SRSQ (pronounced seer-skew) is the solo project of Kennedy Ashlyn (vocalist/keyboardist of Them Are Us Too). Creative voids aren’t filled, but rather holes left that push the edges of the present into new realms of consciousness. SRSQ’s pulse began after the death of Kennedy’s closest friend and TAUT collaborator Cash Askew, a casualty in the sudden and tragic Oakland Ghost S...(展开全部) SRSQ (pronounced seer-skew) is the solo project of Kennedy Ashlyn (vocalist/keyboardist of Them Are Us Too). Creative voids aren’t filled, but rather holes left that push the edges of the present into new realms of consciousness. SRSQ’s pulse began after the death of Kennedy’s closest friend and TAUT collaborator Cash Askew, a casualty in the sudden and tragic Oakland Ghost Ship Fire of 2016. Driven by loss, SRSQ became the vehicle for Kennedy’s transformative process, exploring nuance, nostalgia, reflection, and reconciliation, manifesting in the aural landscape of Unreality. As a debut, Unreality is entrance into a new form of storytelling, traversing the present while pulling from a deep swath of experience, immersion, and sound. Like the impulse it pulls from, each song evokes the complex duality of meditation—where simple intersects with infinite. Ambient synthesizers that approach harshness, relentless arpeggiations act together with Kennedy’s vocals as a lush weapon, weaving cloudlike fables over orchestration that’s familiar and foreign. Trance-like at times, yet always rooted in cadence and structure, the synesthesia of sound and feeling takes cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, or Dead Can Dance, using their example as the ground floor for building a new temple of frequency. Kennedy proves an adept architect of rhythm, using sequenced electronics as a deep backbeat that allows the harrowing beauty of her vocals to lead the journey. Produced by Matia Simovich of Inhalt, Unreality is simultaneously crisp and full, each tone and note occupying its own unique sonic world - grief butted against power, tracked to a heavy heartbeat. Learn more at: www.daisrecords.com credits released October 26, 2018
2 有用 zhongming 2019-02-09 12:52:01
Them Are Us Too乐队变性吉他手Cash Askew2016年死于火灾后,乐队主唱Kennedy Ashlyn毅然单飞组建SRSQ并发行首专。
0 有用 三层阁楼 2023-02-13 21:42:45 加拿大
喜欢主唱的声音,有点cocteau twins的意思。实验的成分太多了,不大耐听。很喜欢The Martyr。
0 有用 ❍ 2018-11-17 01:34:11
比taut更暗黑一点 Kennedy在尝试新的东西这很好(其实floor就能听出来有变化)the Martyr;Cherish;Permission
0 有用 16³ 2018-11-04 20:30:24
Kennedy Ashlyn的Solo Project展示了她在Them Are Us Too之外唱法上的新可能,而她对旋律氛围的把控让人不得不期待她的更多作品。尽管多数时刻实在过分Liz Fraser,但整体真的很guilty pleasure
0 有用 𝙎𝙥𝙖𝙧𝙠𝙮 | ✟ 2019-05-08 03:59:43
比taut时候大气啊
0 有用 𝙎𝙥𝙖𝙧𝙠𝙮 | ✟ 2019-05-08 03:59:43
比taut时候大气啊
0 有用 ❍ 2018-11-17 01:34:11
比taut更暗黑一点 Kennedy在尝试新的东西这很好(其实floor就能听出来有变化)the Martyr;Cherish;Permission
0 有用 16³ 2018-11-04 20:30:24
Kennedy Ashlyn的Solo Project展示了她在Them Are Us Too之外唱法上的新可能,而她对旋律氛围的把控让人不得不期待她的更多作品。尽管多数时刻实在过分Liz Fraser,但整体真的很guilty pleasure
0 有用 三层阁楼 2023-02-13 21:42:45 加拿大
喜欢主唱的声音,有点cocteau twins的意思。实验的成分太多了,不大耐听。很喜欢The Martyr。
2 有用 zhongming 2019-02-09 12:52:01
Them Are Us Too乐队变性吉他手Cash Askew2016年死于火灾后,乐队主唱Kennedy Ashlyn毅然单飞组建SRSQ并发行首专。