sometimes it just turns out that the newest members of the freak music family are a bunch of long-haired Japanese twenty-somethings playing Zappa-loving Canterbury-inspired blissed-out spiritual jazz rippers. If you had that on your predictions list, right on, youll be extra amped. But either way, meet De Lorians, Tokyos newest fire music exports, by way of their self-titled ...(展开全部) sometimes it just turns out that the newest members of the freak music family are a bunch of long-haired Japanese twenty-somethings playing Zappa-loving Canterbury-inspired blissed-out spiritual jazz rippers. If you had that on your predictions list, right on, youll be extra amped. But either way, meet De Lorians, Tokyos newest fire music exports, by way of their self-titled debut.Grown from the always-heady Tokyo music scene and led by Takefumi Ishida, playing sax and synth, all five De Lorians contribute material to what they call pataphysical music. Ranging in age from 22 to 27, the five De Lorians tap into a library of ideas from their precursors, less in retro-loving emulation than for alchemical strategy. The seven tracks here burst with overstuffed Weasels Ripped My Flesh-style action: bonkers horn arrangements, savage guitar solos, constant movement, through-composed sections, improv, surreality, and the occasional peaceful woodwind-dabbled valley. No singing, no poodle play, just constant surprises, rich vibes, and heavy fun.With the whole album packed into 32 zig-zagging minutes, its a compact and powerful first statement for a young band exploding with ideas, and with a lot more under the hood. At De Lorians monthly gigs, there are plenty of more surprises, too. Theres ample improvisation, of course, but some nights they disassemble the sections of their songs, piecing them into new suites that might run longer than the length of their studio debut. Think of this album, perhaps as their (temporarily) definitive ur-suite, a prog-fusion dream of inside-out rhythms and catchy af melodies. Recorded at the Tsubame Studio in Tokyo in September 2018, De Lorians is timeless high-energy unity and barely controlled propulsion, exploding soon from a portal near you.
曲目
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1.Daytona 2.Magso 3.A Ship of Mental Health 4.Gomata 5.Roccotsu 6.Himalia 7.Daytona - Reprise 8.Toumai
1 有用 O's 2020-10-29 20:58:01
我水平有限,就是听不惯这种
0 有用 阿米多特. 2020-09-14 13:00:27
非常漂亮的一張debut album,synth和sax的顫音和jam-like passages太美了。最大的缺陷是太短了,很多曲子都聽到開心就戛然而止。期待下一次見面!
0 有用 DedaTheNichole 2019-08-04 23:50:27
De Lorians的首张LP, 我只能用帅气逼人来形容,实在是太迷人了..从专辑概念,songwriting, 配器音色使用(Roccotsu里的颤音和散落在整张专里的几个和弦分解),到专封传来的Odyssey氛围,所谓的Jazz-fusion就像派对上的八爪章鱼。 但是有些着急了。A Ship of Mental Health里采进的自动贩卖机和咀嚼食物,完全可以拉得更长,更慵懒,也许是考虑到... De Lorians的首张LP, 我只能用帅气逼人来形容,实在是太迷人了..从专辑概念,songwriting, 配器音色使用(Roccotsu里的颤音和散落在整张专里的几个和弦分解),到专封传来的Odyssey氛围,所谓的Jazz-fusion就像派对上的八爪章鱼。 但是有些着急了。A Ship of Mental Health里采进的自动贩卖机和咀嚼食物,完全可以拉得更长,更慵懒,也许是考虑到编创特色(不停地急转),可也委实让人忍俊不禁。 (展开)
0 有用 Joyedge 2020-04-07 01:33:38
这张还蛮“诱耳”的。
0 有用 葵花籽 2022-03-31 03:52:43
虽然但是
0 有用 wintx 2022-06-16 18:48:01
封面来自视觉艺术家Jan Buragay
0 有用 金蛇郎君 2020-02-15 14:37:47
很不错
0 有用 阿米多特. 2020-09-14 13:00:27
非常漂亮的一張debut album,synth和sax的顫音和jam-like passages太美了。最大的缺陷是太短了,很多曲子都聽到開心就戛然而止。期待下一次見面!
0 有用 葵花籽 2022-03-31 03:52:43
虽然但是
0 有用 Joyedge 2020-04-07 01:33:38
这张还蛮“诱耳”的。