Slow, methodical organ recordings on this major new work from Kali Malone; a quietly subversive double album featuring almost two hours of concentrated, creeping organ pieces governed by a strict acoustic and compositional code with ultimately profound emotional resonance. Featuring additional organ pieces performed by Ellen Arkbro and mastering by Rashad Becker, you’re gonn...(展开全部) Slow, methodical organ recordings on this major new work from Kali Malone; a quietly subversive double album featuring almost two hours of concentrated, creeping organ pieces governed by a strict acoustic and compositional code with ultimately profound emotional resonance. Featuring additional organ pieces performed by Ellen Arkbro and mastering by Rashad Becker, you’re gonna wanna spent time with this one. ‘The Sacrificial Code’ takes a more surgical approach to the methods first explored on last year’s ‘Organ Dirges 2016 - 2017’. Over the course of three parts performed on three different organs, Malone’s minimalist process captures a jarring precision of closeness, both on the level of the materiality of the sounds and on the level of composition.The recordings here involved careful close miking of the pipe organ in such a way as to eliminate environmental identifiers as far as possible - essentially removing the large hall reverb so inextricably linked to the instrument. The pieces were then further compositionally stripped of gestural adornments and spontaneous expressive impulse - an approach that flows against the grain of the prevailing musical hegemony, where sound is so often manipulated, and composition often steeped in self indulgence. It echoes Steve Reich’s sentiment “..by voluntarily giving up the freedom to do whatever momentarily comes to mind, we are, as a result, free of all that momentarily comes to mind.” With its slow, purified and seemingly austere qualities ‘The Sacrificial Code’ guides us through an almost trance-inducing process where we become vulnerable receptors for every slight movement, where every miniature shift in sound becomes magnified through stillness. As such, it’s a uniquely satisfying exercise in transcendence through self restraint - a stunning realisation of ideas borne out of academic and conceptual rigour which gradually reveals startling personal dimensions. It has a perception-altering quality that encourages self exploration free of signposts and without a preordained endpoint - the antithesis to the language of colourless musical platitudes we've become so accustomed to.
0 有用 Jaychen 2020-08-02 23:07:21
❤
1 有用 年逝 2021-05-13 12:21:03
完全是氛围。
0 有用 Lies of Lies 2025-02-06 20:43:11 浙江
又宗教又当代。
3 有用 乔治洗衣机 2019-09-30 11:22:27
世界是一匹阵痛的兽 / 光秃秃爬行在月夜下 / 上帝是它的嚎叫 我 / 害怕 并感到寒冷
0 有用 Tr! 2020-06-08 17:29:27
不够过瘾
1 有用 Algiersea 2024-02-02 18:45:07 德国
🤍。希望晚上能顺利听到现场。
0 有用 INNKI 2024-03-21 21:01:19 江苏
droning
0 有用 yeda 2025-02-05 12:12:51 福建
冥想上了
0 有用 laurierabattu 2024-05-22 08:31:12 湖北
平静,适合做工作/学习的背景音。
0 有用 飞兰遮 2023-11-07 01:42:05 江苏
适合挠背时候听