MHYSA started NEVAEH in the fall of 2017, shortly after the release of her debut album 'fantasii,' honing the albums sentiments while touring, recording audio notes and writing lyrics on her iPhone to de-stress. All of the tracks were then recorded in her flat in West Philadelphia, some with the input of lawd knows, a frequent collaborator on their Scraaatch project. NE...(展开全部) MHYSA started NEVAEH in the fall of 2017, shortly after the release of her debut album 'fantasii,' honing the albums sentiments while touring, recording audio notes and writing lyrics on her iPhone to de-stress. All of the tracks were then recorded in her flat in West Philadelphia, some with the input of lawd knows, a frequent collaborator on their Scraaatch project. NEVAEH is MHYSA’s intimate reflection on the black femme experience from multiple vantage points ranging from sex and sexuality, self-love and self-discovery, black empowerment and lineage, pleasure and lack of it. She describe the album as “a prayer for Black women and femmes to be taken to or find a new and better world away from the apocalypse…NEVAEH is a safe space, a sort of negro heaven.” These ideas are declared from the opening skit where MHYSA reads out Lucille Clifton’s 1994 poem “won’t you celebrate with me”. The album is deeply personal but easily relatable. The intimacy is heightened by scattered acapella moments, covers of classics such as Nas’ - 'If I Ruled the World' and a reprise of 'When the Saints'; songs that reference black pop culture, interludes and drifts, where MHYSA’s delicate voice is laid bare and enhanced by spacious instrumentals. She describes tracks like 'Brand Nu' and 'w_me' as throwbacks to the melancholic R&B her mother raised her on, updated through a queer lens. “I wanted to really get into the form of R&B on this album which is also why it ends with a gospel track which I feel is quintessential R&B. " However it’s not all melancholic, the lead track, plus the mischievous 'Sanaa Lathan', and the skeletal 'w_me', where MHYSA uses her breath and vocals with a live druml, have found themselves in Kode9's sets recently. MHYSA also explores sensuality in the build up to the apocalypse, on tracks like 'before the world ends.' On NEVAEH’s progression from fantasii, MHYSA says, “I wanted to be more vulnerable with my tracks and experiment with vocal range…I wanted to write more complicated vocal melodies that would be harder for me to do.” What's more MHYSA's production experiments with new techniques, live sounding digital instrumentation, playing keys, using her voice in new ways - much of which was self taught, in the tradition of the musicians in her family who came before her. credits releases February 14, 2020 PLEASE NOTE THIS IS RELEASED 14 FEB 2020
1 有用 血男孩 2020-02-21 01:36:04
在Hyperdub发行的,之前没有听过她的音乐,所以没有对比。我觉得这张专辑算是极度私人化的东西,所以不是为了“好听”而取悦听众,但她过于想表现黑人女性的独立让我有点厌倦。
0 有用 狩己一兰 2020-05-19 22:40:28
ecriture feminine式的avant pop,抗拒一切父权奠基的规则,流露纯真的思绪万千的自我,留白的空间是给听者的位置。
0 有用 Alain 2020-02-18 17:21:22
飘着。
0 有用 爵对12138 2021-03-12 09:38:57
ropeburn还挺好的,因为我也喜欢这么唱~^_^
0 有用 MC Shady Diva 2020-11-27 16:24:41
主要是太水了
1 有用 血男孩 2020-02-21 01:36:04
在Hyperdub发行的,之前没有听过她的音乐,所以没有对比。我觉得这张专辑算是极度私人化的东西,所以不是为了“好听”而取悦听众,但她过于想表现黑人女性的独立让我有点厌倦。
2 有用 者✨类 2020-02-15 13:57:14
稀疏的beat,半梦半醒间的梦呓,反复哼唱的久远歌谣——我不知道她想做什么,但我被吸引了。
0 有用 爵对12138 2021-03-12 09:38:57
ropeburn还挺好的,因为我也喜欢这么唱~^_^
0 有用 羚羊 2020-02-17 00:34:02
……
0 有用 Raymon是威猛 2020-03-14 21:55:12
2.5 碎片声效有多“极简”,冰山黑美人半念白半演唱就有多大胆、有多想被你注意到聆听到,顺便给“性”冠上了该死的仪式感。 Cut: brand nu