Heavy Light is the highly anticipated seventh album by U.S. Girls, the protean musical enterprise of multi-disciplinary artist Meg Remy. While Remy has been widely acclaimed for a panoply of closely observed character studies, on Heavy Light she turns inward, recounting personal narratives to create a deeply intro-spective about-face. The songs are an inquest into the melanch...(展开全部) Heavy Light is the highly anticipated seventh album by U.S. Girls, the protean musical enterprise of multi-disciplinary artist Meg Remy. While Remy has been widely acclaimed for a panoply of closely observed character studies, on Heavy Light she turns inward, recounting personal narratives to create a deeply intro-spective about-face. The songs are an inquest into the melancholy flavour of hindsight, both personal and cultural. Remy makes this notion formally explicit with the inclusion of three re-worked, previously released songs: ‘Statehouse (It’s A Man’s World)’, ‘Red Ford Radio’, and ‘Overtime’. Heavy Light follows 2018’s internationally critically-acclaimed breakout album In A Poem Unlimited. Recently named one of the best albums of the decade by Pitchfork, it was lauded across the pond by the likes of The Guardian, The Sunday Times, Crack and Q magazine for being Remy’s most accessible record in her then decade-long career. Heavy Light is produced by Remy and was recorded live with twenty session musicians - including E Street Band saxophonist Jake Clemons - in Montreal’s acclaimed Hotel 2 Tango studio. Remy worked with co-writers Basia Bulat and Rich Morel to develop the core of Heavy Light, a set of songs conceived as a balance between orchestral percussion (as richly arranged by percussionist Ed Squires) and the human voice (conducted by Kritty Uranowski). The resulting album finds Remy casting herself as lead voice among a harmonious multitude, the singers of which lend not only their voices, but also share reflections on childhood experiences that are collaged into moving spoken word interludes throughout the album. The album is mixed by long-time collaborators Maximilian ‘Twig’ Turnbull, Steve Chahley and Tony Price.
0 有用 布立吞 2020-03-06 13:55:17
Born to Lose
0 有用 ER 2020-03-06 22:57:21
好些歌的制作和上张是一模一样的…
0 有用 Murr 2020-03-20 02:07:36
3.5
0 有用 囧闹钟 2020-12-26 03:59:14
一直对U.S. Girls慢无感的...这不...
0 有用 乔治洗衣机 2020-03-07 00:35:20
是什么就是什么 拒绝过度修饰直接往听众耳朵里灌 interlude当然也是
0 有用 ASURYtim // ✟ 2024-08-30 14:01:30 江苏
8.0/10 意外的好听,比去年那张好多了。
0 有用 帕翡璃 2023-05-30 01:34:12 广东
7.5/很复古,很会编曲,但是没有太戳我的。
0 有用 新年列车员 2022-05-31 20:47:52
先行太好啦!!!
0 有用 F 2023-09-22 13:07:32 湖南
3.5 我觉得还可以啊…
0 有用 Fantatia 2023-11-12 10:22:33 山东
让我有种黑人R&B的感觉,和声和律动不错,专辑封面点题了,有空再看下歌词,和童年trauma有关的题材回响。