“This double album, long anticipated, presents Keith Jarrett’s concert at the Gran Teatro La Fenice in Venice, from July 2006. The setting – one of Italy’s most famous classical venues – may evoke some parallels with La Scala, the pianist’s much-loved 1995 recording, but each of Jarrett’s solo performances is its own world, his protean creativity continually...(展开全部) “This double album, long anticipated, presents Keith Jarrett’s concert at the Gran Teatro La Fenice in Venice, from July 2006. The setting – one of Italy’s most famous classical venues – may evoke some parallels with La Scala, the pianist’s much-loved 1995 recording, but each of Jarrett’s solo performances is its own world, his protean creativity continually bringing new forms to light. La Fenice (the phoenix) finds him channelling the flow of inspiration into a suite of eight spontaneously created pieces referencing everything from the blues to atonality. From the first flurry of notes, it is a consistently captivating journey. Between Part VI and Part VII, Jarrett surprisingly but very touchingly segues into “The Sun Whose Rays”, from Gilbert and Sullivan’s opera The Mikado. Encores are the traditional tune “My Wild Irish Rose” (previously recorded by Jarrett on The Melody At Night With You), the timeless standard “Stella By Starlight”, which the trio with Gary Peacock and Jack DeJohnette often played (see for instance the albums Standards Live and Yesterdays). The concert ends with a tender version of Keith’s tune “Blossom”, first heard on the Belonging album with Jan Garbarek, Palle Danielsson and Jon Christensen back in 1974. La Fenice could be considered the culmination point of a series of solo concerts that began the previous September with the The Carnegie Hall Concert. Reviewing that performance, Fred Kaplan of The Absolute Sound wrote: “His concert pieces, all pure improvisations, are models of economy, themes stated, explored, varied on, departed from, returned to, done – and gripping from start to finish. The encores were similarly taut – and lyrical and gorgeous.” Release of the Venice concert is timely. The 62nd International Festival of Contemporary Music of the Biennale di Venezia has honoured Keith Jarrett with its Golden Lion for Lifetime Achievement. It’s the first time that a “jazz” musician has received this award, which has previously been given to contemporary composers including, in recent decades, Luciano Berio, Pierre Boulez, György Kurtág, Helmut Lachenmann, Sofia Gubaidulina and Steve Reich. Of course, there is more than one way to be a contemporary composer, as Keith Jarrett eloquently illustrates on La Fenice, shaping his musical structures in real time.”
曲目
· · · · · ·
CD 1
Part I (17:44)
Part II (3:26)
Part III (9:47)
Part IV (7:15)
Part V (6:36)
CD 2
Part VI (13:32)
The Sun Whose Rays (4:22)
Part VII (5:30)
Part VIII (7:15)
My Wild Irish Rose (7:03)
Stella By Starlight (6:33)
Blossom (8:35)
Thanks to Ziad, Stephen, Jan, Heino, Matthias, and Christoph for sending me information about this release.
这张专辑是2006年7月Keith Jarrett在威尼斯Gran Teatro La Fenice独奏音乐会的录音,Keith Jarrett进入意大利最著名的古典乐现场之一,并开凿出源源不断的塑造新事物的灵感;在这种情况下,一组8首非常自然的创作引用了非常丰富的元素,从布鲁斯到无调性到令人心碎的民谣。 《L...
(展开)
0 有用 echoirisun 2020-07-11 09:37:00
2006
0 有用 ponds 2018-10-27 10:14:24
ECM 2601
0 有用 小型穿山蝸 2020-02-14 16:34:03
「My wild Irish rose」
0 有用 Khaos 2020-01-12 22:48:08
ECM 2601/02。宝刀未老,节奏更协调。安可部分真美得不像话。
0 有用 甫寸 2021-06-22 10:59:32
这张一般。即兴还可以,Blues没摇起来,抒情曲不够抒。
0 有用 crascopy 2020-10-02 02:30:13
82/100
0 有用 吴慢慢 2019-02-17 21:15:52
有生之年能听一次live就死而无憾系列
0 有用 Khaos 2020-01-12 22:48:08
ECM 2601/02。宝刀未老,节奏更协调。安可部分真美得不像话。
0 有用 甫寸 2021-06-22 10:59:32
这张一般。即兴还可以,Blues没摇起来,抒情曲不够抒。
0 有用 decemberlight 2018-10-28 15:06:23
适合温柔的秋日下午