表演者:
Various Artists
流派: 古典
专辑类型: Box set
介质: Audio CD
发行时间: 2018-10-26
出版者: Decca (UMO) Classics
唱片数: 223
条形码: 0028947980001
流派: 古典
专辑类型: Box set
介质: Audio CD
发行时间: 2018-10-26
出版者: Decca (UMO) Classics
唱片数: 223
条形码: 0028947980001
简介 · · · · · ·
Deutsche Grammophon and Decca proudly announce the release of the largest and most complete box set ever devoted to the work of a single composer. The 222 CD Complete Edition is the result of two years of curation and scholarship and has been developed with the cooperation of 32 labels and a team of scholars at the Leipzig Bach Archive, with an introductory DVD documentary an...
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Deutsche Grammophon and Decca proudly announce the release of the largest and most complete box set ever devoted to the work of a single composer. The 222 CD Complete Edition is the result of two years of curation and scholarship and has been developed with the cooperation of 32 labels and a team of scholars at the Leipzig Bach Archive, with an introductory DVD documentary and written welcome by its President Sir John Eliot Gardiner, and with editorial consultant Nicholas Kenyon presiding over work-by-work musical commentary.
The set marks 333 years since the birth of J.S. Bach. We can confidently say that certain numbers and numerical proportions had a special structural and sometimes religious significance for Bach. References to the number three reflect the important doctrine of God’s Tri-unity which lies at the core of Bach’s Lutheran faith. Nicholas Kenyon says: “333 is important, because one of the key Bach numbers is 3 representing the Trinity: Father, Son and Holy Ghost. The symbolism of three, and three times three, is everywhere in the collection of organ works Clavier-Übung III (1739). We often sense these underlying features in Bach’s work; while I don’t think he ever let them dominate his thinking, it was clearly a way in which he was expressing the harmony of the universe as he saw it.” The set is thus known as ‘Bach 333’.
Across 16,926 minutes of music over 5,533 tracks, Bach 333 presents every known note from the great master and opens up his world – and his impact on our world – in a uniquely immersive way: through audio, visual, printed and online materials. The set, the largest ever devoted to a single composer and exceeding in size even the massively-successful ‘Mozart 225’ Edition of two years ago, presents Bach’s complete oeuvre from 750 hand-picked performers and ensembles across 32 labels including Sony, Warner, BIS, SDG, Denon and Harmonia Mundi.
Two handsomely illustrated hardback books are included. The first book, entitled LIFE, presents a lavishly illustrated biography by leading Bach scholar Dorothea Schröder plus thirteen essays of the latest thinking from leading scholars from the Leipzig Bach Archive. The second book, MUSIC presents a new essay by doyen of Bach scholarship Christoph Wolff followed by work-by-work commentary by Nicholas Kenyon (author of The Faber Pocket Guide to Bach). Also included are complete sung texts and English translations, facsimile reproductions of key scores and a guide to further online resources including the Bach Archive’s ground-breaking Bach Digital initiative. Meanwhile, the set also conforms to the very latest research from the Leipzig Bach Archive and their new BWV3 catalogue due to be published in 2019-20. The life of Bach is further explored on DVD in Sir John Eliot Gardiner’s 90-minute BBC film ‘Bach: A Passionate Life’. The colour-coded layout of Bach 333 presents the works chronologically within one of four genres – Vocal Music, Keyboard Music, Orchestral Music and Instrumental Music. The consumer can navigate with ease across the enormous and rich array of content.
Best-in-class historically-informed performances include a handpicked set of the complete Cantatas led by outstanding contributions from Sir John Eliot Gardiner and Masaaki Suzuki, plus strong showings from Ton Koopman, Philippe Herreweghe, Gustav Leonhardt, Nicolaus Harnoncourt, Sigiswald Kuijken and more; other leading names featured across the Edition include Reinhard Goebel, Christopher Hogwood, Paul McCreesh, Franz Brüggen, Trevor Pinnock, Christophe Coin, Christophe Rousset and Rinaldo Alessandrini.
The set also presents over 50 CDs of alternative recordings including modern piano performances of all the key works from András Schiff, Murray Perahia, Angela Hewitt, Martha Argerich, Alfred Brendel and many more. 90 years of evolving Bach performance traditions in vocal and instrumental practice can be heard in legendary performances from a plethora of artists from Alfred Deller to Lorraine Hunt Lieberson, Adolf Busch to Claudio Abbado, Willem Mengelberg to Karl Richter, Edwin Fischer to Glenn Gould, Albert Schweitzer to Marie-Claire Alain, Wanda Landowska to Zuzana Růžičková, Pablo Casals to Pierre Fournier, Arthur Grumiaux to Anne-Sophie Mutter.
Highlights among 10 hours of entirely new recordings include a new recording of the Sonatas & Partitas for solo violin by period specialist Giuliano Carmignola, as well as 7 premieres of works never recorded before - 6 alternative Chorale versions and Beethoven’s only completed arrangement of a Bach work.
16 CDs entitled “Bach Interactive” and “Bach after Bach” form the basis of a major offering to enrich our experience and understanding of Bach’s unique impact on composers and composition ever since; from Mozart and Beethoven to today’s masters such as Arvo Pärt and György Kurtág. Included are albums devoted to Bach à la Jazz (Stéphane Grappelli, Stan Getz, Jacques Loussier, Bill Evans and more) and New Colours of Bach - remixers, composers and artists of our own time.
Sir John Eliot Gardiner, President, Leipzig Bach Archive: “This superb array of recordings is to be welcomed and valued on different levels simultaneously. First, it displays the colossal range and sheer variety of Bach's output; then the challenges of performing it and how these have evolved - exemplified by the multiplicity of recorded interpretations assembled here for the first time. Listening to any of these CDs will surely induce in you a heightened sense of consciousness – of the role of music which Bach enriched and extended so brilliantly. For him music was pure necessity. It occupied his whole being: to compose it and perform it demanded multiple skills, a capacity to solve puzzles and challenges, and a way of making sense of the world in which he lived. In our day the music of J.S. Bach continues to affect and change people’s lives in the most profound way. It has the power to reflect our innermost concerns and even to mitigate the way we respond to contemporary events.”
“Bach is regularly singled by composers across all traditions from jazz, pop, world and classical for his unique importance,” says Paul Moseley, Universal Music Group’s Director of Bach 333. “We have set out to do him, his life, his world, full justice, taking in current and past performance practice, fresh scholarship and the latest media, to produce something that will educate, entertain and deepen our relationship with probably the most influential composer of all time.”
Peter Wollny, Executive Director, Leipzig Bach Archive: “Deutsche Grammophon’s invitation to collaborate on the Bach 333 Edition was both a challenge and a welcome opportunity to bring the Archive’s research to the attention of the musical world through the recorded medium. We sincerely hope this Edition opens eyes and ears around the world to the universal relevance of Johann Sebastian Bach’s creative oeuvre both today and in the future.”
Bach 333 is released worldwide on October 26th in two language versions – English and German. The flagship Edition is accompanied by a 2CD entry level product Peaceful Bach and a suite of 13 digital products including Bach à la Jazz and New Colours of Bach, all aimed at achieving the widest possible awareness and engagement.
The set marks 333 years since the birth of J.S. Bach. We can confidently say that certain numbers and numerical proportions had a special structural and sometimes religious significance for Bach. References to the number three reflect the important doctrine of God’s Tri-unity which lies at the core of Bach’s Lutheran faith. Nicholas Kenyon says: “333 is important, because one of the key Bach numbers is 3 representing the Trinity: Father, Son and Holy Ghost. The symbolism of three, and three times three, is everywhere in the collection of organ works Clavier-Übung III (1739). We often sense these underlying features in Bach’s work; while I don’t think he ever let them dominate his thinking, it was clearly a way in which he was expressing the harmony of the universe as he saw it.” The set is thus known as ‘Bach 333’.
Across 16,926 minutes of music over 5,533 tracks, Bach 333 presents every known note from the great master and opens up his world – and his impact on our world – in a uniquely immersive way: through audio, visual, printed and online materials. The set, the largest ever devoted to a single composer and exceeding in size even the massively-successful ‘Mozart 225’ Edition of two years ago, presents Bach’s complete oeuvre from 750 hand-picked performers and ensembles across 32 labels including Sony, Warner, BIS, SDG, Denon and Harmonia Mundi.
Two handsomely illustrated hardback books are included. The first book, entitled LIFE, presents a lavishly illustrated biography by leading Bach scholar Dorothea Schröder plus thirteen essays of the latest thinking from leading scholars from the Leipzig Bach Archive. The second book, MUSIC presents a new essay by doyen of Bach scholarship Christoph Wolff followed by work-by-work commentary by Nicholas Kenyon (author of The Faber Pocket Guide to Bach). Also included are complete sung texts and English translations, facsimile reproductions of key scores and a guide to further online resources including the Bach Archive’s ground-breaking Bach Digital initiative. Meanwhile, the set also conforms to the very latest research from the Leipzig Bach Archive and their new BWV3 catalogue due to be published in 2019-20. The life of Bach is further explored on DVD in Sir John Eliot Gardiner’s 90-minute BBC film ‘Bach: A Passionate Life’. The colour-coded layout of Bach 333 presents the works chronologically within one of four genres – Vocal Music, Keyboard Music, Orchestral Music and Instrumental Music. The consumer can navigate with ease across the enormous and rich array of content.
Best-in-class historically-informed performances include a handpicked set of the complete Cantatas led by outstanding contributions from Sir John Eliot Gardiner and Masaaki Suzuki, plus strong showings from Ton Koopman, Philippe Herreweghe, Gustav Leonhardt, Nicolaus Harnoncourt, Sigiswald Kuijken and more; other leading names featured across the Edition include Reinhard Goebel, Christopher Hogwood, Paul McCreesh, Franz Brüggen, Trevor Pinnock, Christophe Coin, Christophe Rousset and Rinaldo Alessandrini.
The set also presents over 50 CDs of alternative recordings including modern piano performances of all the key works from András Schiff, Murray Perahia, Angela Hewitt, Martha Argerich, Alfred Brendel and many more. 90 years of evolving Bach performance traditions in vocal and instrumental practice can be heard in legendary performances from a plethora of artists from Alfred Deller to Lorraine Hunt Lieberson, Adolf Busch to Claudio Abbado, Willem Mengelberg to Karl Richter, Edwin Fischer to Glenn Gould, Albert Schweitzer to Marie-Claire Alain, Wanda Landowska to Zuzana Růžičková, Pablo Casals to Pierre Fournier, Arthur Grumiaux to Anne-Sophie Mutter.
Highlights among 10 hours of entirely new recordings include a new recording of the Sonatas & Partitas for solo violin by period specialist Giuliano Carmignola, as well as 7 premieres of works never recorded before - 6 alternative Chorale versions and Beethoven’s only completed arrangement of a Bach work.
16 CDs entitled “Bach Interactive” and “Bach after Bach” form the basis of a major offering to enrich our experience and understanding of Bach’s unique impact on composers and composition ever since; from Mozart and Beethoven to today’s masters such as Arvo Pärt and György Kurtág. Included are albums devoted to Bach à la Jazz (Stéphane Grappelli, Stan Getz, Jacques Loussier, Bill Evans and more) and New Colours of Bach - remixers, composers and artists of our own time.
Sir John Eliot Gardiner, President, Leipzig Bach Archive: “This superb array of recordings is to be welcomed and valued on different levels simultaneously. First, it displays the colossal range and sheer variety of Bach's output; then the challenges of performing it and how these have evolved - exemplified by the multiplicity of recorded interpretations assembled here for the first time. Listening to any of these CDs will surely induce in you a heightened sense of consciousness – of the role of music which Bach enriched and extended so brilliantly. For him music was pure necessity. It occupied his whole being: to compose it and perform it demanded multiple skills, a capacity to solve puzzles and challenges, and a way of making sense of the world in which he lived. In our day the music of J.S. Bach continues to affect and change people’s lives in the most profound way. It has the power to reflect our innermost concerns and even to mitigate the way we respond to contemporary events.”
“Bach is regularly singled by composers across all traditions from jazz, pop, world and classical for his unique importance,” says Paul Moseley, Universal Music Group’s Director of Bach 333. “We have set out to do him, his life, his world, full justice, taking in current and past performance practice, fresh scholarship and the latest media, to produce something that will educate, entertain and deepen our relationship with probably the most influential composer of all time.”
Peter Wollny, Executive Director, Leipzig Bach Archive: “Deutsche Grammophon’s invitation to collaborate on the Bach 333 Edition was both a challenge and a welcome opportunity to bring the Archive’s research to the attention of the musical world through the recorded medium. We sincerely hope this Edition opens eyes and ears around the world to the universal relevance of Johann Sebastian Bach’s creative oeuvre both today and in the future.”
Bach 333 is released worldwide on October 26th in two language versions – English and German. The flagship Edition is accompanied by a 2CD entry level product Peaceful Bach and a suite of 13 digital products including Bach à la Jazz and New Colours of Bach, all aimed at achieving the widest possible awareness and engagement.
曲目 · · · · · ·
- PART 1 - SACRED CANTATAS (in chronological order)
- CD001 - Cantatas 150, 4, 71, 196 - Gardiner/Koopman
- CD002 - Cantatas 131, 106, 143, 18, 1127 - Rifkin/Suzuki/Gardiner
- CD003 - Cantatas 182, 12, 54, 172 - Suzuki/Herreweghe/Gardiner
- CD004 - Cantatas 21,199 - Suzuki/Gardiner
- CD005 - Cantatas 61, 63, 152, 158, 31 - Gardiner/Kussmaul
- CD006 - Cantatas 165, 185, 163, 132, 155 - Gardiner/Suzuki
- CD007 - Cantatas 161, 162, 22, 23, 59 - Suzuki/Kuijken/Gardiner
- CD008 - Cantatas 75, 76, 24 - Gardiner
- CD009 - Cantatas 167, 147, 186, 136 - Koopman/Gardiner/Suzuki
- CD010 - Cantatas 105, 46, 179, 50, 69a - Gardiner
- CD011 - Cantatas 77, 25, 119, 138 - Gardiner/Suzuki/Herreweghe
- CD012 - Cantatas 95, 148, 48, 109 - Gardiner/Suzuki
- CD013 - Cantatas 89, 60, 90, 70, 40 - Gardiner/Suzuki/Koopman
- CD014 - Cantatas 64, 190, 153, 65, 154 - Gardiner/Suzuki/McCreesh
- CD015 - Cantatas 73, 81, 83, 144, 181 - Gardiner/Suzuki
- CD016 - Cantatas 18, 66, 134, 67 - Kuijken/Gardiner
- CD017 - Cantatas 104, 166, 86, 37, 44 - Gardiner/Suzuki/Kuijken
- CD018 - Cantatas 173, 184, 194 - Gardiner/Suzuki
- CD019 - Cantatas 20, 2, 7, 135 - Herreweghe/Gardiner/Leonhardt/Suzuki
- CD020 - Cantatas 10, 93, 107, 178 - Gardiner/Suzuki
- CD021 - Cantatas 94, 101, 113 - Gardiner
- CD022 - Cantatas 33, 78, 99, 8 - Gardiner/Rifkin
- CD023 - Cantatas 130, 114, 96, 5 - Koopman/Gardiner
- CD024 - Cantatas 180, 38, 115, 139 - McCreesh/Suzuki/Coin/Gardiner
- CD025 - Cantatas 26, 116, 62, 91, 121 - Gardiner
- CD026 - Cantatas 133, 122, 41, 123 - Gardiner/Suzuki/Coin
- CD027 - Cantatas 124, 3, 111, 92 - Koopman/Gardiner
- CD028 - Cantatas 125, 126, 127 - Gardiner/Herreweghe
- CD029 - Cantatas 1, 6, 42 - Gardiner/Suzuki
- CD030 - Cantatas 85, 103, 108, 87, 128 - Gardiner/Suzuki
- CD031 - Cantatas 183, 74, 68, 175, 176 - Gardiner/Coin
- CD032 - Cantatas 168, 137, 164, 79, 110 - Gardiner/Koopman/Suzuki
- CD033 - Cantatas 57, 151, 28, 16 - Kussmaul/Gardiner/Koopman
- CD034 - Cantatas 32, 13, 72, 43 - Gardiner/Kuijken
- CD035 - Cantatas 146, 129, 39 - Suzuki/Gardiner
- CD036 - Cantatas 88, 170, 187, 45 - Gardiner/Herreweghe/Leonhardt
- CD037 - Cantatas 102, 35, 17, 19 - Suzuki/Herreweghe/Harnoncourt/Gardiner
- CD038 - Cantatas 27, 47, 169, 56 - Suzuki/Gardiner/Scholl/Kussmaul
- CD039 - Cantatas 49, 98, 55, 52, 58 - Kussmaul/Gardiner/Schreier/Suzuki
- CD040 - Cantatas 82, 157, 84 - Kussmaul/Scholl/Koopman/Herreweghe
- CD041 - Cantatas 34, 193, 117, 188 - Gardiner/Koopman/Suzuki
- CD042 - Cantatas 171, 156, 159, 120a - Gardiner/Suzuki
- CD043 - Cantatas 174, 149, 51, 192, 112 - Suzuki/Gardiner
- CD044 - Cantatas 29, 140, 36 - Harnoncourt/Gardiner
- CD045 - Cantatas 177, 9, 97, 14 - Gardiner/Suzuki
- CD046 - Cantatas 100, 195, 197a, 197 - Suzuki
- CD047 - Cantatas 30, 80, 80a, 120 - Gardiner/Spering/Rifkin/Herreweghe
- CD048 - Cantatas 191, 69/ 4 Spurious Cantatas - Suzuki/Schreier/Scholl
- PART 2 - SACRED & SECULAR VOCAL CHORALES
- CD049 - 4-Part Chorales BWV 250-318 - Augsburger Domsingknaben/ Kölner Akademie
- CD050 - 4-Part Chorales BWV 319-381 - Kölner Akademie/ Augsburger Domsingknaben
- CD051 - 4-Part Chorales BWV 382-438, 1089, 1122-1126, Anh. 31 - Vocalconsort Berlin/ Kölner Akademie
- PART 2 - MAGNIFICAT, MOTETS, MASSES, ORATORIOS, PASSIONS
- CD052 - Magnificat BWV 243/243a - Gardiner/Preston/McCreesh
- CD053 - Motets - Biller/Koopman/Gardiner
- CD054/55 - Mass in B Minor (Messe H-moll) - Mortensen
- CD056/57 - Mass in B Minor (Messe H-moll), Missa BWV 233 - Brüggen/McCreesh
- CD058 - Missas BWV 234-236 - Schreier
- CD059/60 - St John Passion (Johannes-Passion, 1724 version) - Gardiner
- CD061/62 - St John Passion (Johannes-Passion, 1749 version, plus 1725 Appendix) - Suzuki
- CD063/64 - St Matthew Passion (Matthäus-Passion) - Gardiner
- CD065/66 - St Matthew Passion (Matthäus-Passion) - McCreesh
- CD067 - Easter Oratorio/Ascension Oratorio - McCreesh/Gardiner
- CD068 - Easter Oratorio/Ascension Oratorio - Leonhardt
- CD069/70 - Christmas Oratorio (Weihnachts-Oratorium) - Gardiner
- CD071/72 - Christmas Oratorio (Weihnachts-Oratorium) - Chailly
- PART 2 - SECULAR CANTATAS (in chronological order)
- CD073 - Cantatas 208, 202, Quodlibet BWV 524 - Leonhardt/Hogwood/Goebel
- CD074 - Cantatas 134a, 203, 173a - Suzuki/Leonhardt
- CD075 - Cantatas 36c, 205, 34a - Goebel/Leonhardt/Rilling
- CD076 - Cantatas 207,204, 216a - Goebel/Koopman/Grychtolik
- CD077 - Cantatas 198, 201 - Gardiner/Goebel
- CD078 - Cantatas 213, 214 - Leonhardt
- CD079 - Cantatas 211, 215 - Hogwood/Leonhardt
- CD080 - Cantatas 206, 30a - Goebel/Koopman
- CD081 - Cantatas 209, 210, 212 - Rifkin/Hogwood
- PART 2 - VOCAL TRADITIONS
- CD082 - Cantatas 67, 106, 19; St Matthew Passion excerpts - Straube/Mengelberg/Scherchen/Lehmann
- CD083 - Cantatas 56, 82, 4 - Fischer-Dieskau/Ristenpart/Lehmann
- CD084 - Cantatas 31, 104, 57 - Werner
- CD085 - Cantatas 199, 173, 74, 151 - Winschermann
- CD086 - Easter Oratorio, Cantata 140 - Münchinger
- CD087 - Cantatas 170, 159, 102 - Baker/Marriner/Britten
- CD088 - Cantatas 80, 52, 84, 209 - Ameling/Leppard
- CD089 - Cantatas 82, 158, 56 - Goerne/Norrington
- CD090 - Advent & Christmas Cantatas 61, 63, 121, 28 - Richter
- CD091 - Advent & Christmas Cantatas 64, 65, 111, 81 - Richter
- CD092 - Easter Cantatas 92, 126, 182 - Richter
- CD093 - Easter Cantatas 1, 4, 67, 104 - Richter
- CD094 - Whitsun Cantatas 34, 68, 39 - Richter
- CD095 - Whitsun Cantatas 30, 147 - Richter
- CD096 - Trinity Cantatas 76, 21 - Richter
- CD097 - Trinity Cantatas 135, 10, 45, 105 - Richter
- CD098 - Trinity Cantatas 51, 78, 8, 130 - Richter
- CD099 - Trinity Cantatas 27, 5, 60, 26 - Richter
- CD100/101/102 - St. Matthew Passion (Matthäus-Passion) - Richter (1958 rec.)
- CD103 - Great Singers (1952-1965) - Krebs/ Schwarzkopf/ Ferrier/ Wunderlich/Heynis etc
- CD104 - Great Singers (1967-2011) - Giebel/Baker/Hunt Lieberson/Auger/Bartoli etc
- CD105 - Great Singers (Period Instruments) - Deller/Esswood/Bonney/Scholl/Fink/Kozena etc
- PART 3 - ORGAN WORKS (free works, then chorale-based works, chronologically)
- CD106 - Introduction 1 - Rübsam/Weir/Hurford/Koopman/Preston etc
- CD107 - Introduction 2 - Schmitt/Johnstone/O’Donnell/Rübsam/Chorzempa etc
- CD108 - Toccata & Fugue BWV 565 & early free works - Preston/Rübsam/Hurford/Koopman etc
- CD109 - Passacaglia & Fugue BWV 582 & Weimar free works - Preston/Walcha/Koopman/Bowyer etc
- CD110 - Fantasia & Fugue BWV 542, BWV 538-541 & Weimar free works - Koopman/Hurford/Bowyer/Rübsam etc
- CD111 - Prelude & Fugues BWV 544-548 & Leipzig free works - Preston/Hurford/Richter/Koopman etc
- CD112 - Trio Sonatas 1-6 BWV 525-530 - Koopman
- CD113 - Trio Sonatas 1-6 BWV 525-530 - Preston/Hurford/Chorzempa/Walcha
- CD114 - 31 Neumeister Chorales BWV 1090-1120 - Barber
- CD115 - Early Chorale Preludes/Chorale Partitas (Pre-Weimar) - Barber/Weinberger/Rübsam/Schmitt etc
- CD116 - Chorale Preludes (Weimar) - Johnstone/Weinberger/Rübsam/Schmitt etc
- CD117 - Breitkopf Collection Chorale Preludes BWV 690-713 - Preston/Hurford/Rübsam/Walcha etc
- CD118 - Orgelbüchlein BWV 599-644 - Preston
- CD119 - 17 Chorale Preludes (Weimar versions) BWV 651a-667a - Schmitt
- CD120 - 18 Chorale Preludes (Leipzig versions) BWV 651-668 - Rübsam
- CD121 - 21 Chorale Preludes BWV 669-689 (from Clavier-Übung III) - Walcha
- CD122 - Clavier-Übung III (BWV 552, 669-689) - Preston
- CD123 - Clavier-Übung III (BWV 802-5, 552/ Kl. Orgelmesse, Schübler Chorales - Preston/Koopman/Foccroulle
- CD124 - Free Works of unproven authenticity - Bowyer/Preston/Hurford/Weinberger etc
- CD125 - Chorale-Based Works of unproven authenticity/Fragments - Bowyer/Preston/Hurford/Weinberger etc
- PART 3 - KEYBOARD WORKS (Harpsichord versions chronologically, then Piano versions of key works)
- CD126 - Introduction 1: [Harpsichord] - Leonhardt/Pinnock/Dreyfus/Jarrett etc
- CD127 - Introduction 2: [Piano] - Brendel/Hewitt/Argerich/Schiff/Jarrett etc
- CD128 - Early Fugues & Capriccios - Taylor/Alessandrini/Suzuki/Gilbert etc
- CD129 - Early Suites & Sonatas - Halls/Taylor/Bahrami
- CD130 - Toccatas BWV 910-916 - Pinnock/Leonhardt/Gilbert/Taylor
- CD131 - Virtuoso Fantasias & Fugues - Staier/Hantai/Verlet/Pinnock/Rousset etc
- CD132 - Miscellaneous Works - Gilbert/Heindel/Hill etc
- CD133 - 2- Part Inventions, 3- Part Sinfonias, Preludes BWV 924-943 - Verlet/Gilbert
- CD134/135 - English Suites - Dreyfus
- CD136 - French Suites 1-4 - Hogwood
- CD137 - French Suites 5-6, Suites BWV 818a-819 - Hogwood/Taylor
- CD138 - Partitas 1, 2, 6 - Rousset
- CD139 - Partitas 3, 4, 5 - Rousset
- CD140 - Italian Concerto, French Overture, Four Duets - Rousset/Leonhardt
- CD141/142 - The Well-Tempered Clavier, Book I - Gilbert
- CD143/144 - The Well-Tempered Clavier, Book II - Gilbert
- CD145 - Goldberg Variations - Rousset
- CD146 - Goldberg Variations - Esfahani
- CD147 - English Suites 1-3 - Pogorelich/Schiff/Argerich
- CD148 - English Suites 4-6 - Schiff/Hewitt/Bahrami
- CD149/150 - French Suites Nos. 1-6 - Perahia
- CD151 - Partitas 1-4 - Pires/Argerich/Blechacz/Grosvenor
- CD152 - Partitas 5-6, French Overture - Ashkenazy/Schiff
- CD153 - 2- Part Inventions/3- Part Sinfonias/ Italian Concerto & 4 Duets - Schiff/Brendel/Hewitt
- CD154/155 - The Well-Tempered Clavier, Book I - Pollini
- CD156/157 - The Well-Tempered Clavier, Book 2 - Schiff
- CD158 - Goldberg Variations - Schiff (2003 rec.)
- PART 3 - KEYBOARD TRADITIONS
- CD159 - Piano Legends 1933-1956 - Fischer/Gulda/Lipatti/Tureck/Hess etc
- CD160 - Piano Legends 1959-1993 - Richter/Gould/Gavrilov/Horowitz/Gilels etc
- CD161 - Keyboard Legends - Landowska/Malcolm/Kirkpatrick/Ruzickova etc
- CD162 - Organ Legends - Schweitzer/Walcha/Richter/Dupré/Alain etc
- CD163 - Orgelbüchlein BWV 599-644 - Walcha (1952 rec.)
- PART 4 - ORCHESTRAL WORKS
- CD164 - Brandenburg Concertos Nos. 1-6 - Goebel
- CD165 - Brandenburg Concertos 1-4/Concerto BWV 1057 - Pinnock
- CD166 - Brandenburg Concertos 5-6/Concertos 1046a, 1050a - Pinnock/Hogwood
- CD167 - Orchestral Suites Nos. 1-3 - Goebel
- CD168 - Orchestral Suites Nos. 2-4 - Goebel/Hogwood
- CD169 - Orchestral Suites Nos. 1-4 - Pinnock
- CD170 - Violin Concertos BWV 1041, 1042/ Keyboard Vns. BWV 1058, 1054 - Carmignola/Hogwood/Pinnock/Goebel etc
- CD171 - Concertos: 2 Violins/2 Keyboard Vn. BWV 1043/1062; BWV 1052/R - Pinnock/Koopman/Carmignola/Hogwood/Dantone etc
- CD172 - Keyboard and Oboe d’amore Concertos BWV 1053/R, 1055/R - Hogwood/Rousset/Pinnock/Holliger/Reichenberg etc
- CD173 - Concertos BWV 1056/R, 1059R, 1060/R, 1045 - Dantone/Carmignola/Kuijken/Pinnock etc
- CD174 - Concertos for 2 & 3 Keyboards BWV 1061/a, 1063, 1064/R - Rousset/Koopman/Pinnock/Huggett
- PART 4 - ORCHESTRAL TRADITIONS
- CD175 - Brandenburg Concertos: Landmark Performances 1935-1964 - Busch/Neel/Wenzinger/Harnoncourt etc
- CD176 - Brandenburg Concertos: Landmark Performances 1968-2013 - Richter/Marriner (1971)/Antonini/Abbado/Butt etc
- CD177 - Concerto for 2 Violins BWV 1043 (Various Performances) - Grumiaux/Oistrakhs/Hahn/Mutter/Hope etc
- CD178 - Violin Concertos BWV 1041-3, 1056R, 1060R - Mutter/Hahn/Fischer/Jansen/Mullova/Lozakovich
- CD179 - Keyboard Concertos BWV 1052-1056 - Schiff/Bahrami
- CD180 - Orchestral Works: Alternative Instrumentations - Holliger/Christ/Mayer/Jansen etc
- PART 4 - CHAMBER WORKS
- CD181/182 - 6 Sonatas & Partitas for Solo Violin - Carmignola
- CD183 - Suites for “Lute” - Satoh/Yepes/Söllscher
- CD184/185 - Cello Suites Nos. 1 - 6 - Watkin
- CD186 - Violin Sonatas BWV 1014-1018 - Goebel/Hill/Huggett/Koopman
- CD187 - Violin/Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-9 - Goebel/Huggett/Manze/Trio Sonnerie etc
- CD188 - 5 Flute Sonatas/ Partita for Solo Flute BWV 1013, 1030, 1032-5 - Hazelzet/Hünteler
- CD189 - Flute Sonatas BWV 1031, 8, 9/Doubtful & Spurious Sonatas - Hazelzet/Goebel/Holliger/Hill
- PART 4 - CANONS & COUNTERPOINT
- CD190 - Canons/Musical Offering (Musikalisches Opfer) - Goebel/Walcha/Hogwood
- CD191 - The Art of Fugue/ Die Kunst der Fuge (chamber version) - Dantone/Accademia Bizantina
- CD192 - The Art of Fugue/ Die Kunst der Fuge (keyboard version) - Aimard
- CD193 - The Art of Fugue/ Die Kunst der Fuge (1742 version) - Gilbert
- PART 4 - INSTRUMENTAL TRADITIONS
- CD194 - Legendary Performers - Casals/Starker/Segovia/Bream/Szeryng etc
- CD195 - Sonatas & Partitas for Solo Violin BWV 1001-1004 - Milstein
- CD196 - Sonatas & Partitas for Solo Violin BWV 1004-1006 - Grumiaux
- CD197 - Sonatas & Partitas for Solo Violin BWV 1001, 3, 4, 6 - Kremer/Mullova/Batiashvili/Jansen
- CD198/199 - Cello Suites Nos. 1-6 - Fournier
- CD200 - Solo & Chamber Works: Alternative Instrumentations - Manze/Holliger/Alessandrini/Emerson Qt etc
- PART 4 - MUSIC NOTEBOOKS/SACRED SONGS
- CD201 - Clavier-Büchlein W.F. Bach - Kirkpatrick; Taylor
- CD202 - Clavier-Büchlein W.F. Bach (concl.)/Anna Magdalena Bach 1722 - Kirkpatrick/Dart; Taylor/Schmitt etc
- CD203/204 - Noten-Büchlein Anna Magdalena Bach 1725 - Leonhardt/Verlet/Taylor/Hunt Lieberson/Kirkby etc
- CD205/206 - Sacred Songs “aus Schemellis-Gesangbuch" BWV 439-507 - Schreier/Prey/Kozena/Cuénod/Stutzmann etc
- PART 4 - BACH INTERACTIVE
- CD207 - Bach: Early Influences - Walcha/Foccroulle/Weir/Bouman etc
- CD208 - Concerto at Weimar: Telemann & Prince Johann Ernst - Goebel/Rifkin/Preston/Hurford/Dreyfus etc
- CD209 - Concerto at Weimar: Vivaldi - Benedetti/Preston/Hurford/Bolton etc
- CD210 - Concerto at Weimar: Vivaldi, A. & B. Marcello - Bolton/Dreyfus/ Rübsam
- CD211 - The Bach Family - Goebel/Helbich/Demeyere/Junghänel etc
- CD212 - Bach & Other Composers c. 1715-1730 - Helbich/Suzuki/Goebel/Webber etc
- CD213 - Bach & Other Composers c. 1730-1742 - Curtis/Goebel/Helbich/Suzuki etc
- CD214 - Bach & Other Composers c. 1742-1750 - Goebel/Gardiner/Suzuki/Helbich etc
- PART 4 - BACH AFTER BACH
- CD215 - Bach Renewed/ From Bach’s Sons to Mahler - Spering/Rademann/Minkowski/Chailly etc
- CD216 - Bach Reimagined/ Chaconne and Passacaglia - Staier/Grosvenor/Mata/Nézet-Séguin etc
- CD217 - Bach Orchestrated/ Reger to Stokowski - Stokowski/Ozawa/Boulez/Salonen etc
- CD218 - Inspired by Bach/ Gounod to Pärt - Serebrier/Grimaud/Chailly/Fires of London etc
- CD219 - Bach & The Virtuoso Piano: Liszt and Busoni - Freire/Brendel/Paik/Cascioli etc
- CD220 - Bach & The Virtuoso Piano: The 20th Century - Ashkenazy/Kissin/Kempff/Kurtág/Kocsis etc
- CD221 - Bach à la Jazz - Grappelli/Loussier/MJQ/Shearing/Getz/Evans etc
- CD222 - New Colours of Bach - Gregson/Olafsson/Tristano/Andersson etc
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谁听这张唱片?
订阅关于Bach333 - The New Complete Edition的评论:
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0 有用 cantabile 2018-08-22 15:45:12
已预订
0 有用 埃斯特惕卡 2022-01-29 09:13:43
听了部分,全集大概能薅QQ羊毛听完吧(希望。。。)
1 有用 都柏林的斯蒂芬 2022-06-18 11:23:00
说无与伦比毫不过分!重要曲目都不止一个版本,录音堪称完美。多张CD时间超过85分钟,也不常见。平均律的卷一竟然选了波里尼…跟手上的几套——费舍尔,古尔德,古尔达,里赫特,席夫,尼古拉耶娃,阿什肯纳吉,图雷克,季雪金,罗伯茨,倒是不重复。
0 有用 亘佑 2024-11-17 00:54:33 日本
很全很全很全
0 有用 易寸龄 2023-11-23 14:53:01 安徽
电子版下载至手机当作晨间闹铃,一天换一首不带重样😆
0 有用 埃斯特惕卡 2022-01-29 09:13:43
听了部分,全集大概能薅QQ羊毛听完吧(希望。。。)
0 有用 tommytin 2021-12-12 16:12:23
极高价值
1 有用 都柏林的斯蒂芬 2022-06-18 11:23:00
说无与伦比毫不过分!重要曲目都不止一个版本,录音堪称完美。多张CD时间超过85分钟,也不常见。平均律的卷一竟然选了波里尼…跟手上的几套——费舍尔,古尔德,古尔达,里赫特,席夫,尼古拉耶娃,阿什肯纳吉,图雷克,季雪金,罗伯茨,倒是不重复。
0 有用 君君 2024-03-09 16:33:06 上海
循环
3 有用 滋酥 2018-10-17 20:47:46
应该叫Bach666