IRISIRI (豆瓣)

表演者: Eartheater
流派: 电子
专辑类型: 专辑
介质: CD
发行时间: 2018-06-08
出版者: PAN

豆瓣评分

8.5

513人评价

5星

39.3%
4星

48.3%
3星

10.7%
2星

1.5%
1星

0.2%

想听在听听过

评价:

简介 · · · · · ·

　　Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fe... (展开全部) 　　Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.
　　IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions. Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells. Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.
　　Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome IRISIRI. One motif appears as a song name, C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra, she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.
　　Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s Corpus I mixtape alongside Denzel Curry and Moor Mother. She’s currently composing work for the contemporary chamber orchestra, Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

曲目 · · · · · ·

Peripheral
Inclined
Not Worried
Inkling
MTTM
Inhale Baby ft. Odwalla1221
Curtains
Slyly Child
Switch
Trespasses
MMXXX ft. Moor Mother
C.L.I.T.
In Vitro

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我来说两句

短评 · · · · · · ( 全部 124 条 )

IRISIRI的乐评 · · · · · · ( 全部 2 条 )

热门最新好友

Jaychen 2020-04-18 22:18:16

【译】PAN厂牌官网对IRISIRI的解读

Eartheater,也就是Alexander drewchin,将充满惊喜的制作，3个八度的音域和古典的作曲方式精炼成她自己独特的作品，这些作品充斥着细节处大量的令人着迷的音效和随处可见富有浪漫色彩的先锋电子，她的全身心倾注和令人心碎的真诚的嗓音，让听众在听他的作品的同时，仿佛是在看现... (展开)

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Jaychen 2022-07-22 22:26:20

【译】Pitchfork评Eartheater - IRISIRI

在她的第三张专辑中，这位皇后区的实验音乐家探索了女性声音挑战品味和规范的方法，并突破了公认的音乐语言的界限。 On her third album, the Queens experimental musician explores the way women’s voices can challenge the norms of taste and decorum and push past the... (展开)

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