Kikagaku Moyo's 4th full length studio album =Album Description= The shifting dimensions of Masana Temples, fourth album from psychedelic explorers Kikagaku Moyo,are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno P...(展开全部) Kikagaku Moyo's 4th full length studio album =Album Description= The shifting dimensions of Masana Temples, fourth album from psychedelic explorers Kikagaku Moyo,are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno Pernadas. The band sought out Pernadas both out of admiration for his music and in an intentional move to work with a producer who came from a wildly different background. With Masana Temples, the band wanted to challenge their own concepts of what psychedelic music could be. Elements of both the attentive folk and wild-eyed rocking sides of the band are still intact throughout, but they’re sharper and more defined. More than the literal interpretation of being on a journey, the album’s always changing sonic panorama reflects the spiritual connection of the band moving through this all together. Life for a traveling band is a series of constant metamorphoses, with languages, cultures, climates and vibes changing with each new town. The only constant for Kikagaku Moyo throughout their travels were the five band members always together moving through it all, but each of them taking everything in from very different perspectives. Inspecting the harmonies and disparities between these perspectives, the group reflects the emotional impact of their nomadic paths. The music is the product of time spent in motion and all of the bending mindsets that come with it. =Band Description= Kikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free musiccollective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound. releases October 5, 2018 Produced by Bruno Pernadas. Mixed and Mastered by Tiago De Sousa. Recorded at Valentim de Carvalho studio in Lisbon, Portugal, April 2018. Artwork by Phannapast Taychamaythakool Track 1 written by Ryu Track 2, 6, 7, 10 written by Go Track 4 written by Tomo Track 8 written by Go, Kotsuguy Track 3, 5 written by Go, Kotsuguy, Tomo Track 9 written by Kikagaku Moyo
1 有用 脑震荡 2018-12-31 10:26:52
幾何学模様的新专,迷幻小清新,嬉皮味儿浓郁。三哥画风封套赞。黑胶
3 有用 别叫我萨尔 2019-05-20 19:01:43
对这张唱片的听感非常割裂!封面和专辑名非常东方化,但是听起来的感受大多数时候就好像是一群嬉皮士驾车经过南欧沿途的海岸线,我猜应该是黄昏。
0 有用 像 2018-12-13 22:01:49
封面是真的可爱 作品是真的乏味
1 有用 沉默 2018-10-16 13:36:35
一听就笑,这张专辑太有趣啦
7 有用 慕祺海Perkira 2018-12-09 21:18:14
B 81 日印的神奇杂交,不必多说,这张专辑的风格一听就是现今比较典型的日系风格,还比较小清新,问题是不太像以前的老迷幻就可以说不好吗?如若是如此,Os Mutantes又该如何说?后摇、太空摇滚、数学摇滚、实验摇滚信手拈来的一锅大乱炖,还是算是比较有新意的,印度风情还比较重也算是出乎意料的,技术也不差,就是有些曲子太小清新失了创意的同时又略显普遍了,这是他们的软肋吧?专辑整体上不能不说这一个鲜明... B 81 日印的神奇杂交,不必多说,这张专辑的风格一听就是现今比较典型的日系风格,还比较小清新,问题是不太像以前的老迷幻就可以说不好吗?如若是如此,Os Mutantes又该如何说?后摇、太空摇滚、数学摇滚、实验摇滚信手拈来的一锅大乱炖,还是算是比较有新意的,印度风情还比较重也算是出乎意料的,技术也不差,就是有些曲子太小清新失了创意的同时又略显普遍了,这是他们的软肋吧?专辑整体上不能不说这一个鲜明的缺点:太不统一了,听起来像杂集,而非专辑……PS:1/4/5/6/9/10。 (展开)
0 有用 狂人斐迪南 2024-08-01 18:33:46 广东
补
0 有用 n 2024-10-28 23:29:24 贵州
Dripping Sun
0 有用 hojin 2024-08-02 13:25:21 北京
Nana/ Orange Peel
0 有用 宝友 2024-06-23 15:05:29 广东
再听还是很好
0 有用 mioooy 2024-05-14 03:38:05 英国
除了entrance其他都不喜欢