Psychedelic Moods (豆瓣)

表演者: The Deep
专辑类型: Extra tracks
介质: Audio CD
发行时间: 2006-11-27
出版者: Fallout
唱片数: 1
条形码: 5051125202911

豆瓣评分

8.9

42人评价

5星

52.8%
4星

38.9%
3星

8.3%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　If you go by the cover, you'd probably guess that this is an early psychedelic exploitation album, and that would lead you off the mark. The Deep hailed from Philadelphia and did a fine job of assimilating the various strains of emerging psychedelic sounds. More notable, and what got my attention, is the fact that these guys seemed to have stumbled onto some of the Velvet Und... (展开全部) 　　If you go by the cover, you'd probably guess that this is an early psychedelic exploitation album, and that would lead you off the mark. The Deep hailed from Philadelphia and did a fine job of assimilating the various strains of emerging psychedelic sounds. More notable, and what got my attention, is the fact that these guys seemed to have stumbled onto some of the Velvet Underground's signature sound a year before the first Velvet Underground (we're using VU from here on out) album appeared. Maybe the Deep hung out at Andy Warhol's happenings or something. Apparently, the leader of this band was one Rusty Evans. I believe he's responsible for the acid leads and songwriting. We'll credit him with psychic prescience as well.
　　"Color Dream" starts the album with a track that practically sounds like an outtake from the first VU album. "When Rain is Black" and "Shadows on the Wall" have a similar vibe to the VU's "Says" songs or third album in general. Then "Pink Ether" approximates the gothic vibe of something like "Venus in Furs." I guess it doesn't help that the Deep's main vocalist (Evans?) sings in a cadence remarkably similar to Lou Reed's. The truth is that I'm amazed by the VU comparisons, but we have tracks like "It's All a Part of Me" which comes across more like a garage hippy sing-a-long. Likewise, "Trip #76," probably the best known track here, is a very groovy psych-pop chant. "On Off -Off On" is more like Simon and Garfunkel on lots of amphetamines than the VU. I'd say the biggest freak out here is "Your Choice to Choose," which sounds like the 13 Floor Elevators playing backwards with Lou Reed ranting over it.
　　There are a few potential problems with the album, both of which you may be able to get around. First off is the tinny production sound. Listening to this straight through gives me a headache. The culprit may just be bad production (and there is a mono mix out there that I don't have as well), and one of the recent remasters may sound better. The lyrics also get psychedelically goofy. I can't defend the quality of the lyrics, but I will say that I quite enjoy them personally.
　　All in all, this is a album that deserves your ear. There is some solid, innovative, and obscure psychedelia at work here. And as you may have gleaned, there is a bonus jaw drop in store for those of you that groove to the Velvet Underground, especially since this album came out first.