Whole New Mess (豆瓣)

表演者: Angel Olsen
流派: 电子
专辑类型: 专辑
介质: CD
发行时间: 2020-08-28
出版者: Jagjaguwar
唱片数: 1
条形码: 0656605235424

豆瓣评分

7.7

592人评价

5星

16.0%
4星

54.3%
3星

27.1%
2星

2.2%
1星

0.4%

想听在听听过

评价:

简介 · · · · · ·

　　The time had come, Angel Olsen realized in the fading summer of 2018, to take her new songs out of the house. Olsen’s 2016 marvel, My Woman, had been a career breakthrough, but it catalyzed a period of personal tumult, too: a painful breakup, an uneasy recovery, an inadequate reckoning. At home in North Carolina’s Blue Ridge Mountains, Olsen penned songs that finally grappled... (展开全部) 　　The time had come, Angel Olsen realized in the fading summer of 2018, to take her new songs out of the house. Olsen’s 2016 marvel, My Woman, had been a career breakthrough, but it catalyzed a period of personal tumult, too: a painful breakup, an uneasy recovery, an inadequate reckoning. At home in North Carolina’s Blue Ridge Mountains, Olsen penned songs that finally grappled with these troubles, particularly love—how forever is too much to promise, how relationships can lock us into static versions of ourselves, how you can go through hell just to make someone else happy. These heartsore explorations shape Whole New Mess, Olsen’s first solo album since her 2012 debut and an emotional portrait so intimate and vulnerable you can hear her find meaning in these crises in real-time.
　　At least nine of the eleven songs on Whole New Mess should sound familiar to anyone who has heard All Mirrors, Olsen’s grand 2019 masterpiece that earned high honors on prestigious year-end lists and glossy spreads in stylish magazines. “Lark,” “Summer,” “Chance”—they are all here, at least in some skeletal form and with slightly different titles. But these are not the demos for All Mirrors. Instead, Whole New Mess is its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the Pacific Northwest. If the lavish orchestral arrangements and cinematic scope of All Mirrors are the sound of Olsen preparing her scars for the wider world to see, Whole New Mess is the sound of her first figuring out their shape, making sense for herself of these injuries.
　　Considered alongside All Mirrors, Whole New Mess is a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. In that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. This is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it.

曲目 · · · · · ·

Whole New Mess
Too Easy (Bigger Than Us)
(New Love) Cassette
(We Are All Mirrors)
(Summer Song)
Waving, Smiling
Tonight (Without You)
Lark Song
Impasse (Workin’ for the Name)
Chance (Forever Love)
What It Is (What It Is)

喜欢听"Whole New Mess"的人也喜欢的唱片 · · · · · ·

: All Mirrors 8.1

: Inner Song 8.0

: Song of the Lark and Other Far Me... 7.7

: songs 8.1

: Song of the Lark and Other Far Me... 8.0

: Saint Cloud 8.3

: Set My Heart On Fire Immediately 8.3

: color theory 7.9

: My Woman 8.1

: Room for the Moon 8.3

我来说两句

短评 · · · · · · ( 全部 161 条 )

Whole New Mess的乐评 · · · · · · ( 全部 1 条 )

All Mirrors&Whole New Mess

90/100 OK听完我可以确定一点就是 WNM和AM完全是走的两条路：AM重在强调“Mirrors" 即歌词内部与外部强烈的配器形成的对比强调哲理性与内涵这也可以解释为什么Angel要把最戏剧化最激烈的两首放在专辑最前面因为后半张都在克服这种情感（和Vulnicura有、像？）而WNM Angel已... (展开)