (tuba), Nathaniel Cross (trombone) & Valentina Magaletti (percussions) MASTERING: Frederic Stader RECORDING & MIXING: Nick Weiss ARTWORK: Marguerite Humeau DISTRIBUTION: Honest Jon’s/The Orchard
0 有用 EliseDay 2020-10-21 22:04:28
💣。难听到我了。
0 有用 Jason_Chang 2020-09-15 14:38:28
3.5 bjork-esque
0 有用 別有用心美少女 2020-11-23 00:52:16
該說模仿痕跡很重還是太天真了? 不是說爛,但流向too “bjorkism” too replaceable🤦♀️
0 有用 𝙎𝙥𝙖𝙧𝙠𝙮 | ✟ 2020-09-17 19:48:02
3.5 差点儿劲儿
1 有用 Chlorophyll04 2020-09-11 22:52:01
担心今年类似的音乐是否过多(有的时候过多晦涩的自由爵士的成分有刻意的倾向 对她Art Pop掌控能力的评价也没必要严苛到拿Aviary作标准) 不过对她而言是好的趋势 The Stillness
0 有用 別有用心美少女 2020-11-23 00:52:16
該說模仿痕跡很重還是太天真了? 不是說爛,但流向too “bjorkism” too replaceable🤦♀️
0 有用 EliseDay 2020-10-21 22:04:28
💣。难听到我了。
0 有用 Jason_Chang 2020-09-15 14:38:28
3.5 bjork-esque
1 有用 Next 2020-09-16 22:01:37
66 You, at the End
0 有用 吃白 2023-07-07 10:19:50 山东
浅淡。