On November 23rd French music, art and publishing imprint Shelter Press will release another chapter of its on-going documentation of the work of Gisèle Vienne ‘The Pyre: versions distilled to stereo’ is the score composed and recorded by KTL (Stephen O’Malley & Peter Rehberg) for the dance piece ‘The Pyre’, written and directed by Gisèle Vienne. The music created...(展开全部) On November 23rd French music, art and publishing imprint Shelter Press will release another chapter of its on-going documentation of the work of Gisèle Vienne ‘The Pyre: versions distilled to stereo’ is the score composed and recorded by KTL (Stephen O’Malley & Peter Rehberg) for the dance piece ‘The Pyre’, written and directed by Gisèle Vienne. The music created by KTL (Peter Rehberg and Stephen O’Malley) incorporates invisible and absent elements – ghosts, one might say. It proceeds from simulated diegetic sounds (which are part of the action) interwoven with real sounds - a musical creation that makes up an extra-diegetic sound score. This composition dizzyingly sculpts the space on stage and generates an impression of great spatial depth, which activates light-sculptures that in turn evoke the illusion of a tunnel, whose depth also results in a play of reflections. Through these different media, the aim is to develop and shatter – without looking to resolve – the exceptional intensity that can arise from the dialectical tension between presence and absence, as well as from the characters that are seeking flight. The music, originally performed on a multichannel spatialisized soundsystem has been distilled to this stereo version for home use, halfspeed mastered and cut by Matt Colton. This record announces - and is one chapter - in the forthcoming release of the first monograph dedicated to the work of French choreographer Gisèle Vienne and documented by French photographer Estelle Hanania. This book - is one of Shelter Press’ most ambitious to date - catalog number 100 - will be released in Spring 2019.
0 有用 雨摇 2023-09-15 13:54:43 江西
极好听,非常非常喜欢,尤其HIT这一首,后半段的军鼓令人心惊肉跳,整张都像是音频惊悚片,特别细腻又丰富。如果没有看资料完全想不到这会是为一部多媒体舞蹈作品创作的配乐,经重新混音后发行。两位创作者没有公布使用的乐器,但听得到用了吉他、各种铃铛、打击乐器,当然少不了合成器,然后用无数细微的变化来生成黑暗氛围。创作者之一Stephen O’Malley是Sunn O)))的,这张的制作人也是Sunn O... 极好听,非常非常喜欢,尤其HIT这一首,后半段的军鼓令人心惊肉跳,整张都像是音频惊悚片,特别细腻又丰富。如果没有看资料完全想不到这会是为一部多媒体舞蹈作品创作的配乐,经重新混音后发行。两位创作者没有公布使用的乐器,但听得到用了吉他、各种铃铛、打击乐器,当然少不了合成器,然后用无数细微的变化来生成黑暗氛围。创作者之一Stephen O’Malley是Sunn O)))的,这张的制作人也是Sunn O)))的制作人Randall Dunn,然后我在不经意发现Stephen O'Malley就在今年与Kali Malone 结婚了.. (展开)
0 有用 雨摇 2023-09-15 13:54:43 江西
极好听,非常非常喜欢,尤其HIT这一首,后半段的军鼓令人心惊肉跳,整张都像是音频惊悚片,特别细腻又丰富。如果没有看资料完全想不到这会是为一部多媒体舞蹈作品创作的配乐,经重新混音后发行。两位创作者没有公布使用的乐器,但听得到用了吉他、各种铃铛、打击乐器,当然少不了合成器,然后用无数细微的变化来生成黑暗氛围。创作者之一Stephen O’Malley是Sunn O)))的,这张的制作人也是Sunn O... 极好听,非常非常喜欢,尤其HIT这一首,后半段的军鼓令人心惊肉跳,整张都像是音频惊悚片,特别细腻又丰富。如果没有看资料完全想不到这会是为一部多媒体舞蹈作品创作的配乐,经重新混音后发行。两位创作者没有公布使用的乐器,但听得到用了吉他、各种铃铛、打击乐器,当然少不了合成器,然后用无数细微的变化来生成黑暗氛围。创作者之一Stephen O’Malley是Sunn O)))的,这张的制作人也是Sunn O)))的制作人Randall Dunn,然后我在不经意发现Stephen O'Malley就在今年与Kali Malone 结婚了.. (展开)