Through its focus on process and materiality, Bias opens the practice of sound ecology beyond the acoustic to consider the audibility of the chemical composition of soil. From scraps of muddied media buried across three sites in Austria, Greece and Italy, Lami crafts a series of melancholy studies which seem to question the inevitable legacy of human culture and industry in t...(展开全部) Through its focus on process and materiality, Bias opens the practice of sound ecology beyond the acoustic to consider the audibility of the chemical composition of soil. From scraps of muddied media buried across three sites in Austria, Greece and Italy, Lami crafts a series of melancholy studies which seem to question the inevitable legacy of human culture and industry in the geological strata. www.giovannilami.com/releases/product-category/bias/ Artist Statement The research I’m carrying on from years is a sort of investigation of sounds in-between sounds you can get if you put your focus on small sound-areas, details you can reach during the play, far away from the simple surface of sound. It's like “explode and explore” an instrument, a substrate, a device, or a mix of them, but first of all it's a matter of practice in itself. The magnetic tape is a substrate for rough, dirty and indefinite sound surfaces that evolve while time is passing, I just need to create the conditions to let it happen and to accelerate this process. It’s like a garden, where everything grows by itself and you need to make just a few things, to see what is going to happen most of the time. Edition of 150 CDs numbered copies packaged in oversize 7” sleeves with a 16-page risographed booklet featuring accompanying visual works by Lami and a commissioned text by Francesco Bergamo.
2 有用 雨摇 2023-08-12 11:56:26 江西
简直炸裂，爽，整个出来的音景宛如吞噬者，淹没了周围的时空。这张专辑首先使用了磁带技术，将录制好的磁带埋藏在不同的地点，过段时间再挖掘出来作为声源使用（我不知道这样做声音效果会有怎样的变化）。总之你会听到那些磁带录制出的闪烁的炸裂声，有时很微弱的嗞嗞作响，有时候感觉这种声音来自大地，而你站在远处。然而在这张里，磁带也可能只是点缀，整个空间是被包围住的，精确无误，大面积的嗡鸣长音更像是主角，那种被声音... 简直炸裂，爽，整个出来的音景宛如吞噬者，淹没了周围的时空。这张专辑首先使用了磁带技术，将录制好的磁带埋藏在不同的地点，过段时间再挖掘出来作为声源使用（我不知道这样做声音效果会有怎样的变化）。总之你会听到那些磁带录制出的闪烁的炸裂声，有时很微弱的嗞嗞作响，有时候感觉这种声音来自大地，而你站在远处。然而在这张里，磁带也可能只是点缀，整个空间是被包围住的，精确无误，大面积的嗡鸣长音更像是主角，那种被声音紧紧围绕着的感觉真是太爽了。Giovanni Lami,意大利跨学科声音艺术家，也从事视觉和摄影艺术，食品技术博士，并曾担任过教科文组织在埃塞俄比亚的员工。可以说是现今对磁带技术研究最深入的艺术家之一了。 (展开)
2 有用 雨摇 2023-08-12 11:56:26 江西
简直炸裂，爽，整个出来的音景宛如吞噬者，淹没了周围的时空。这张专辑首先使用了磁带技术，将录制好的磁带埋藏在不同的地点，过段时间再挖掘出来作为声源使用（我不知道这样做声音效果会有怎样的变化）。总之你会听到那些磁带录制出的闪烁的炸裂声，有时很微弱的嗞嗞作响，有时候感觉这种声音来自大地，而你站在远处。然而在这张里，磁带也可能只是点缀，整个空间是被包围住的，精确无误，大面积的嗡鸣长音更像是主角，那种被声音... 简直炸裂，爽，整个出来的音景宛如吞噬者，淹没了周围的时空。这张专辑首先使用了磁带技术，将录制好的磁带埋藏在不同的地点，过段时间再挖掘出来作为声源使用（我不知道这样做声音效果会有怎样的变化）。总之你会听到那些磁带录制出的闪烁的炸裂声，有时很微弱的嗞嗞作响，有时候感觉这种声音来自大地，而你站在远处。然而在这张里，磁带也可能只是点缀，整个空间是被包围住的，精确无误，大面积的嗡鸣长音更像是主角，那种被声音紧紧围绕着的感觉真是太爽了。Giovanni Lami,意大利跨学科声音艺术家，也从事视觉和摄影艺术，食品技术博士，并曾担任过教科文组织在埃塞俄比亚的员工。可以说是现今对磁带技术研究最深入的艺术家之一了。 (展开)