Returnings (豆瓣)

表演者: Jakob Bro / Palle Mikkelborg / Thomas Morgan / Jon Christensen
流派: 爵士
专辑类型: 专辑
介质: CD
发行时间: 2018-03-23
出版者: ECM
唱片数: 1

豆瓣评分

8.8

53人评价

5星

50.0%
4星

42.5%
3星

7.5%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　“Danish guitarist Jakob Bro creates magical music, impossible to categorize”, wrote Downbeat recently. On Returnings the magic is intensified as Bro and musical soul-mate Thomas Morgan reconnect with two living legends of European jazz, trumpeter Palle Mikkelborg and drummer Jon Christensen. It’s a wonderful combination: Bro’s watercolour guitar sounds, Mikelborg’s soft M... (展开全部) 　　“Danish guitarist Jakob Bro creates magical music, impossible to categorize”, wrote Downbeat recently. On Returnings the magic is intensified as Bro and musical soul-mate Thomas Morgan reconnect with two living legends of European jazz, trumpeter Palle Mikkelborg and drummer Jon Christensen. It’s a wonderful combination: Bro’s watercolour guitar sounds, Mikelborg’s soft Milesian flugelhorn, Morgan’s impeccable choice of notes, and Christensen’s free-floating drumming . These components add up to one of the prettiest and subtlest jazz albums of recent times. Returnings was recorded in July 2016 at Oslo’s Rainbow Studio and produced by Manfred Eicher.
　　“Danish guitarist Jakob Bro creates magical music, impossible to categorize”, wrote Downbeat, reviewing his album Streams. On Returnings, the magic is intensified as Bro and musical soul-mate Thomas Morgan join forces with two distinguished elders of European jazz, trumpeter Palle Mikkelborg and drummer Jon Christensen. It’s an inspired combination: Bro’s watercolour guitar sounds, Mikkelborg’s soft, sometimes Milesian flugelhorn, Morgan’s impeccable choice of notes, and Christensen’s free-floating drumming. These components add up to one of the prettiest and subtlest jazz albums of recent times.
　　
　　The theme of “returnings” is central. The album opens with a new version of “Oktober”, picking up the story from Bro’s album Gefion. In recent years, Jakob’s trio with Thomas Morgan and Joey Baron has, happily, gained a strong following. Meanwhile, the guitarist had also been looking for a context in which to continue his association with Jon Christensen. Returnings provides this. It also reunites Christensen with Palle Mikkelborg for the first time on ECM since Terje Rypal’s Vossabrygg (recorded in 2003), and marks the drummer’s return to playing after a break of more than a year.
　　
　　“I never considered the first trio to be a one off”, says Bro, noting that bassist Morgan plays differently with Christensen than in the group with Joey Baron. “In some ways Thomas is a very socially-skilled bass player! He’s picking up on Jon’s ideas, he’s making the melody sound better and he’s also accompanying each of us in the improvised sections. It’s incredible what he does simultaneously.”
　　
　　Bro has admired Palle Mikkelborg’s playing for as long as he can remember. “I’ve known Palle since I was a kid,” he says. “I was playing trumpet myself, then, and listening to him a lot.” Both musicians live in Copenhagen, “and the scene is quite small, so we’ve crossed paths quite often. A few years ago, we were talking about collaborating on a large-scale music for choir. Then we decided to concentrate first on more improvised music. So I called Jon and Thomas and invited them to play with us. We did two concerts together with this formation in 2014 which really made me think about the potential. And Palle and I would meet, talk, drink wine and play a bit every few weeks, and gradually ideas for the album came together.”
　　
　　Working towards the music for this session, Bro and Mikkelborg began with the title track. “The main part of that is Palle’s. He had come up with a composition based on the letters ECM and Manfred Eicher’s name – similar in a way to his composition ‘Aura’ that he’d done for Miles Davis –s almost a mathematical construction. We started improvising on that and developing it and it became, I think, an essential part of the programme.” It seems to contain flashes of ECM history in its source code, and the way that Christensen and Palle Mikkelborg interact and overlap here is likely to make older listeners and scholars recall the tonalities and textures of 1970s albums like Waves and Descendre. Nonetheless, following Christensen’s free drumming, and the independence of the four voices moving in the transparent mix, leaves a deeper impression of music both modern and timeless.
　　
　　“I think it’s both fragile and strong at the same time,” says Bro of the music’s contrasting attributes, “and I love the way Jon very often won’t give you the obvious stressed rhythm you might expect. When Palle is playing strong lines, Jon is heading somewhere else in his own way. To my ears that’s really interesting.”
　　
　　For playing the unexpected in a jazz context, Jon Christensen has few rivals, though one of them would have been the late Paul Motian, erstwhile employer of both Bro and Morgan. The piece “Hamsun” here, dedicated to the Norwegian author of such classics as Hunger and Mysteries, was also partly inspired by Motian. “Paul Motian had talked a lot about Knut Hamsun when we toured together, and that got me reading the books…This is an older piece which I’d written originally for Kenny Wheeler to play.” The version of the tune on Returnings is played as a duet by Bro and Morgan.
　　
　　Mikkelborg’s piece “View” begins with Christensen and Morgan in duo, with Palle and Jakob introducing the theme only after the halfway mark. Bro: “This is really a collaborative album, the outcome of a creative session with good input from everybody. Musically, any one of us could be considered the ‘leader’.”
　　
　　One of the most touching pieces is “Song for Nicolai”, for Danish bassist Nicolai Munch-Hansen, who passed away last year, with soulful playing from both Mikkelborg and Bro.
　　
　　“Oktober” was included at the suggestion of Manfred Eicher. “It’s also a piece that Palle likes to play, and at the mixing stage it was becoming clear that this version had a special character.” The tune “Lyskaster”, also heard on Gefion, is dedicated to the memory of Jakob Bro’s father. “On Gefion, we had just touched the melody [in a version more spacious and textural]. Here, Palle and I play it together, and that felt good. Also, my father was a trumpet player, too, and liked Palle’s sound. So, I was thinking about that as well.”
　　
　　Returnings was recorded in July 2016 at Oslo’s Rainbow Studio and produced by Manfred Eicher. Further ECM projects with Jakob Bro are in preparation. Next up: a live album with Thomas Morgan and Joey Baron, recorded in New York.
　　
　　The Bro/Mikklelborg/Morgan/Christensen quartet will be playing some of the festivals this summer, including the Copenhagen Jazz Festival. More details soon.