Flautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. Channeling the spirit of Alice Coltrane and Yus...(展开全部) Flautist and saxophonist, Chip Wickham returns with Blue to Red, his most absorbing and cosmically-charged offering to date. Soaring flute melodies, lush harp arpeggios and glistening Rhodes keys interact across six journeying, spiritual jazz compositions, leaning on a rich palette of sounds beyond borders, space and time. Channeling the spirit of Alice Coltrane and Yusef Lateef via the lens of a hip-hop, electronic and club music educated ear, Blue to Red encompasses Wickham’s disparate set of production influences with his Manchester and spiritual jazz education. The album, not only seeks to forewarn Earth’s possible Mars-like future but seeks to tap into the interplanetary, cosmic nature of music. “It’s a culture crisis rather than a climate crisis, one that can only be solved if we go right to the core of how we live as human beings”. Born and raised in Brighton, UK, Wickham moved to Manchester to attend college. He soon moved into music going on to perform and record with a formidable and diverse list of artists from his Manchester base including Nightmares on Wax and Andy Votel as well as regular funk excursions with The New Mastersounds. However it was upon his meeting of Mancunian trumpeter/bandleader of Gondwana Orchestra, Matthew Halsall, and other influential... more credits released May 8, 2020 Chip Wickham, Flute and Sax Jon Scott, Drums Simon ‘Sneaky’ Houghton, Double Bass and Cello Dan ‘JD 73’ Goldman, Keys Amanda Whiting, Harp Rick Weedon, Percussion All songs written and arranged by Chip Wickham Recorded at Big Noise Studios in Essex + Recording Engineer: Simon ‘Stingray’ Davies Mastering: Pete Maher Mixed & Produced: Chip Wickham
仅从个人听觉意象来说,觉得有意思的是:我期待本该有着内在情绪表达的Blue to Red有着如Cosmos和Interstellar之名的深邃,后这两首却显得不那么“宇宙自然”(按简介里说的话),反而像内心情绪的轻盈浮动。The Cosmos在5:07时戛然停顿又再起真的很妙。最近真的好累,忙完完全只想瘫起放专辑听。
0 有用 Steven 2020-09-07 15:20:00
A- (88) 封面 cool
0 有用 SoccerObsidian 2020-05-30 18:59:00
我草这也太好听啦qaq 不加节制的竖琴+长笛主音能做得这么美果然还是和声玩得漂亮,太强了,不过这个长笛的音色不知道为啥听着有点点奇怪,是因为音域偏高吗(想起来以前补课考试时老师放了段魔王,然后让我们分辨单簧管和长笛各自的声部,我算是见识到中低音域的单簧管和长笛音色是多难区分了
0 有用 efr 2022-04-21 00:49:48
喜欢竖琴
0 有用 寧見 2021-10-22 15:15:13
今日最佳。
0 有用 Illarramendi 2022-02-06 10:25:02
6.6/10
0 有用 布立吞 2023-03-16 14:24:19 上海
腻害..
0 有用 Illarramendi 2022-02-06 10:25:02
6.6/10
0 有用 zlowsky 2021-09-28 05:50:54
The Cosmos
0 有用 罗开贵 2022-03-17 22:23:30
仅从个人听觉意象来说,觉得有意思的是:我期待本该有着内在情绪表达的Blue to Red有着如Cosmos和Interstellar之名的深邃,后这两首却显得不那么“宇宙自然”(按简介里说的话),反而像内心情绪的轻盈浮动。The Cosmos在5:07时戛然停顿又再起真的很妙。最近真的好累,忙完完全只想瘫起放专辑听。
0 有用 seedless 2022-08-30 21:40:46 上海
1和4