Knock Knock (豆瓣)

表演者: DJ Koze
流派: 电子
专辑类型: 专辑
介质: CD
发行时间: 2018-05-04
出版者: Pampa Records (Rough Trade)
唱片数: 1
条形码: 0673799291326

豆瓣评分

8.4

815人评价

5星

38.0%
4星

44.4%
3星

15.9%
2星

1.5%
1星

0.2%

想听在听听过

评价:

简介 · · · · · ·

　　Like all DJ Koze records, Knock Knock exists outside of trend and influence. In fact, it's a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. Which is not to say it is utterly alien abstraction, mind. There is still disco, there is still soul, there is still techno, there is still hip hop, there is still... (展开全部) 　　Like all DJ Koze records, Knock Knock exists outside of trend and influence. In fact, it's a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. Which is not to say it is utterly alien abstraction, mind. There is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it's going to do. Likewise with the voices. More than ever before on Koze's records, there are fascinating, individualist – and well-known – voices through out Knock Knock but again, each of them is rendered strange, drawn into a different reality Bon Iver's ghostly hymnals on Bonfire are very recognisably Bon Iver, but the way they twist and merge with synthetic sounds until choir and computer are writhing around one another in bliss are something else. The ever-unique Róisín Murphy, on two stunning tracks, becomes a cyborg funk diva. Speech from Arrested Development delivers luscious and lazy R&B-funk on Colors of Autumn, but Koze's warping bass, dubwise echo and alien nature sounds take it to an alternate dimension tropical landscape. Kurt Wagner of Lambchop is a vocoder bohemian, Sophia Kennedy is a sci-fi Weimar cabaret star, José Gonzalez a holographic projection from an old film of South Sea Islands... on it goes, nothing is real, everyone is an inhabitant of Koze-world. And that's what is crucial here. Koze is a world-maker. You don't get to chose how you hear his music – you enter his world or you don't, that's it. And that's why individual influences, whether it's the trippy German techno that's always rippled through is albums or the beat-scene abstract hip hop that he incorporated into his DJ-Kicks mix in 2015, are all but irrelevant. Though he'd never compare himself to anyone else, Koze only makes sense in the way that other world-builders do, from Bowie to Sun Ra, Outkast to Kate Bush. And Knock Knock is far and away his greatest statement of that. It's an album that came together slowly and steadily, his working processes arcane and mysterious in their steady accumulation of sound and inspiration. It's so complete and bursting with detail and consistency from every micro-second that you'd swear it was meticulously planned – but there was no masterplan, do desire to create a definitive artefact: the record itself decided when it was ready. And now it is ready, the most perfectly constructed portal into that other world, you had better be ready too!

曲目 · · · · · ·

Club der Ewigkeiten
Bonfire
Moving in a Liquid (feat. Eddie Fummler)
Colors of Autumn (feat. Speech)
Music on My Teeth (feat. José Gonzalez)
This Is My Rock (feat. Sophia Kennedy)
Illumination (feat. Róisín Murphy)
Pick Up
Planet Hase (feat. Mano Le Tough)
Scratch That (feat. Róisín Murphy)
Muddy Finster (feat. Kurt Wagner)
Baby (How Much I LFO You)
Jesus
Lord Knows
Seeing Aliens
Drone Me Up, Flashy (feat. Sophia Kennedy)

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我来说两句

短评 · · · · · · ( 全部 213 条 )

Knock Knock的乐评 · · · · · · ( 全部 1 条 )

短评扩充

A（93）只需要用一个字来形容：妙。比2012-2017还要高出很多层次，今年目前为止制作水准最高、也是最有趣与genius的Electronica大作。相比2012-2017对纯技术的展现，这张多了它所缺乏的灵气与斑斓的色彩，Knock Knock仿佛是对他天马行空的想象力的一次淋漓尽致的展现。他十分高... (展开)